Monster Hunter: Pointer of the Wild

The previous book on Monster Hunter was mostly about confrontation, either in battle or on the way to battle. Although the summary of the plot development feels average, it is actually very interesting to read. Hunters are divided into levels, such as upper-level and lower-level hunters. The "combat power" is not directly equivalent, so there is no drama or collapse (a common situation in fantasy novels). This book's shaping and description of characters, worldview, and scenes are more detailed and vivid. The occasional question about what a "hunter" is is also impressive and moving. There are very few or almost no standard "bad guys" in the plot. There is no physical discomfort in the plot development, and there is no intrigue and intrigue. The plot development is very passionate and royal, and you can read the plot development smoothly. In addition, the additions to the plot and world view are also very clever, especially for those who have played Monster Hunter. The only bad thing is that the update is very slow. I have read the previous book for the second time. Note: If there are any good road movies or novels about traveling to learn about different worlds and worldviews, I hope you can share them with me.

You really need to hire Haji Gao to revise your introduction. It looks like a novice writer made some messy things in order to attract people. Book friends who haven't read it will easily run away at a glance.

Don't complain, don't complain, all kinds of pimps, damn, I came to watch the battle and enjoy it, what the hell are you writing? Forget about being a pimp, he still uses all kinds of fucking tricks. Real brother, it's disgusting to see. Since when did Kaiwenwen have to engage in CP? It doesn't matter if the protagonist has CP, but you have to pimp all the supporting characters, including cats and dogs, is that okay? . You said you wanted to write it more naturally, that's all. You can't write the problem out. You're just talking about it. Apart from being disgusting, will it help the plot?

As the most awesome protagonist in history (he has a long mouth), from the introduction of other people's backgrounds to their acting styles, it can be said that the card table has enough b-levels. From the plot, it is easy to see that the protagonist used to be withdrawn (he is a lone bird after all) and has a strong desire to kill. The presence of the poster girl feels like a lock on him. As long as there is a hunting permit, Incandescent will kill at will, and the large sea dragon frozen peak will be chopped down at will, not to mention those other small Kalami. In fact, the little boy in the plot gave me the feeling that he was a lonely bird when he was a child, but he did not meet that "master" when he was a child. He lost everything and became a hunter alone. It can only be said that he is not completely crazy, otherwise he would be crazy in the dark night. His time of fame should not be short, he has had many amazing achievements, and maybe as a one-man team, he is an ace team like the Star Team. He has experienced so much that his murderous intention has become a little restrained, so he takes such care of the little boy who is somewhat similar to him.

Let's see how we can change the plot of Wilderness to be watchable.

To come up with this introduction, a Hajigao in the Fugu family would have to hire two Hajixians...

The most uncomfortable thing about this book is that some readers of the previous book have been using the protagonist of the previous book to push against the protagonist of this book. I haven't read the previous book and want to read this one first so I can follow it, but these trolls are really disappointing. Every time Aolang learns a new trick, he jumps out and trolls and says that the protagonist Lao Jin opened it. I am really stunned! To be honest, I like this novel very much. There are really not many good-looking monster hunter fanfics nowadays. I hope the author can write better and better, and don't bear the influence of readers!

Have you ever worn Monster Hunter? I scribbled some things and took it for granted.

Just like the book, write down the characters you want to be in the book, but don't write too detailed, just give a general description. For example, the spearman who resisted the fan fire in the last book, and the children he took in, are ready to embark on a journey. Don't set all the equipment sets too detailed, just write a rough description. There is a chance it will be included in the novel.

The author probably didn't expect the wilderness to be so vast when he started this book, so there's no way to enter the plot now.

I'm on a business trip and I've already ordered it all. It's not like I've picked up the previous one, but you have to adjust it a bit It's really simple to create characters with facial makeup, but like Muti, I haven't written out the characteristics of the characters at all so far. What's the difference if I replace Muti's entire text with "no pain, no itching"? Both brainless characters and speechless characters are easy to portray, but it would be boring to just stay on this basis. Ao Lang is even more... How should I put it? Overall, the character story is awkward, but apart from the awkwardness in the first few dozen chapters, most of the time it is written with the role template of a "rich man" in mind. If you replace the entire text with a rich man, will there be a big change? ---When portraying Ancier, there is a naughty person to shape each other. When portraying Orang, there is a brainless one, which really doesn't portray anything. ---If you ask me to close my eyes, I can have a portrait of Dajian Tianzun, but Ao Lang really doesn't have one. Do you understand what I'm saying? Perhaps what impressed me the most was the little brother's unstoppable "slide shovel under the monster" The new flute is a bit more like facial makeup for the sake of facial makeup. As I said, it's really easier to be facial makeup, but you have to think about how to write the character arc. And when you describe the protagonist group in a facial expression, how do you describe the supporting cast? At present, except for a certain particularly flexible fat man, no other powerful golden generation has been described. This should also be noted. Can't we just use the current few NPCs to hack down the large ancient dragon combat handle? The previous work has a very good point that is implemented throughout the whole text, which is to write about the balance between man and nature from the perspective of a fan, which is also the core theme of the world work. Then you are really the sea dragon who ran away to eat the sperm vesicles... To borrow a sentence from a book friend, it feels a bit like a deity opening a trumpet to abuse food. In essence, it's just a bunch of bullshit geniuses who are leaping over the top every day, resulting in aesthetic fatigue. If you are really constrained by the previous game, it is recommended that these people be promoted to the top as soon as possible and then just throw them to the border to suffer. I hope to make adjustments as appropriate, and I hope that book friends passing by will show their respect, as evidenced by monthly tickets.

