Starting with a Max-Level Account, I Became the Witch Savior

If the genre is Western fantasy, it is better to change the name of the protagonist to a Western name. The two characters "Lu Ming" are so inconsistent among all the Westernized names, and there should be fewer modern spoken words that relate to the protagonist's daily life. There are some dramas. At the end of the fourth chapter, the author said that he didn't have money to do full color. In fact, just post some AI illustrations. Many AI tools are now free, author! Take some time to look for it! ! Looking forward to your ai illustrations

Traveling to a different world to save witches with a full-level warehouse, the story begins with the protagonist, who has reputation and support in Sephis, picking up a witch in a bakery and unlocking a full-level account warehouse.                                                                                                       There are also stories to improve the knowledge storage of villagers, etc. The author has only briefly touched on the exciting plot of these people appearing as saints. Although it allows the protagonist to pass the initial stage of land reclamation and directly sit on resources, popularity, support and prestige, it does lack some fun. Secondly, some interesting phenomena that happened on the other side of the river in the beginning were also used as jokes. Maybe the other world continent can't understand it. Judging from the feedback from readers, it feels okay? Of course, I personally think that as long as you don't overuse it, the senses are fine. If you use it too much, it will be a bit out of place. The last thing is the witch and the warehouse. The protagonist has a full-level warehouse in his past life. Logically speaking, you can get a rough idea by skipping all the plot, because the weapons and equipment need to be obtained through the plot and completing tasks. However, the protagonist seems to know nothing about it, and he doesn't even understand some basic information about the witch. If it is written like this, readers will indeed have some suspense to attract reading, but it is weird, forcibly creating suspense? The unfortunate witch, the theme of the story should be to cultivate and build witches, make them strong and finally save the witch. However, I would like to remind the author that the "sinking river" clearly cannot be a straight line, otherwise it will "peak", but training is OK, don't write that explicitly, be more subtle, and everyone knows that it is closed, otherwise there will be danger. That's all. Come on, I'll take my time.

The setting is good, but the writing skills are not enough, the characters are not established at all, and the protagonist's previous thoughts are really incomprehensible 🙂. It is impossible for a person to change the minds of the people around him and make them change, but not know anything about it. Especially after overthrowing the nobles, the protagonist does not act with any thought of completing the system's tasks. He is purely pushed along, with the idea of ​​​​taking one day at a time, which makes some people unable to read. I think the core point of the Lord's Wen Zhongtian Wen is development, the control and expansion of the territory, and the growth of strength. Every event or plot advancement is for this development, enriching the image of the characters in the process, but it is really frustrating in the early stage. There is no idea of ​​active development, but being pushed away by the people around, resulting in a slightly poor impression

The setting is quite interesting, but the pace is too slow. The biggest reason is that the main character is indecisive and I can't stand it anymore. It's smooth 😒

Taxes have to be collected even if it rains. They are about to starve to death and there is no resistance. Is there something special about this world? There is no information about this world for a long time. Author, you can tolerate it. Slow pace is not necessarily good.

Everything is without any foreshadowing. The protagonist suddenly becomes respected, suddenly saves everyone, and suddenly becomes a leader. It's like a daydream. Wherever he becomes obscene, he adds settings to the protagonist. The witch is like taking an aphrodisiac. There is only a little pitiful foreshadowing for the relationship. Xiaobai's text

I can't stand it after reading 20 chapters. I know why this book's performance is not good. The title of the book is a full-level account, but except for the unlimited bread, this full-level account is of no use. The witch doesn't see any use. I guess you guys like to talk about the three golden chapters. This is already 20 chapters. The content and the title of the book are completely different The main character is really ex-like, and the plot arrangement clearly shows that he is going to follow the path of the Yellow Turban Uprising, but the protagonist just wants to pretend to be this white lotus, and act as a cousin and build a memorial arch. It is obvious that the supporting villains are saying: You rebel. The protagonist wants to say: No, I was forced. If you want to rebel, then do it vigorously. What I want to see is the protagonist who is strategizing, not being forced on the road and asking questions. It is simply inexplicable to act like an irrelevant person.

I'm starting to find reasons to castrate the protagonist. There's nothing to say. My unified approach to this situation is to start raising books. When I think about it, I'll check the latest progress to see if the protagonist is still a eunuch. If you never think of it, or too much time has passed and you are too lazy to update it, delete it from the bookshelf. I just don't understand. The main character's loss of virginity can only be explained in one or two paragraphs. Why is it so difficult to write about it? You have to find some lame reasons to delay it. Isn't it interesting?

