Peter Parker Doesn't Want to Be Spider-Man, He Just Wants to Be a Superhero

First of all - too "two-dimensional" Especially the heroine Gwen Spider-Man, her image is too "light novel". There are no advantages or disadvantages, you can understand it. It just depends on whether the reader can accept it. The second is the male protagonist - he is obviously a "genius" and what he says is a bit "unconventional", but what about what he does? When I fought the lizard man, I didn't expect that there would be a little lizard man... But I only took Harry with me when I went to see the rhinoceros man. Yes, the rhino man is "kind", but if there is a conflict, you are like Peter Parker and you are worried about the author, what about Harry? Obviously the setting is a genius, but he behaves recklessly again and again... I hope the author will think carefully about the character

I was scolded by the editor and readers. Now I am revising chapters fifty-six and seven. They will be revised by about this afternoon. Let's take a look at it when it is updated in the evening. Hey, everyone, don't abandon the book.

Others are constantly assassinating the protagonist's family, and the protagonist is constantly being passively defensive. Today his family is attacked, and tomorrow his family is in danger. The enemy's mastermind behind the scenes comments on the protagonist. The United States feels that the protagonist needs to be monitored and assigned tasks to control. The protagonist... If he doesn't catch the girlfriend of a high-level executive, he is a vigilante and keeps bringing enemies. The protagonist is similar to a clown who lives in Gotham City controlled by capitalists. He wants to be a normal person but is constantly driven crazy. He never engages with high-level capitalists and crazily targets the low-level tool people.

In fact, there is no need to modify it, just remove the setting of time traveler. There are too many time travel stories these days, and time travel is actually a minus point.

Speechless, author, have you ever been Spider-Man? Some things were written randomly, taking it for granted 😐

. . . . I just read Chapter 2 and I don't understand. Aren't you a time traveler? Why are you still speaking like an indigenous person? You are neither a time-traveler nor aboriginal, but you are so cool that it instantly makes people have no desire to read on.

The writing style is a bit dull, but the writing is actually pretty good. It's at a food level. The character of the protagonist is a good guy with a clear distinction between good and evil. The plot doesn't have any bad points. The shortcoming of the writing style is that the author is a little uncomfortable with serialized novels. Every plot in the article should emphasize the protagonist's position, goals, and psychological activities, so that readers can better understand the plot. For example, if the protagonist wants to achieve a good ending, then when a good or bad route choice occurs in the story, he must immediately describe the thinking and analysis, so that the reader can feel the protagonist's thoughts. Many authors are overly worried that emphasizing the same thing over and over again will make readers complain. In fact, it does not. Because the author's perspective and the reader's perspective are different. The author's perspective is a well-conceived story expressed with complete elements, so the author thinks that one element of a story appears once is enough, but the reader's perspective is different. The reader reads and understands the plot gradually. You have to emphasize the key elements repeatedly to make the reader feel clear. Just like the "good ending" trend in the article, you can't just emphasize the "good ending" at the end. You have to think of how to lead to the "good ending" as soon as the protagonist sees the character, how to develop a "good ending" when encountering unexpected events, and constantly add "good ending" elements. In this way, the "good ending" will not appear abrupt, and readers will not have the illusion that the plot is "a hammer here and there". In terms of the three-dimensional image of the characters, all kinds of interesting little details in the gags written by the author are quite interesting. In the future, you can consider adding more to the shaping of the character. The protagonist's genius setting does not need to describe much professional knowledge. It can be reflected like the various genius inventions in the book and being recognized by other geniuses. This aspect can be described more, and the protagonist's invention before You can provide some foreshadowing, such as when a bit of inspiration occurs, or the protagonist works hard until early in the morning to use technology. These detailed descriptions are like "Chekhov's Gun." Rome was not built in a day. I hope the author will write better and better. Come on.

The previous plot is probably about the protagonist not having a no-kill principle, but the enemy keeps sending people to target the people around the protagonist. The protagonist has to play house and abide by the rules and only engage the enemy's minions. It's probably a round-robin round of playing house.

I don't like this kind of gag-style plot, so I ran away.

Blushing at every turn😡

Most of the text is either about blushing or on the way to blushing.

Peter Parker has an extra memory, don't call this situation time travel in the future!

