Ming Dynasty: I, Emperor Jingtai, Ask My Brother to Die.

The household registration system of the Ming Dynasty is a mess. Except for the famous hereditary military households, all other household registrations are hereditary. For example, if your grandfather was a dung collector in the Hongwu Year, congratulations, you will be a dung collector from now on. All types of work have the same place of origin for generations, so just tell me whether you are afraid of it or not. There are also the huge pensions of various princes, tiankeng, taxes, and the collection is not in money, but in kind, and the road guide system. Without road guides, you can't even get out of the county. How can a court like this have the energy to open up all directions!

Don't say that Zhu Qizhen is a faint emperor, Zhu Qiyu is not much better, Zhu Qiyu is also a puppet cabinet, and the imbalance between civil and military affairs has indeed been strengthened during his reign. Yu Qian was also the first person to take charge of the Fifth Army Governor's Palace as Minister of War, and began to take advantage of the power of the Fifth Army Governor's Palace.

When I saw Chapter 10, I felt poisonous. It's okay to say it's very general. What I see so far is that the emperor respected Qian too much, to the point of being respectful and flattering... I don't understand, but I was shocked. A time traveler can be so respectful to a historical figure just because he has read some history books? So much so that I almost forgot about superiority and inferiority! ! There is also the section about confiscation of homes. All proceeds from the confiscation of homes are put into the national treasury... I don't know the circumstances under which the author wrote this thing... The author doesn't really think that this is good for the country, right? If you send in 10 million taels today, and if you can get 3 million out of it in ten days, I will consider you awesome!

It is estimated that after writing another three hundred chapters, Zhuqi and I will not die.

Why are historical time-travel novels almost all about soul travel, and many protagonists still have systems or personal space? It is better to write that the protagonist can travel between modern and ancient times through time and space channels. After all, it is based on Einstein's theory of relativity. It is very interesting to write about the protagonist traveling between modern times and ancient times through time and space channels. This can show the direct collision between modern times and ancient times. There are already many stories about the protagonists rebelling in the early Qing Dynasty, including the Kangxi Dynasty and the Yongzheng Dynasty. It would be interesting to write a book in which the protagonist rebelled between Kublai Khan and Yuan Dynasty in the Yuan Dynasty or Zhu Yuanzhang and Hongwu Year in the Ming Dynasty.

. . . . . . . . The protagonist is messing around and slips away.

Alas, after I read the secret service and came out of the palace, the feeling of this book disappeared and turned into a domineering novel by ancient puppets, especially the plot with the two girls of the Hang family. It would be better to write more about governing the country, such as snow disasters, earthquakes, and then disaster relief, discovering corrupt officials, then rectifying the government, then strengthening the army to fight for hegemony, reopening the sea, and then going to the ocean. There is also the Japanese Rebellion, the conquest of the peninsula, there are so many things to write about, historical hegemony stories, and the protagonist is still the emperor. The love between children is very irregular. Just write two or three chapters to cover it in one sentence. At most, you can write about the warmth with the queen. The other heroines are just vassals. If you write about ancient times, you cannot write about modern people's thinking about women. You can have more advanced ideas of governing the country, more advanced insights, you can guide some scientific and technological progress, and you can write a lot of things anyway, but as the protagonist is an emperor, he is destined to have nothing to do with ordinary romance and chasing a daughter. The private relationship between children is just a spice. You have to be responsible for your entire country and people, because you are the emperor. If your country is not managed well, your throne will not be guaranteed.

None of the donkeys in the production team dared to rest like this. 😰

How should I put it? Jingtai is the puppet of the civil servants and the Queen Mother. It would be difficult for him to do anything he wants. Otherwise, how do you think the coup to seize the door is successful? Wu Xun supported Zhu Qizhen's return to the throne, and Yu Qian was loyal to the Ming Dynasty.,,, Getting back to the subject, could you please read this book by Shen Nong?