More than 400 chapters, with so many hidden plots, you can't even win the initial kingdom. You are no longer an ordinary procrastinator. The key is that the characters have not been established, let alone personality. From the performance point of view, it is still a high-level writing, playing tricks in the abstract, and it is embarrassing as hell. The most terrible thing is that you have to separate the lines by yourself, writing group portraits while pursuing the traditional route. The prerequisite for both wanting and wanting is that you can have it. You just have to wait so many chapters for your protagonist to be woken up by two big guys fighting each other. How do you separate the lines? Let the readers wait for you to write 1,800 chapters before you start. Have you read it for the first time, not to mention the growth path of your protagonist's character? You have to write one or two hundred chapters for something that others can write in a prologue. The key is that it is neither interesting nor novel. You have to spend so much time just to write a cliché. You go to the chapter to explain this and that, and write online articles until you jump off the scene to explain. You really have to think about it for yourself to release people and keep people. Besides, everyone can store their brains and read books, but you can't use a set of logic to death. It can't be solved by just posting on the profoundness of Chinese culture. You have to write serious plots and make these dramatic jokes while letting your brains run wild. Can your grades really be good? I'm bored enough to spend an entire night going through this thing.

The early stage was too slow. The author spent too much time trying to give the normal protagonist the identity of a leader. However, the overall plot is still very interesting. I recommend you to read it if you have time.

Obscene articles are the norm. In the beginning, the protagonist was a middle- and lower-level person who could not be paid by the recruiters. As the writing went on, I added settings, turning him into the boss of people in a city, and then writing him into the actual controller of the city. Then such a protagonist continues to think like a middle- and lower-class person, Le.

I feel unhappy and aggrieved. I do whatever I want and withdraw when I want. I don't want to do anything and I don't want to withdraw. What do I want to do?

It was very abstract at the beginning. I knew that a noble came and said it was a lunatic gunman who did not move. He drugged the tax team and then did nothing. The nobles did not react at all (generally the tax collectors must be the nobles' confidants or the most elite troops). How could the nobles be surrounded by weapons and retreat? Don't you know that the arrow has to be fired when it is on the string? If you do this a few times, your heart will fade away. It is about a revolution in another world, and the protagonist is very similar to Yuan Shao, who is fierce and indecisive.

The writing is incomprehensible, and the emotional scene with the witch is also very awkward. I saw that in more than 30 chapters, no character, including the protagonist, can stand up. They are all puppets on the stage. The characters seem too bad 😡😳

The plot is dull and boring, and the male protagonist is pretentious and looks like a woman.

The negative reviews are very harsh. It turns out that the author himself is military illiterate, industrial illiterate and economic illiterate. The way to develop productivity is to use various methods to snatch away the gold, silver and copper coins from the surrounding nobles. In building a magic rifle, it seems that the only obstacle is to find alternatives to gunpowder, rather than how to produce refined barrels and bullets For example: The protagonist is good at spreading social sciences such as Capital on production and productivity to his own power, and isn't "Dad" and others good at being called wise men? Why is the protagonist still thinking about squeezing the "money" from the hands of the nobles every day? "Money" is just an exchange of equal value. Internally, in the internal economy, the protagonist's population of only a few hundred thousand does not require much "money" to maintain economic circulation, and he can completely make his own money. Externally, does the protagonist still need a large amount of kingdom loans to import a large amount of materials from the nobles of the small peasant economy? The protagonist relies on Goldfinger for food, which is needed by the industrial revolution. How many other minerals can be provided by an agricultural society? It would take 200 chapters if the protagonist does not have to mine it himself. The protagonist has not yet built a power equipment similar to a steam engine that can replace human and animal power? The gun that has been played for nearly a hundred chapters has also been difficult to give birth to. The reason for the difficult birth set by the author is actually because there is no suitable substitute for gunpowder, not because there is no steam engine equipment to make gun barrels.

Is the logic of the article a bit weak or non-existent? Just like you have tens of millions of dollars, and the property management company in the community says that the property fee will increase from 500 per year to 800 per year, and then if you can't accept it, you are ready to kill the property owner, and prepare to fight against O_o with Guo Jia. Isn't this too illogical? I really can't understand the first five chapters. If the protagonist's monthly income is 50, then there is no problem. However, if the protagonist's monthly income is over 10,000, it would be really difficult for the protagonist to work hard for the increased cost

The protagonist is so ink, and the system tasks are all sent to you. You still have to hesitate for a long time to become a city leader.

