Infinite: Simulation Begins with Dc's Justice League

Cold Green Arrow - Mature Flash - Supergirl Kara The author has followed the show for many years, starting from Green Arrow and finishing with The Flash. I have many regrets and want them to join the main series completely, especially Green Arrow whose character is similar to Batman.

I feel good-looking✌︎( ᐛ )✌︎

You write very tastefully, keep up the good work

The author's storyline is very reasonable, and it is rare to see a protagonist with growth.

That is the driving force and purpose of writing this book. I will try my best to write the copy. After the DC is finished, the book's grades have reached the level where I will not be able to get perfect attendance. I don't care about any grades, I just want to finish writing this story. My biggest driving force is to write about those traditional infinite flow elements. No matter how bad the evaluation is, I will still write. This is my dream, a dream that I gave up twice and picked up again the third time. I just want to realize my dream with this book. I can't say yet whether I will write a novel in the future. Anyway, I will never finish this book, and I will never write a second one, let alone open a new book in a smaller format. If I were asked to delete or reduce the content in the infinite space, then I would rather not write it and give up writing novels completely. Don't post anything about the fairy grass that looks good in the front, but the infinite shit in the back that looks ugly. Can you persuade me to quit? After reading the first copy, please leave. I am at this level, and the main god space set is what I want to write. I will write on a stand-alone computer later and just quietly realize my dream. Anyway, I finished writing the dc and my grades have dropped. Now I write without any psychological burden.

Think about it, DC has Superman, the first American superhero, the Flash who created the multiverse in the 1950s and gave American superheroes a second life, Batman who was always the most popular before (I haven't seen who has been number one in the past few years), and there are also good movies like Watchmen, V, The Dark Knight, and Doomsday Clock, great events like Flashpoint, and it's amazing that Warner mixed it up like this

This emulator is very powerful. There is no cooldown and unlimited time per day. Points will also be given after the simulation is over. And the points can continue to be simulated. The reason for your poor performance is that you used the wrong direction. In theory, most of the plot should be spent in the simulator. Because in the simulator you can try whatever you want and you won't die, but in reality the protagonist only has one life. . . Every time you enter a world, you can use the simulator to make yourself foresight and omnipotent. Every time you go to a new world, what you write should be the story in the simulator. Rather than putting yourself in danger. I don't quite understand it. Suppose you own such a simulator and then enter a dangerous world. Will you try it after simulating it a few times? To be superhuman, to be the mastermind behind the scenes. You don't even know if what you simulated earlier was correct. It's possible that at the end of the simulation, you realize that this is a dead end and you were wrong from the beginning. I have seen many simulators. For example, some simulations can only be used three times a day. Some simulations cost points, and points must be obtained by affecting specific characters in reality. And your simulator has no such restrictions at all, it is simply invincible. And you have such an invincible ability. What are you doing? I found out several times in my dreams that I had made friends with Barry Allen, which was great, and I got in touch with him in reality. Was it too imprudent? . . . . In short, I feel that the cheat you set is a completely unrestricted simulator, and the protagonist does not have unlimited characteristics. Most of your plots every time you enter a new world should unfold in the simulator. When the simulator goes from the starting point to the end point. I have already opened up this world using the simulator, and I have even played through it more than once. It is just like playing a game. Your various branch lines, hidden points, and main lines are all completed. Then is when the real protagonist appears. Representing individuals only.

I seriously doubt that DC is a later dungeon. Compared with DC, the difference between chasing and Jojo is the difference between jumping off the building and going down the stairs.

It looks okay, but I won't watch it if the next copy is less powerful. Is it an American comic type? Why are you afraid of overpowering the combat power? If you want, you can play Multi-Integration in the next game. If you think Multi-Integration is too weak, then you can go to Marvel and fight Beyond the Gods.