I hope that the new book can slightly strengthen the personal heroism of the protagonist. The setting of the previous book was too consistent with the original setting of Monster Hunter. It was all about teamwork and strict hunting. Many times, Gordon really didn't feel like a 9-star top hunter. It feels better to feel a little more comfortable when writing online articles. Although I don't mean to cheat like a novice article, it would be better to show more personal heroism.

I saw some readers mentioned that they felt that the protagonist's abilities were not fundamental enough. Although it seems that not many readers care about it at the moment, I still want to explain it. I would like to emphasize that I will not write things like dual-wielding swords and ghosts dancing wildly. What I pursue is realistic and reasonable. So far, all the so-called "borrowed moves" are actually reflected in the works of various generations. Katate Kenranbu comes from the "Sword Dance" hunting skill. Katate Ken Ranbu's charge is actually an enhanced version of Jr. Tachi's charge has a similar performance in Rise, and so on. I just don't want to be limited by the moves in the game. There are only a few moves going back and forth, as if the angle of swinging the sword is fixed. In fact, I had a headache at the end of writing the last book. The moves of the protagonist group were solidified, and it was difficult to write innovative battle scenes through repeated descriptions Just like a warrior in reality, who can fist, kick, and use swords and guns, it is normal for him to integrate some force techniques. It is not necessary to say that boxing is boxing. My master only taught me to punch like this, so I will swing like this for the rest of my life.

I can't stand it at all I don't know if it's the problem of CP being too early or the character of the protagonist, or the problem of the previous book being too invincible I want to read it but I feel like nothing is right 😰

Crystal Dragon Set

Black Boom Set

In this book, Gordon was conservative. A lone bird in the wilderness can lift a several-ton lock-bladed dragon away with a single lift, and he can also fight monsters with his head on it.

This introduction looks like Xiaobai's article. Highlight a brainless golden finger and a systematic feel

"It doesn't make sense. Wasn't the soup this color before stewing?" "Ah, I added some more things..."

What a crappy plot in Wilderness, Pufferfish🐡Don't borrow plots from Wilderness, especially Ding Zhen's plot.

I was reviewing the hunting pen recently, and suddenly I seemed to understand why I always felt that this book didn't look very good. On the one hand, chasing, but on the other hand, I felt that Olang was too smooth. Either form a group to hunt monsters of the same star, or find someone to hunt high-star monsters. It was not exciting at all. When I saw it, I knew it would be successful. There was no crisis at all. There was an accident when hunting the Taimaulosaurus. It was a bit difficult to fight, but as far as how difficult it was, it was just like that. Unlike Gordon, who is always forced to face high-star monsters alone or with teammates of the same level due to various reasons. He always survives and tries his best to win. Occasionally, he only leads others or practices skills when fighting against the same star or low-star monsters. At that time, when I saw the story of Gordon still having the courage to swing a knife towards death in a life-or-death crisis, I felt so excited that I wanted to fight alongside him. The plot of this book doesn't feel that exciting, and I can't get emotionally involved. I don't know how Fugu will deal with the plot in the future.

When I saw the sand boat race and the sea dragon part, my blood pressure was a bit high. In order to match the lunatic Lambert, the team was written in a chaotic and abstract way. He was obviously going to be the guard of the sand boat, but ended up being just for fun. He also used blunderbuss and heavy crossbows to fire off cannons, and tied the lunatic to the bow of the boat to play. The subsequent one-horned dragon attack gave me the impression that Muti and his gang were induced to commit suicide. In addition, Orang also, go When participating in the competition, he didn't even bring weapons when he knew there were monsters, and his cautious character completely collapsed; the same happened with Sea Dragon later on. He only hunted for food and equipment. After the hunt, it was enough to mention where the sea dragon was delicious. He had to hunt mainly for food. The theme was a bit off. In order to rationalize it, he had to hook up with the third princess. She was already in her 40s and 50s, and she began to overconsume the characters from the previous game. Currently, the main plot feels patchwork. The author obviously wrote all the main plot of the main story in the previous game and now doesn't know how to write the main plot. Since the main plot of the wilderness cannot be entered directly (the game content is too small, it is probably impossible to write), so he can only piece together the plots of branch plots and NPCs in the wilderness. There was nothing wrong with Oulang's character at first. He had a desire for revenge coupled with the qualities of calmness, caution, genius and good at learning. As a protagonist, there was nothing wrong with him. However, in order to cooperate with other teammates, his character always seemed to break down. He blindly accommodated his teammates and seemed to have no characteristics. He was like a tool to supplement the shortcomings of other characters. He was a captain, not a nanny. On the contrary, when teamed up with other NPCs (such as Professor, Eric, and Seer), the advantages of this character can be reflected, and the character begins to become three-dimensional. The character of Muti seems to be really unsuitable to be a teammate or heroine. The background is too big and is too deeply tied to the previous work. Although it can attract some readers of the previous work, it is difficult to write well. The characters of genius, good boy and fool seem to be very separated. The character cannot be written as too ordinary or too radical. It looks like a giant baby who has not grown up. Moreover, due to the strong interpersonal relationship and background that overwhelms Oulang, Oulang has no sense of existence as the protagonist, and his growth is like taking advantage of the opponent's resources. In fact, it is more appropriate to place this character as a functional NPC with the same position as Fufu or a lone bird in the wilderness. There is no need to be a fixed teammate, and he can only cooperate occasionally. The best thing I can describe in this way is actually the Ellu cat. Whether it is sea buckthorn or fish balls, they are quite distinctive. At least the character design has nothing to say about it.

