Fragrance Story

[Historical suspense + strange monsters + group portraits + non-cool writing + slow heat + no CP + low fantasy + Chinese Cthulhu] --It is not a one-page article with ten lines of text, and the wording is thick-- In the troubled times of the late Ming Dynasty, women like Ping disappeared in the streets and no one cared about them. Unfortunately, the heroine was also involved. When she woke up, she had become a sacrifice on the Rakshasa Reef. At this moment, she finally understood that all the disappearances pointed to a "golden game" in which human life was the bargaining chip. The struggle of human nature, in the mountains of corpses and seas of blood, she just wanted to live, but she was shocked to realize that there was an unknown "her" living in her body. In the capital city, the craftsman's daughter carries the regicide red pill and keeps walking; Deep in the palace, Princess Enfeng investigates the mystery of the disappearance of her mother and concubine, and points her sword at Rakshasa. Why are the threads of their fate and the dark souls in the women entangled in this ghost island formerly known as "Yingzhou"? The survivors of the Renyin Palace Incident forty years ago are dormant here, the alchemists of the Jiajing Dynasty are here to continue their lives, and the commander of the Semu people in the Ningxia campaign is here to sharpen his sword... The source of the red pill behind Guangzong's death and the secrets of Emperor Tianqi's obsession with craftsmanship are all buried in this isolated island. Rakshasa Reef, a life-threatening bridge connecting the troubled times of the late Ming Dynasty to all the secret past... And between love, hate and the blade, she not only wants to escape the fate of being a sacrifice, but also wants to survive, find herself, and uncover a shocking secret that spans the rivers, lakes and courts. [Author's statement: This article uses the framework of Wanli's three major cases (Demon Book, Attack, and Hongwan) to reconstruct a dark epic full of legends and monsters. The author examines the decay of the power structure of the Ming Dynasty without distinction, but does not tend to abuse women, and pursues the weight of history and the complexity of human nature.