Sky Waltz

[One-sentence conclusion] "Waltz in the Sky" belongs to the [medium-to-upper] category (if you are not interested in aerial combat tactics, it will be below). The description of aerial combat is full, but the plot rhythm and character creation drag down the overall experience. Please consider whether to update/replenish your votes. [Panel & Value] Air combat details: The first echelon of online articles, detailed and realistic descriptions of various classic aircraft models and air combat rhythms Plot rhythm: The main line advances slowly, and poisonous points are difficult to deal with (referring to the survival of war criminals and the fact that the protagonist is deflated except for fighting). The foreshadowing description and recycling are poor, which does not improve the reading experience much and is too confusing at the same time. Characterization: The protagonist is a pure tool (although he has the characteristics of a hero). There are too many group portraits, a lot of descriptions of enemies that make readers hypertensive, and the protagonist has no countermeasures. The reading experience is in the form of [open high and go low/split/refreshing (doubtful) with congestion in the middle]. [Versatility & Countermeasures] Versatility: Not recommended for most readers, some readers who like slow reading and have requirements for group portrait descriptions Countermeasures: Highly recommended for World War II air combat enthusiasts, both in terms of equipment details and tactics and strategies. Worth trying [Extract Suggestions] Recommended to: Air Combat Details Party, Technical Control Party Not Recommended: Shuangwen Party [Summary] In short, "Waltz in the Sky" is a "raw jade". It would be better if the author spends more energy to carve out the group portraits and military details of the land battle. The following is a personal subjective complaint: The author's hook for the protagonist is too difficult, and it has little meaning except to help the protagonist transform from a rookie to an ace tool person and to explain the plot. Enemies that should be killed cannot be killed, and further promotion of the development of air force doctrine has not yet been reflected (as of 2025/8/14). It would be better if other war mine systems (such as accessories, member group levels, creeps, etc.) Are introduced and the protagonist is transferred from the role of air superiority tool man to the air force farming stream (unfortunately, the weapons test squadron establishment has disappeared with the transfer to Egypt, sad). When there are not enough updates, wasting pen and ink on a small character (a certain unlucky infantry platoon leader) who appears in a few chapters is even more disastrous for the reading experience, not to mention that the description of the enemy's ace takes up space for the protagonist group.

If you get tired of moving bombs in the game, you can move bombs in the novel. If you feel tired of moving bombs in the novel, you can move bombs in the game. This is also a virtuous circle.

You should change the name to something like "Starting World War II Air Force, Ace Pilot"

I made a dream come true for me

Stop writing about everyday feelings, okay? An air combat novel contains a lot of daily life and emotional drama. You virgin authors just like to write about beautiful bosses, beautiful teammates and the like. As the main storyline, air combat has completely become a tool for you to fall in love. Why don't you write a female channel?

It can be renamed "Hungry Author Satisfies Sexual Fantasy Female Character Xiangxiang"

If you like Kurt so much, why don't you just make him the protagonist, and get it back from Chapter 1 to Chapter 136?

Immersed in your art? If you don't read readers' suggestions, you should bear the consequences yourself. I have nothing to say.

First of all, I said that the female pilot looks like an elf. I didn't realize it until Lianmeng🤣 I tasted it and realized that it didn't taste right.

It's still the same sentence When a person is right, it is to distinguish between the noble qualities and the ugliness of the enemy. Soldiers and kindness do not conflict But decisiveness in killing is not indecision. Even if you really don't want to write to kill him from the parachute, at least you have to write something equivalent that can be accepted by readers, right? Forcibly breaking out of PTSD, a brother in the comment area put it well: Will someone overcome PTSD and break through themselves? There are very few articles on the market that write about the history of World War II but also intuitively and deeply reflect a certain country. The author has laid a good foundation in the early stage, and it can be seen that the author has a certain foundation. In light novels and two-dimensional, what everyone hopes to read is not just blindly deflated, as long as the plot of deflated is enough, It's just reasonable and in line with the development of the plot With such a good female elf teammate, a Scottish girl, a brother who grew up together, and a cute little witch, why not write about comradeship, the glory of humanity in war, and the two-dimensional pure love story that everyone loves to see based on the historical line? Personally, I don't want to give up the book at the moment, because I think this book may have a turning point, but others won't hold a wait-and-see attitude after reading it for a long time. I hope the author will consider it carefully after reading it!

