Reincarnation Paradise: The Golden Crow Dragging the Sun

I suggest you write a few derivative worlds first to gain popularity.

At first glance, I felt that I had rested enough. I was thinking about writing but got too lazy and felt that it was not easy to write. I just thought it was like paying tuition for my fellow friends in Paradise.

Have you been to Samsara Paradise? Some things are scribbled and taken for granted.

Good news: Out; Bad news: A piece of shit

I have a paradise encyclopedia, does the author want it?

The first road represents punishment, the second road symbolizes divine mercy, and the sword and shield on the third road are meant to overcome obstacles and protect the heart. This perfectly fits Laoyang's character image! The impatience and disregard for politicians, the pity and care for Aurora; holding a "shield" to guard behind him, and drawing a "sword" to swing forward are the policies he has been practicing in the paradise so far. It can be said that these three paths perfectly correspond to the protagonist's mood and personality. He affirmed the suitability of the third path because he has been practicing it; he rejected the first path because he has not yet turned his dissatisfaction with what he saw and heard into a spear of judgment and followed his own will to change the world. As for the second path, in addition to the choice of the path itself, it is probably because the previous chapter once again "cleared the clouds and revealed the sun" to one's inner wishes? The description after the talent changes seems to confirm my thoughts: "The saint walking in the world" matches the description before the talent awakened and represents the past; "The light that all living beings pray for" corresponds to his "choice" in fate and the sea of stars, representing the present; "Forging the Holy Crown in Compassion" should describe the "Shinto" he chooses in his heart and implements his own will (so the charm will be added to the willpower later? ) If my previous correspondences are correct, then I boldly speculate that "Crown as King in Responsibility" should correspond to a certain native world in the future. Under the expectation of all living beings, the protagonist faces an existence in the true sense where all attributes have reached the limit that the world can carry and is about to destroy the entire world. Through the power of faith gathered in the entire world, he condenses his own holy crown and even a sun, and casts a divine soul! This should be the "Eternal Life of Mu Hui, the One Who Praises" in the talent introduction, and he is the "blood-stained one" who can conquer without hindrance. (Perhaps when the talent is awakening for the second time? Then what kind of existence can achieve this specification and have the corresponding weight?) Of course, because of the word "conquest" and the protagonist's special combat skill that combines "big sword" and "spear", this can't help but remind me of the "unstoppable" old knight in the original work and the Iron Feather King who was the first to bring Su Xiao a truly hearty battle with skill. Their "Hegemonic Slash" and "War Soul·Zong" - as we all know, these two are real battlefield experts, so will Mu Yang's actual positioning be that of a "leader general"? Let me loosen my imagination a little more: "Decapitated Akatsuki" + "Legion Xiao" and the invincible "God General Yang" + a bunch of powerful contractors who cooperate with them work together to face some difficulties that cannot be matched by a single fight (such as the battle of becoming a god I guess, such as some enemies in the original work that require means to overcome, and The guy from the Star Sea? ) Anyway, the prophet is here. If I am right, the readers who have read it will remember to come back and kill me 🪖 PS: If the three stone tablets of talent are the future, the present, and the past, doesn't Mu Yang have to change the world? Well, pity, mercy, saving the common people with one thought - all these are the best expressions of the "power" and "power" of the powerful! After the screening of reincarnation, madmen are only dangerous, but those who practice the way of the Holy King are destined to be invincible!

Authors should not push themselves too hard, and relax at ordinary times. For example, write when you are tired, write when you are hungry, and write when you want to catch fish. It is best to update 100,000 words a day.

Wuhu, Wuhu, come on, don't enter the palace. There are too many people in the early stage who can't hold on.

Anti-theft is too tough

Can the protagonist just tie a few Sun Swords to his body and press into the enemy camp (When I saw the protagonist's golden wings and black wings, I suddenly thought of this picture of Bai E)