Plundering Traits Across the Myriad Worlds, Starting with an Indestructible Diamond Body

The main character of you is so laid-back. I don't know if you will be laid-back or not when you return to the main world, but you will be locked up underground like a temple.

Personally, I still like Zhu Tianwen, and I have basically read all the better ones. It's fine at your current pace! In order to have a better reading experience later, I would like to give a few personal opinions: Most people who read Zhutian do not mind the harem: the harem must be reasonable. You don't need to be merciful to every world, because there are too many worlds. If you write about it later, it will make you feel uncomfortable and the readers will be tired of it. The beautiful ones can only have desire, but the emotional ones must be extremely talented. It seems that the world is most afraid of chaos in combat power, especially entries like you. Be sure to comb it well, otherwise it will look like you are overpowering the protagonist. I won't say too much, you must be more professional than me

A person can feel something is wrong if an entry is stolen, so it is difficult to evaluate the system.

I have a question, that is, if the protagonist robs the entry, does the person who is robbed completely lose the entry? Or is the protagonist just copying entries? If it's the former, then the spiritual realm is okay, and the martial arts realm, such as the indestructible King Kong. If those are lost, wouldn't the person being robbed feel anything?

The routine is really old. I couldn't bear it in the first few pictures. But after I traveled through Xiaoao, I was really disappointed. No one can break your defense even though you are high in martial arts and low in martial arts. They just hit the door and kill you. You will bleed like a river. What are you still writing in a crooked way? How can you still write like this? After all, Ren wants to find Ren Wo Xing, but everyone has seen that Ren Wo can just be crippled. After learning to absorb stars, it is better to directly absorb Ren Wo Xing. Anyway, you don't write about the girl, you go out and directly open the world battle royale mode. What you write now is really not bright at all.

What have you been writing in the recent chapters of Tianlong? Grind it, grind it, grind it, grind it, grind it, grind it, just go all the way there, let this one go, let that one go, let the clowns from Juxian Village, Murong Fu, and these people from Shaolin Temple jump around there

Ah, if you steal skills or talents, they will be gone. What else do you need to write about this? Isn't this invincible every minute? I thought it was the same as copying, which was a little difficult.

Only cultivating the soul? That's not a heap of hundred-year-old loess!

Very cool! After reading it, I almost wanted to quit reading it. It was very boring. Chapter fifty or so: Ran Ye was really enough once it came out. I felt more self-satisfied than before. With a martial arts background and a strong martial arts background, how can you cultivate the land and work on it? Even if food and drink fall from the sky, they will still be refreshed. These are several chapters that are necessary to show off to others and pretend to be a sage, but the author really did a good job of pretending when he wrote it. The writing is like this and I feel that it is a pity that there is no structure and conception. I remember where I saw it and I understood that it was from the opportunity to practice martial arts to the achievement of learning. Just like in the past, ordinary families provided for scholars. , You need money when you practice, you still need money when you want to improve, injuries from bruises, sprains, etc., Injuries from fighting and fighting with others, I don't know if there is winter training and summer training. When I was young, I heard adults say that so-and-so was very energetic in what he did. , What time do you get up in the morning and do what? The talented ones get ahead with hard work and opportunities (some also die young), but most of the mediocre ones, their skills are so difficult, will they use their strength to farm the land and do work? ! You can only do things related to force, such as being a gang member who is a escort or guarding a hospital. Those who want to stand out in a different way are really not suitable for low-end jobs. I have only read in one book that the masters and minions of martial arts people who do not do "righteous" things were sent to labor camps by the protagonist to open mountains and build roads. They are full of energy, secret energy, internal strife and internal anger, and rock cracking machines are better than excavators. It's still fierce. A master pulls a big stone to roll an alternative steamroller. No one wants to do "lowly" work because of their hard work. The resulting fights, battles, love, hate, and intrigues, (I feel like there are words to describe it but I can't think of it), those old masters in the stories of movies and TV shows with martial arts. The grievances and hatreds that arise from the disciples being biased or having evil intentions, or other plot lines, epics and the like (there are many directions and endings), there are many existing stories that can be used for reference, such as the history of Tianxiahui, Wudang, Shaolin, Mingjiao, Emei, etc. Wait, can't these similar background stories be added in? I suddenly realized that the history of the sects in these stories, whether told or not, was very similar to the change of dynasties from its founding to decline to destruction. Each had its own characteristics. In The Legend of the Condor Heroes, it was still the founder of the sect who was inspired to fight against gold with his innate skills, and later. . . Yang Guo's experience of going in. . . It's not surprising that it turns out like that, but it's also reasonable. Both of them are a bit sad. I was thinking a lot at the moment and missed the point. I suddenly realized that in the various stories I had read, the sects were like the changing of dynasties in history, with ups and downs. For example, in the story of Yi Tian Slaying the Dragon, when the protagonist went to find the Nine Yin Manual in the cave, he first went to Zhuwu Lianzhuang. The origin and changes of Zhuangzi, the interaction between Zhuangzi and the people around him, from the kindness of the first generation to the inhumanity of the later descendants when they grow up in a "honeypot", and then the plot unfolds after the protagonist comes and interacts with passers-by and villagers. How will the story change after adding this kind of story? I can't express it. It has flesh and blood. From the first chapter to the present, follow the plot or make behavioral judgments about the good and evil preferences of the plot characters. Is the world so small? Just write so-and-so, just like some Qin Dynasties either licked the First Emperor or Liu Bang and Xiang Yu. It is good that Liu Bang and Xiang Yu were capable people. This was also created by the current situation, just like some novels written about Han Xin under Xiang Yu. At that time, he was just an inconspicuous person, and it was only under Liu Bang that he had the opportunity to show his talents. I feel that I didn't express what I wanted to say clearly. For example, from Cixi to Yuan Shikai in the Republic of China, were they or were they the children of destiny? I feel that the expression was not good. I will talk about it in a long-winded way. There are many reasons for the demise of the Qin Dynasty (hindsight, hindsight, Ming Dynasty) It's similar) I saw in other places that the key place is internal. Time has changed and the policies are no longer suitable. Movies and TV shows make it seem like Liu Bang and Xiang Yu are the sons of destiny fighting for the dragon. There are also remnants of the Six Kingdoms who rebel against the Qin, assassins, and they are always causing trouble but cannot be caught. Those people have nothing to do but eat, drink and use. Think about modern times. The treatment that agents receive when they come to the mainland is not like the imperial power that cannot reach the branches. It is similar to the support provided by aristocratic families. It is not like the setting of Goldfinger where you have to interact with the protagonist or a named character, change and absorb luck, etc. There is no depth and breadth. One hundred chapters are still written like this, two hundred chapters are still written like this, and you can still type three hundred chapters? ! A little bit of personal knowledge. It's rare to see excellent writing and share some of my own opinions. Big changes, that kind of trouble, the shock and impact it brings to the place, creative ideas, and existing plots. I learned this awesome thing and then learned that awesome thing later. After twenty chapters, fighting with people is still the same as not learning at all.

If nothing else, is there A Luo?