Reposted from Zhihu: 1 Basic destruction level (Brick Explosion~Star Explosion) Brick Explosion Level: This is the most basic level of combat power, literally meaning that one blow can break bricks. In reality, it is difficult for ordinary people to break through brick walls with their fists, but some fighting characters or low-level superpowers can do it. For example, the villain Bane in "Batman" demolished a wall with his bare hands, or the undocumented knight in "One Punch Man" can shatter concrete with a full blow, which is barely considered a brick-blasting level. According to Wangba standards, it is approximately equivalent to a strike with an energy scale of about 2,000 joules (approximately equivalent to a grenade fragment strike). Wall blasting level: The level of breaking through thick walls with one blow is slightly higher than brick blasting. Some street fighter-type characters and martial arts masters with powers far beyond ordinary people may reach this point. For example, Kingpin in Marvel's "Daredevil" destroyed a thick wall with one punch, which can be regarded as a wall-blasting level. The energy corresponds to the equivalent of approximately 120 grams of TNT. Building Level: One blow can destroy a house or building. In reality, this has completely reached bomb-level destructive power. For example, in "Attack on Titan", the giant punched through the city gate and destroyed the garrison fort, which is close to this level. The converted energy is approximately equivalent to the explosive power of 0.5 To 1 ton of TNT. Breaking Level: Flatten a block with one blow. This is the boundary between low-level superhumans and medium-sized thermal weapons. For example, the original form of "Godzilla" swept the streets of Tokyo with its breath, or "Iron Man" used micro-missiles to blow up a street. These are typical performances of the street-level explosion. It takes about hundreds of tons of TNT to explode. Wang Ba has a vivid explanation: "Bakujie means smashing a street to pieces with one punch." It is generally believed that the total destructive power of Baojie-level characters is actually enough to destroy part of a city, but it is not enough to destroy the entire city with one blow. City Blast Level: Destroy a city with one strike. This is nuclear weapons level destructive power. Classic cases include the Japanese anime "AKIRA" where the superpower Akira caused an explosion that wiped out large areas of Tokyo, Shinjuku and other cities; another example is the Hulk's furious punch in the Marvel comics that shattered the entire Las Vegas building. This type of performance reaches or even exceeds the scale of city destruction, that is, city explosion level. Its typical energy level is above one million tons of TNT, which is equivalent to dozens of times the power of the Hiroshima atomic bomb. National level explosion: Destroy a country's area (in the order of hundreds of thousands of square kilometers) with one blow. The "country" here generally refers to the territories of big countries like France and Germany or even the entire continent. Characters of this magnitude are rare in middle-grade fantasy. For example, in the "Fate" series, the demon king Goetia once released the "human incineration" flames that swept across human history, which was equivalent to global destruction. However, if the scale is reduced, the power of destroying a country can be regarded as a national explosion. Another example is the "ghost disaster" Kaido in "One Piece" who is said to have the ability to destroy a country (although a blow of this magnitude has not been directly shown, the setting is in this direction). National-level explosions often require energy equivalent to tens of millions to billions of tons of TNT, far exceeding the single-body power of mankind's existing nuclear arsenal. Continental level: Sometimes Wangba will further subdivide it into "continental level", which refers to the power to destroy an entire continental plate on the earth in one blow. For example, the legendary sinking of Atlantis (if used as a metaphor for combat power), or the miracles of some mythical characters that shattered the continent. The continental level and the Bakugo level are very close. The only difference is that the scope of destruction expands from a political country to a geographical continent. Generally, the continental level is slightly higher than the explosive country level, but lower than the explosive star level that can truly destroy the entire planet. Surface level: Between the destruction of continents and the destruction of planets, it refers to the ability to destroy life on the surface of a planet or completely change the