The Sword Fairy in the History Books Is My Wife

Why does it feel like the level is a bit low? It's like a turtle has lived for 6,000 years, and still uses the weapons that the protagonist refined back then. The most the protagonist can use with this thing is to shock it. Why does it feel like it's so high-end?

The protagonist is somewhat short-sighted. The golden finger that traveled through six thousand years is not a secret, right? . . .

The writing is really good. Who is this reincarnated old man? 🙂

Alas, the first five chapters are really well written. It's a pity that what follows is an emotional scene like a junior high school student's love scene. I don't dislike love scenes, but as an old man, I can no longer stand such childish love affairs 😥

Newcomers should try not to write emotional dramas if they are not popular. Writing without a heroine is a way out.

I don't like watching idiots. I really can't stand it. The protagonist forgets all the knowledge he has reviewed for the exam. Even after watching the video, the dishes he cooked are still disastrous. He talks and acts like an idiot, and he feels more and more idiotic.

When I read Chapter 40, I had to silently downgrade my evaluation from fairy grass to food. I recalled how amazing I was when I read the first ten chapters. After the plot officially unfolded, the flaws in the worldview hidden behind the description quickly emerged. Old rules, let me summarize this article in one sentence. In a world where spiritual energy is gradually recovering, the protagonist is summoned to that era by the heroine Sword Fairy 6,000 years ago, and in the process gradually affects the past and present It is not a new idea, but the advantages are outstanding enough, so this long review is written. It is sophisticated enough, and many scenes are full of visuals, and some montage-style switching of the timeline are very suitable for my taste; although the male and female protagonists develop too quickly, they are not too stiff, and there is no particularly strong industrial saccharine taste. The description is quite level, and it is not a bad idea to read it as a short sweet novel; the style is relatively brisk, interesting but not abrupt, and it is quite comfortable to read. If this level can be maintained, immortality will not be a problem. Unfortunately, the author has not solved the common problems of this type of subject very well, and there is obviously the shadow of substantial revision of the text, so the swallowing of the text is also serious. Let's talk about the common problem first. In plots involving the past, present, future and the timelines interacting with each other, the most important issue is rationality. The present can affect the past, and the present can also understand the past. Then the past is equivalent to anchoring, how can it be called a change? The protagonist's current influence on the past has long been written in the history books, and the ending has long been doomed... I have never seen this kind of writing that did not collapse in the later period, not even one. A common solution is to obscure historical records that are too specific, or even create a historical gap directly. However, this book is obviously not vague enough. There are several mentions within the Special Bureau of the protagonist's records about heaven, and as mentioned above, these historical materials are shared with the protagonist. So in order to prevent the protagonist's motivation from being anchored, the text chooses to make the protagonist ignorant of history. The protagonist does not know this information until chapter 40. This arrangement is very bad. As for the plot, it has a strong flavor of Japanese light novels. As long as the relevant plot is reached, a new clue or item will suddenly appear. All plots are unit dramas one by one, rather than long foreshadowing descriptions. For example, in the Demon Mirror, I suddenly wrote about a farmhouse, suddenly discovered the Demon Mirror, and then the protagonist suddenly decided to make this mirror, which was very blunt. For example, if the appearance of this mirror is scheduled to be brought out when the Special Bureau solves the water leakage crisis, it does not need to be seen by the protagonist, but it must be written about it, and then the mirror will be made during the interaction with the heroine. Finally, before the farmhouse plot, write a callback of the process of the contemporary Special Bureau discovering the mirror, and the overall rhythm will be more comfortable. Finally, there is the problem of editing the text. I don't know how much the author has changed, but I found two or three places where the text was swallowed up. It is not a serious problem, but it is very abrupt. For example, in Chapter 39, when he encountered a ghost-headed moth on the way to the farmhouse, the protagonist showed no clue and asked "Gilheaded Moth?" (Original text), but the people from the Special Bureau did not think there was a problem and introduced it to the protagonist. The problem is that as mentioned in the previous article, they have already guessed the identity of the protagonist. After living for 6,000 years, will he understand less about prehistoric creatures than the one in the special game? The problem here is not that the protagonist doesn't know about the Ghost Head Moth, but that it's not surprising that the protagonist doesn't know about the Special Bureau. A reasonable reaction would be that after the protagonist asks a question, the Special Bureau says, "This is the name we have given it now. I don't know what it was called before" and then starts to introduce it. The difference between the two writing methods is that the original text expresses the introduction of this creature by the Special Forces Bureau, and the revised version is a supplementary explanation of the name, which means that the protagonist just doesn't know or is curious about the name, and the introduction only says that he hopes to confirm the information with the protagonist. This arrangement is much more reasonable. Writing this for the time being, after a comprehensive evaluation of Liangcao, it can be seen that the author is not a newbie, and his description skills are sufficient. I still hope that more consideration can be given to the plot. Above.

Since 170, I have been talking about supporting roles, let alone the female protagonist, and even the male protagonist does not appear. How can tens of thousands of words make you so bad? If you're not famous enough and you can't tell what readers want to read, you're going to die like this.

This book is also known as "My Boyfriend is from the Future!"

Why is there suddenly no movement? Could it be that he entered the palace?

This is the vest of that great god. If it can be written smoothly, it will be a good work. Full order for you

This section of the ink painting scroll is a bit boring, a bit like a foot wrap, smelly and long...

It's beautiful, but why do I feel like there are so few people?

Everyone is expecting you, this is letting yourself down and letting everyone down

The current villain is a bit too strong, but not very strong. It can create a mechanical fish that can fight against the little turtle. The male protagonist should not be able to defeat it at the moment, but if the male protagonist cannot defeat it, then the female protagonist will save something, and the male protagonist will become stronger and can defeat it. Summary: The stronger the villain, the weaker the hero, and the stronger the hero.

Dude, this book is well written, but the first chapter is a bit dissuasive. It's too, how should I say, a bit strange and difficult to put in. There is something. What round is this?

The last time I read a love story with a single heroine and two worlds, it was Teacher Jian's, and then Eunuch. This one is better, but if you write a little bit about the past life plot, you will have to say "Heaven is so strong" in the later life. The protagonist will not really live for six thousand years. This kind of development is a bit aesthetic fatigue.

Come on, support it with 13 votes.

If I don't hear from you again, I will write it myself.

The author can add some details to meBai

This book is very nice, and the writing style seems a bit like Shakama Firefly?

If you are a eunuch, feed it to a dog