I don't know how the author will feel after watching the trailer for Wilderness. The Sky Mountain-like map has been revealed. Don't write the G content in advance, which will cause you to be unable to write it by then. However, the underlying reason is that the card table update is too slow, which is understandable 😅😅😅. Then the projector evolved again, and the three red swords came out. By the way, do you still want to pre-order? I have always pre-ordered the Monster Hunter series, but this time I was a little afraid 😅😅😅.

The more I think about it, the more wrong I am with this setting. Ordinary ancient dragons can only live for a hundred years. What do you think? Then why do dragons live for hundreds of years? Why can meows live longer than humans? This setting is unreasonable. Also, if you say they live for a long time, the whole world is full of ancient dragons. Since they are the apex creatures, the low fertility rate is reasonable. Those ancient dragons with high fertility rates, such as Fenglinglong, are also targeted by other ancient dragons. This ordinary ancient dragon can only live an average of 100 years, which is really a huge poison point.

The content of Snake Emperor Dragon gave me a particularly bad feeling. First of all, some book friends have already mentioned in chapter reviews that the name of the snake emperor dragon is not the snake emperor dragon before it sheds its skin, but the violent period after it sheds its skin. However, the author still insists on writing that the snake emperor dragon is so violent because it sheds its skin, which is too OOC. The second one is anticlimactic. The whole process is just Olang and a story rider who was forced in. No one else in the protagonist group is on board, and the battle scenes are also very sloppy.

I don't know why the reaction to falling in love is so big. I think I came here to see the author's ecological rationalization. There are emotional scenes, but after all, he is not the protagonist of the eunuch. I'll be honest when it comes to emotional dramas. Most of the Western fantasy, science fiction, and fantasy heroes in China, at least the new generation, are really a mess. There is no pornographic content and it doesn't even bother to arrange female supporting characters. And although this book is written about a legend, outside of the profession, he is an ordinary person. Marriage, having children, and familiar companions are also routine. As for pimping, does it count as arranging for the characters to get to know each other, become familiar with each other, and then naturally get together after getting to know each other? Draw a few storyboard scenes in the comic, and you can imagine the rest. Isn't it okay to write too much about daily routines that you are accustomed to? Emotional Drama As for the author's emotional drama, I can't say how good it is, because what I saw was purely the setting and combat, as well as some imagination completion. As for the procrastination, in my world, it was still the black dragon who was in trouble, and the wilderness was also looking for NPCs who were exhausted in the current queue. To be honest, it's quite immersive to get up to it a little bit like this. I think this book also appeals to more fans of Monster Hunter. Zhang said that there are some Monster Hunter fans in it with two-handed swords and so on - to be honest, it feels a bit curious, it is completely Monster Hunter covered in fantasy skin. I have read more than 700 chapters of the last book. This author is undeniably overwhelmed by the current online writing environment, because he writes a lot on a daily basis and writes a lot of extended settings, but he is also really productive. I came here before I finished the last book because I personally like to catch up on it, but I didn't finish it, so I read it together. Above, I personally think that there should be no emotional scenes, or that the protagonist cannot find a woman, and the main character can only be single. Maybe it's not suitable for this novel. If you just like monster hunting and want to insert daily life, you can read it. The pace of this book is very slow. By the way, I hope to recommend some updated books with better emotional scenes.

Every book has free chapters, so you can give up if you can't stand it. No one is forcing you to watch it. There are so many books in Qidian. I can read whatever I like. Don't complain in the comments section, it's disgusting. It's okay to have a reasonable discussion. What are you pretending to be here? If you like to watch pure combat and enjoy it, just go find it. What you don't like to see, some people do. I'm still pretending to be here

Recently, I was re-reading and found that someone kept calling Orang to kill Orang in the chapters where the relationship between Oulang and Moody was confirmed. I felt that it greatly affected the viewing experience.

I'm new and want to get into monster hunting. Can anyone help me? 😁😁

If you don't know how to write about emotions, don't write about them. Can anyone really understand such a bizarre emotional line?