There is a problem with the third golden chapter. When the protagonist says that he is not Spider-Man, the readers think that he is saying that he has not yet become Spider-Man, but the actual situation is that this is the world of Gwen Spider, the protagonist is Lizard Parker, and the protagonist knows about it. The readers and the protagonist's perceptions are misaligned. It feels like the author deliberately hid this setting and wanted to give readers a surprise, but he did not hide it well and the writing was a bit poor.

I've read Chapter 18, but I just can't stand it. Peter's genius character design has nothing to show except for learning the technology of the mechanical spider. In Chapter 17, I thought that Gwen's identity was already known, but it turned out not to be. Turning back to the previous chapter, it turned out that it was Peter's inner voice. Now when I read this book, I feel that I am not eating rice, but drinking rice soup. It has the taste but not the content. I hope the author will get better and better.

The title of this book is very good, what kind of Spider-Man? Trigger the law of cause and effect and let your loved ones die! How cool it is to be a lizard!

Well, I can barely see it. However, I feel that the first two chapters can be modified. Since the protagonist is a time traveler, he should be less aboriginal. Although the memory is integrated, the behavior after getting the chat group cheat is a bit weird.

Gwen's writing is just like fine points. I feel like I'm on a female channel 😒

There is no need to keep hiding the fact that Gwen is Spider-Woman and her powers from the protagonist.

Ah? You let your girlfriend play. The greater the ability, the greater the responsibility.? It's just to add drama, right?

But it took too long. With this pace, it can reach the finale of this book and even the eunuch.

It's just that there is an extra memory, which is not called time travel. The beginning is just a rush to the street.

This Spider-Pig fanfic is very good, and so is the reboot, but it got a little weak in the later stages.

The first 180 chapters or so were fine, but then there were a lot of displays of affection and pretentiousness in the final appearance, and the main protagonist was lackluster.

Brothers, I feel like you have so few comments recently 😭😭 The main package may have to ask for recommendation tickets, monthly passes, and rewards, but you must talk some nonsense, do some fun, and have fun with the main package! oi nirvana!

How about ending it directly like the previous book?

Do all the novels you open have multiple female protagonists?