The classic question in the comment area is why is the country of war? I can only say that the blame is like this. Let alone the lack of virtue in the war, the British army in World War II is a domestic fruit fan. German fans and Soviet fans are triple unwelcome, and the camp audience has almost been screened out. Even leaving aside these things, I really don't know what to write about the British World War II, because the British Commonwealth has capable people in the navy and air force, and there is no need for the protagonist to change anything. The army has serious stereotypes and has a dark history in Southeast Asia... It really suffers from the subject matter. Even if the protagonist is placed at the grassroots level, Britain as a subject is still at a major disadvantage. The main reason is that the British are too conservative and don't like to pile up technology on equipment. Take the simplest example of the Centurion tank in 1945. It integrated a 32-pound gun + monostable + torsion bar suspension into one vehicle with the existing British technology at that time. It should not be difficult to produce a medium tank that can compete with the King Tiger. As a result, they just finished the World War I horizontal suspension (balanced coil spring) when the war was almost over. +17 Pounds of stuff, it can't hold up to the level of 1943... Even the strongest British navy is the same. After the First World War, the national power was exhausted and they could only find ways to save money and insist on cost-effectiveness. The big ships that the British could boast of were all blueprint ships. In the late war, the performance of battle lines and aircraft carriers was completely incomparable with his son. My opinion is that it is better to go to the wealthy Americans to play bucket boats. Now back to the Air Force, Britain has the Gloster "Meteor", the only jet that was used in actual combat on the Allied side in World War II, but it was only used to intercept V1. It was used very conservatively and had basically no air combat results compared with the opposite 262.

Reminds me of the God Killer I used to watch on Neighborhood Cat. But he is from Germany and you are from Great Britain.

The Elf Queen and the protagonist fly together😁

This introduction reminds me of the Hedgehog book. It seems to be called God Killer or something. The opening volume is very well written.

Create a fictional fantasy world and write a background for the second battle, which is boring

It's not dense enough, and it's not exciting enough. Everyday life is dull and interesting. I catch up on the latest. There is no plot worth looking forward to in the future, and I feel nothing if I abandon it. The protagonist did not upgrade, and even had his equipment suppressed and exiled inexplicably...

Author, can you write the daily subplots well? Most of the daily subplots are unfolded from the perspective of the male protagonist, but most of the male protagonists are very passive and are pushed by events. If you are an outsider and listen to daily stories, but you are still passive in the events you have been involved in, then you are somewhat unworthy of being the protagonist of the online novel. If you want to create a humble, happy-go-lucky protagonist, you can So, but we can't lose the recognition of the Chinese people. The protagonist we create now is like a yes man. Let's not talk about the role of the main character of Irene's family. After all, we haven't established a deep bond with the heroine. It's not that the whole family doesn't belong to the same family. Chad was sent to recuperate. When the protagonist knew that the recuperation method and the possible pitfalls of leading Ying and Dai Deguang listened to the heroine saying that everything was fine, he really let it go. Chad went to recuperate and did not go to his boss to understand the details. He was portrayed as a cold-blooded stranger instead of a comrade fighting side by side. In the latest chapters, as a person who grew up in a dignified, safe and relatively equal environment in New China, he did not have much objection or disgust towards the discrimination against Sarah. He accepted it calmly. The problem became even bigger. It felt that the protagonist was not a time traveler. Instead, he has been assimilated into the British people of that era. He has lost all the advancedness of the time traveler and is really just a pilot with plug-ins. Now I no longer ask the protagonist to use his influence to influence some things. I only ask the author to make the protagonist more positive and protect the people around him. Don't let the protagonist become a tool puppet with no resistance in and out of daily life.

If you want to obtain the war thunder ability, wouldn't the most useful thing be the anti-overload ability? A superhuman pilot who can resist 12g.

Air combat is okay, daily life is very difficult

Why isn't the book updated? I'll go.

How about concentrating on air combat, writing teammates with different characteristics, and then trying to protect an enemy who can't move without him?

Logistics support is the most important thing, right? No matter how good the technology is, the feeling is the icing on the cake!

It's very novel. I've seen scenes of "pretending to be a boyfriend" and "pretending to be a fiancé" all happening between the protagonist and the heroine. But this time the author actually wrote about the heroine (or the female character with the biggest role when I saw it) getting engaged to a supporting character. But it still makes sense when you think about it. This female character is an elf and her family is conservative. The focus of this book is probably not about romance, so it doesn't matter. Come on, author!

May I ask where the author will update his previous book?