landscape. Simply understood, "surface destruction" refers to the destruction of all land and ecology on the surface of the earth. The earth itself may still exist as a celestial body, but it has become a barren and lifeless wasteland. For example, in science fiction, global flames and nuclear wars that burn the earth's surface into scorched earth are all surface-level destruction. But to blow the Earth into pieces and disintegrate its mass would require a higher level. Explosion Star: Destroy a planet (usually a planet similar in size or mass to the Earth) with one strike. This is the typical threshold for "destroying the world and destroying the earth" in science fiction and fantasy works. For example, in "Dragon Ball Z" Frieza destroyed Planet Vegeta with one finger, which was a classic star-breaking performance. Another example is that Saitama once kicked the moon to pieces in "One Punch Man". Although the mass of the moon is smaller than that of the earth, it is enough to prove that its lower limit has reached planetary level destruction. Therefore, Wangba judged Saitama to be at least an "explosion star" character. Characters who have reached the Explosive Star level are usually portrayed as nearly invincible in their works, which cannot be compared in reality. Theoretically, it would take about 2×10^32 joules (equivalent to 50 billion megatons of TNT) of energy to explode the earth, which is an astronomical figure. Stellar Level: The level that destroys stars (suns). The mass and energy of stars are much higher than those of planets. The energy required to destroy a star is about ten thousand times more than that of destroying the earth. Some cosmic-level heroes in the Marvel universe (Thor's full blow caused a star to explode) or higher manifestations of Superman in the DC universe (such as carrying stars on his shoulders) can approach or reach this level. In the Wangba magnitude table, "stellar magnitude" is listed after the exploding stars and before the galaxies. This means that there are indeed characters in the work who are believed to have the power to destroy stars. However, there are not many characters who purely show the destruction of stars, and most of them are realized through speculation (such as the reaction of absorbing star energy, etc.). Galaxy Level: *The ability to destroy an entire galaxy (Milky Way)*. A galaxy contains hundreds of billions of stars, so the galaxy scale is far from comparable to the star scale. Usually only god-level or cosmic entity characters can relate to this level. For example, the Golden Saint in the Japanese animation "Saint Seiya" is said to be able to destroy the galaxy (although this is an exaggeration, the God Warrior and the Grand Priest do have hints of galaxy-scale tricks). Another example is the Phoenix Force host in the Marvel comics that can devour galaxies with its full burst. These can be classified as galaxy level. Reaching the galaxy level, generally in works, they are gods who create and destroy the order of the universe. Galaxy cluster level: The level that *destroys galaxy clusters/super-galaxy clusters*. Galaxy clusters are gravitational aggregations of tens to hundreds of galaxies, and larger superclusters (such as the Virgo Supercluster) contain thousands of galaxies. Destroying a structure of this scale is almost equivalent to destroying the material content of most of the universe. Theoretically, if a character can easily destroy a super galaxy cluster, then it is not far away from completely destroying the entire observable universe. There are very few examples of this kind of character, and they may appear in some works or online novels with extremely exaggerated settings, such as the character of the Creator God who can wipe out billions of galaxies with a single thought. Cosmic structure level: This is a unique subdivision in the Wangba scale, which refers to the ability to destroy or transform the largest known structure in the universe. "Large-scale structure of the universe" includes structures formed by the arrangement of super-galaxy clusters such as the galaxy network and the Great Wall of the Universe. For example, the Sloane Great Wall and the Hercules-Corona Borealis Great Wall are the galactic Great Walls with the largest spans known. Destroying these structures means causing damage to the macroscopic structure of the universe, but the universe itself (the structure of space, the flow of time) may still exist. Therefore, the universe structure level can be regarded as a step closer to the destruction of the single universe but slightly less. Generally, only characters such as the Creation God and the Will of the Universe involve abilities on such a scale.