Prologue: Two Broken Eulogies In Earth-120703 (Garfield Universe), Peter Parker's life is a solidified tragedy. The moment of Gwen Stacy's fall played on a loop in his mind forever. He became a stronger and more silent guardian, and every swing he made seemed to be measuring the irreducible distance of his fall. All that was left of his world was a gray city and a hole that couldn't be filled. On Earth-1612-B (which we call the "Stone Universe"), time is skewed in the clock tower. The spider web shot by Peter Parker successfully entangled Gwen, and the huge inertia caused her to hit the wall hard, falling into a deep coma instead of death. But the universe was not kinder to her. While she was in a coma, her Peter - the young Spider-Man who was equally riddled with guilt and rage - heroically sacrificed himself to protect a group of civilians during a battle against an out-of-control upgraded version of Tombstone or Electro. When Gwen woke up from her coma months later, her world had been turned upside down. She gained spider powers, but lost Peter forever. Roxxon, a rival company of Osborn Enterprises, caused an energy leak during a reckless inter-dimensional experiment. It was this energy radiation that activated her hidden genes. She escaped from the laboratory, put on a mask, and became the world's Ghost-Spider. She fights both to protect and to escape—to escape the suffocating world without Peter Parker. Convergence: The Resonance of Scars A cataclysmic interdimensional event tears apart the barriers of the universe. An entity that feeds on regret and loss - The Void Weavers - has invaded Garfield's universe. They were chasing Peter because he had the strongest scent of grief about him. Peter was defeated in the battle and was forced into a dimensional rift that was about to collapse, falling onto Earth-1612-B. He woke up in an alley, bruised and bruised. The hustle and bustle of the city is both familiar and unfamiliar. His spider sense was warning wildly, but it pointed in two directions: one was the approaching "Void Weaver", and the other... Was a familiar bioelectrical frequency that made his heart stop. He swung up to the roof and saw her. Wearing a white and black battle suit, a few strands of short golden hair peeked out from under the hood. She was fighting hard with the "Void Weaver", her movements were sharp and graceful, but with a desperate determination that he was very familiar with. Without hesitation, he joined the fight. Their synergy is natural. With a look from him, she knew how to feint; with a somersault from her, he knew when to replenish her net pocket. Their battle was like a well-rehearsed pas de deux, every dodge and attack perfectly synchronized, and because their pain came from the same source, their Spider-Senses resonated in unprecedented harmony. The enemy is temporarily pushed back. Silence fell. The two stood at both ends of the roof, panting. A sense of absurd and heart-stopping familiarity hung in the air. "You are not the Spider-Man of my universe." Gwen spoke first, her voice vibrating vigilantly through the mask processor. "... Do you see it?" Peter's voice was hoarse and tired. "The style of your suit. And... The feeling." She pointed to her temple. "Who are you?" Peter was silent. With trembling hands, he slowly, almost reverently, took off his hood. The moonlight illuminated his face full of scars and tears. Gwen took a step back suddenly, as if she had been hit. She recognized that face - more mature, with sharp edges honed by endless sorrow, but it was him. It's not him. "Peter...?" Her voice broke. "Gwen..." His name came out of her mouth like a mantra that he had prayed a thousand times. "I... I come from another universe. There... I failed to catch you." Truth and mirroring: seeing each other in sadness On that night, they exchanged stories. The two tragedies are spread out like mirror images. He told of his fall, his failure, his eternal guilt. She told of her coma, her awakening, and how her Peter died in battle and became a hero and martyr of the city. No frivolous comfort, no false joy. Just a huge, breathless resonance. They are the only people in the infinite multiverse who can truly understand each other's loss. He looked at her like he saw the life Gwen might have had had she survived; she looked at him like he saw the pain her Peter might have endured had he survived. The "Void Weaver" was attracted by the "sad signal" of their combination and launched another general attack. This time, they directly attack their minds and conjure up their most painful memories - the fallen Gwen to Peter, and the sacrificed Peter to Gwen. Peter was overwhelmed by the vision again and fell to his knees. The monster pounced on him. "No!" Gwen roared, not to protect this "stranger", but to protect the one she was extremely familiar with and the same pain she saw in Peter's eyes. She rescued him, grabbing him by the shoulders. "Look at me! I'm not her! And you're not him!" Her cry broke through the illusion. "But we're all here! We're alive! And it's the only thing we have control of!" In that moment, Peter saw his own redemption in her eyes. He is not trying to replace anyone, he is being recognized and saved by another survivor who is suffering from the same pain. Their spider senses are completely synchronized in an unprecedented way, no longer just an early warning, but becoming a powerful empathic weapon, counterattacking the "Void Weavers", causing them to collapse and dissipate because they cannot bear this pure, synchronized emotional energy. Choice: Weaving a New Future Threat lifted. The cracks leading to Garfield's spider universe buzzed behind them, becoming increasingly unstable. Peter looked at it and then at Gwen. His eyes were no longer filled with sadness, but with a complex and painful hope. "My universe..." He said slowly, "... Only memories and responsibilities remain. No one is waiting for me there." Gwen also looked at her city, the city without Peter Parker. "Mine too." She took a deep breath and made her choice. She reached out to him, not as a lover, but as a comrade, the only one of her kind. "Stay." She said, her voice firm. "Not as his replacement, not as my comfort. Stay, as Peter Parker. As my... Second chance. And we can be each other's first new beginning." Peter looked at her outstretched hand, which seemed to be the hand he failed to grasp in the clock tower many years ago. This time, there is no gravity, no fate, only one choice. He reached out and held her hand tightly. This time, firm and steady. "This time," he said, the tears were finally shed not only for the past, but also for the future possibilities, "I will never let go." He shot a spider silk with his other hand, shattering the fragile energy core that maintained the dimensional rift. The passage slammed shut behind them. End Act: New Vibration Wave Since then, Earth-1612-B has had two Spider-Men. People sometimes see, under the moonlight, red and blue figures flying side by side with white and black figures on the city skyline. Their webs intertwine in the air, no longer to intercept the fall but to weave the future. Their laughter penetrated the night sky. The laughter still carried echoes of the past, but it was more of the lightness of the present. They will always remember the loved ones they lost in their respective universes. That sadness has shaped them but no longer defines them. They are together not to forget the past, but to carry the past together and move toward the future. Garfield finally caught his Gwen, not at the moment of falling, but in the endless life after the fall. And Gwen finally found her Peter, not before the loss, but in the rebirth after the loss. This is a story about redemption, not replacement. Their love is the miraculous and complete recombination of two complete souls after experiencing complete fragmentation. This is probably the best way to make up for regrets.