There is a saying that every time I see this type of book, I always think of the classic Warhammer joke. At the same time, it is a pity that no one has seriously written a brilliant work about the classic Warhammer joke, which is lamentable.

I don't know why I wanted to write about Scarlet Moon, but I just wrote about it and wrote about being crushed. After finishing the work, I still want to go out alone. . Originally, farming a harem was relatively easy. Are you going to write fantasy now? The protagonist has obtained a career, and it's time to show off and slap on the face. There is obviously so much equipment, but you can't bring it with you. Okay, so I can't bring it because I don't have enough level or attributes. Then why not increase the witch level and star rating. And for no reason, a witch appeared to crush his own side. Is there such a big difference between how much the witch uses and how much she loses control? Or is it that everyone else is SSR, and the protagonist can only be N card. When the character level is over 50, the level is not low anymore, and there are clear ways to improve the star rating. The protagonist's profession is also coming. Then he told me to take a few people with me if I wanted to go out. No need to eat hard. It still suppresses combat power. Isn't the equipment advantage obvious? It's just a turtle shell. The task of uniting and uniting should obviously be completed, but it has been stuck. And the former great sage of the Holy See, who must be a high-level person, also fell in love with a witch, which I didn't mention before. Now it seems that a religious order (definitely not as good as the Vatican) can produce such a powerful witch, and it can also be controlled remotely, and it has operations similar to resurrection from the dead. The great sage has nothing? And did such a powerful witch come from practice? What if the great sage didn't know how to do it? . If not, how could this witch reach this level? One of the two wild witches has lost control, and the other is almost out of control. Their strength is only so much. At this point, you can easily grasp the protagonist group, but you are still in a state of letting go. The summary is that the last few chapters have been tough and have deviated a bit from the tone at the beginning. I waited and watched for a while, feeling like I was dead, now I have to follow the internet writing routine. It can obviously be written about improving the witch's star level and replacing it with powerful equipment. In the end, the protagonist was asked to go out and find his own way? Looking for ways to upgrade?

If you have the strength, you should push forward. If you don't have the strength, just farm and push forward! You're so mean, I can obviously push flat but you keep twisting me. It makes me twist to death.

Waste of my subscription😅

Readers, if you have any questions, you can submit your feedback here, and if you think something is not good, you can raise it here. As long as the words are not too outrageous, the posts here will not be deleted. I will make adjustments to subsequent chapters based on the readers' suggestions, so that readers can see better content.

After reading a few chapters, it felt so bland, and the main character was so awkward. When I read 1 million words, I got about 50 comments, which was designated as not good.

Can I ask which chapter starts? I have to eat.

Chapter 7 is here and I'm still browsing. Why, do I have to wait until there are ten or twenty pictures before I start writing the text?

First of all, the advantages. The daily life at the beginning and the description of several witches are okay. From this aspect, the author has the potential and qualifications to write a book! Those who are interested in this subject can continue to take a look. There are still some minor problems. I feel that the author may not be able to write more comfortably? It's a bit like just starting to write a web article and writing according to your own ideas. Some settings are a bit imperfect. For example, the hook is very strong but watery. In order not to forcibly increase the strength, it suppresses the use of hook. The point of hook is actually very simple in online articles. Many authors have not thought about it. Yes, if the witch you set is very strong, then don't add random settings to suppress the witch. For example, if your witch can make the witch reborn, if you want to suppress the progress, just suppress the number of witches. Don't start with a dozen witches and let them hide outside, one by one. This is much more reasonable than setting equipment that cannot be worn. Then there are some issues regarding the protagonist's philosophy, such as the Three Kingdoms, Warhammer, Rebellion, and equality for all, as well as the protagonist's thinking, whether he wants to go home (the protagonist who time-travels always wants to go home is a common poisonous point in Internet literature), and he also wants to lie down. , Wants to rule again. To sum up, it is too chaotic. In fact, to sum up, he is a modern man. The idea of equality of everyone has infected everyone in this aristocratic world. Everyone decided to work with him, which directly opposed everyone's autonomy. It is as simple as that, so much indecision. When you are a writer of online articles, don't think about what the protagonist you write will do. You have to think about what the readers of the book will think. It's that simple.

It can be seen that the author is not an old author, and the description of ordinary people is not provocative enough. To write a touching story like this kind of lord novel, it depends entirely on the description of ordinary people to arouse readers' empathy. After all, none of the readers have ever been a lord grandfather 😁 I have read 77 chapters so far. It is not poisonous. There are also minor problems. However, this is a common problem in online literature. It is unavoidable in mass-produced articles. I hope the more I write, the better.