Please go to the second world and kick me. If you lose your fighting power, I won't watch it. After all, it's not easy for everyone to make money

If you keep writing DC and Marvel plots, you will definitely become a master, refer to the American comic Deathstroke. You don't want to see the second world now, the gap in combat power is too big

Author, don't take the comment below that advises you to take the initiative to suppress combat power. The simulator can only equip one talent. If you adopt this suggestion, this book is not far from the eunuch. Nowadays, books that suppress combat power will not last long. No one wants to read it. After all, everyone has stress in real life. Reading a novel is to release stress and to have fun, not to watch the protagonist who is afraid of one thing or another and cannot let go of his hands and feet.

I can't understand it, DS is very messy, and the subsequent ones are even more messy.

The plot is pretty good, but you can't write or copy Infinite Space? I have to write one myself. What I write is not novel, only curious. DC came out and pulled a big one for me. I'm looking forward to the author's next story. He has great writing skills.

How should I put it? It is definitely an exaggeration to say that it is fairy grass, but it has great potential and its flaws are not concealed. It is much better than most novices who write unlimited literature. Please support me by reading it. I hope I can finish it.

I can only say that the front part is so amazing. I didn't watch much of John Wick. The protagonist in the front is weak and has friends, but the main character in the back is only Doro. The front part is so amazing that the foreshadowing in the back makes me feel upset. I always want to see the horizontal text in the front.

I have a question, why doesn't the protagonist just set the respawn point in a city with a green light, so that he can be delayed on the road for a few days no matter where he goes later, and won't he get a reward if he survives for five more days?

The plot of the Aquaman movie baffles me. The two kings of Atlantis, one is born from the king and the queen, and the other is born from an ordinary person and the queen. According to this theory, Neptune is not considered a descendant of the royal family at all. After all, he is not a descendant of the king at all. The Trident recognizes its owner as Neptune. This setting is the same as the British Sword in the Stone, but I still don't understand Arthur's birth setting.

The introduction can be changed. I don't think it's interesting to suppress combat power anyway. It's quite baffling to insert a quick chase. If it's compromised for the sake of the plot, it's even more boring. It's better to change the world.

After the "Simulate My Life" command is issued, the next step is to simulate the future until death. The simulation ends and is settled, returning to the real time when the command was issued. Author, I've explained everything for you, why don't you give me some extra details?

Why is it so confusing when entering infinite space for the first time?

Okay, I found another DC book. Is it all the Marvel books recently? The smell of black and deep residue is quite good.

It feels a bit juvenile and disgusting. Why can William trust the protagonist when he ends up so miserable?

Nowadays, there is too much shit in the starting point environment and it is unsightly to look at. It is really not easy to find gold in the sand to see a book like this that is written in a normal and logical order and does not violate the rules. Please support the author.

There is unlimited space to write, but your magically modified plot world has too many, and it is completely original. Also, your space reincarnations are too interactive, and they don't even feel like the main god's space. I remember that I added it to my bookshelf last year. I saw the few chapters where I first established trust with Neptune, and then I forgot about it as I read it.

Are there so many books on eunuchs recently?

1. The author's ability to tell stories is indeed good; each copy is well written, the plot is quite complete, the development is reasonable, and the base world and other elements are stitched together well; of course, if you do not update enough, each copy takes such a long time to slowly lay the groundwork, develop, and finally climax, then the term "low emotional intelligence" is just water/rambling, for me, I read it in one breath. The feeling is quite good; 2. Infinite space. After reading it, I actually have no objection to infinite space. Isn't this just a "paradise"? What's wrong with the structure of this space? It's not set up quite well. 3. To write an infinite space in "paradise", if you have to slowly recycle the foreshadowing, it would take at least four to five million words, not to mention 10 or 20 million, so I feel that the book is complete. . . Hanging, unless the protagonist is suddenly enlightened in which copy, and a simulation directly reaches the top and ends hastily; 4, the problem of fun is also a question of strength; the protagonist in the first copy needs to grow up, and Kuku is beaten, and the subsequent copies are simulated exploration, dying to improve strength, slightly better than the boss; although the deputy The construction of this world is good, but, how can I put it, this writing method is a bit old. Come to the Invincible dungeon to enjoy it, just in time to try the short dungeon; another thing is that the protagonist's strength is limited to the simulator. I always feel that the strength setting is too restrained, and the strength improvement is almost purely based on the feedback of the simulator.

Free of charge. I can only give you an initial subscription and a monthly pass. Currently viewing the shelves section. It's cool to watch. 👍

Has anyone summarized all the simulator talents that have appeared? I think the description is quite interesting.