Wizard, I Have a Game Panel

The narrative of this book is quite smooth. Based on the existing chapters, it is considered to be food for me. Simply write a short review of the extraordinary system of this book. I will try to make some logical additions to the extraordinary system of this book without affecting the existing plot. It is only used as reference material for the author, not as a finger-pointing accusation. If the author doesn't like it, feel free to do with it. The extraordinary system of this book is based on runes, spiritual power, and magic power (according to the current description, magic power is a privatized element stored in the soul). Classically, spiritual power is used to control runes to drive magic power and achieve witchcraft effects. But unlike common mage-style settings, once the runes, or witchcraft models, in this book are constructed in the soul, they cannot be deleted or modified on a large scale. And if it is not built within the soul, it cannot be released. From this I would like to ask the following questions. 1. When the basic runes are successfully constructed, but there is still room for optimization in the combination of different basic runes. At this time, the spell model has been constructed in the mind. Can it still be optimized later? This problem stems from the limitation of the microscope spell model. The article describes that the spell model has undergone huge changes in structure, and according to the statement at this time, it can be changed. After the mouse confirmed that it could be enlarged, the protagonist did not explore its performance limits and did not try to further optimize the structure. Instead, he chose to build it directly in the soul. However, when the earth and fire fusion spell model was constructed later, the protagonist pushed for its performance limit and optimized and adjusted the model structure of the fusion spell, explaining that once the spell model was constructed, it could not be structurally changed later. This is obviously a contradiction. Solution: Once the meditation rune is constructed, it cannot be changed and will affect the properties of the wizard's soul. Basic runes are divided into basic runes with attributes and general runes without attributes. Wizards can only construct basic runes with attributes of the same attribute (mental power is fused with elements and solidified) and general runes without attributes (mental power is solidified separately). Limit the number of basic runes built into the souls of wizards of different levels. Spell models are composed of different base runes, but can be split at will. Splitting and combining takes a certain amount of time and cannot be done during combat. You can only use spell models that have been combined in advance. Basic runes are similar to different mechanisms, and "machines" are built through different combinations. Different construction methods affect the performance of the "machine". This can greatly expand the freedom of this extraordinary system. The optimization of spells and the creation of new spells are limited only by talent, effort, and whether the basic runes you want to use are solidified. At the same time, the number of basic runes can be set to an extremely high number, and similar basic runes can achieve similar but not completely consistent effects. 2. How does microscopic magic work on inner vision of the sea of ​​consciousness? In the book, the spell model clearly refers to the structure of a real microscope, using extremely compressed earth elements to act as glass. But in reality, the principle of a microscope comes from the refraction of light by glass, which allows the eye to receive amplified light from very small parts through different refractive indexes. Does inner vision also receive light through the retina? Isn't this nonsense? The author did not write down the scope and definition of the sea of ​​consciousness. Is the sea of ​​consciousness a space where spiritual powers gather together? Is it the soul itself? These uncertain, microscopic spells have no logic. Solution: The article describes that inner vision of the sea of ​​​​consciousness is through spiritual induction. The sea of ​​​​consciousness contains meditation runes and their surrounding elemental fields and spell models. From this, we assume that the sea of ​​consciousness is the space that accommodates privatized elements and spiritual power, of which the elemental realm is only a part. The sea of ​​consciousness expands with the improvement of elemental fields and spiritual power. Different strengths of mental power can solidify different numbers of runes. In addition to solidified mental power, there is a certain proportion of active mental power that can drive spell models to achieve spell effects, and can sense meditation runes and elemental fields. Casting a spell only consumes the privatized element, that is, magic power, and does not consume mental power. Different strengths of mental power have different degrees of sensing accuracy. There is an interaction between active mental power and general basic runes (solidified mental power). Therefore, the basic runes forming a certain structure can enhance the sensing accuracy of mental power in the sea of ​​consciousness. Based on this principle, microscopic spells of the sea of ​​consciousness can be constructed. Above.

The most harmonious and friendly episode of wizard civilization. Generally speaking, the standard environment for the wizard stream is the most underworld cultivator. The ingredients are basically primitive gu cultivation, Frankenstein-like coldness, and a progressive system that swallows the world. This is the most civilized and group-identified wizard I have ever seen. It is also a rare setting that the protagonist comes from the infancy of the wizarding civilization and leads the civilization to progress. The only thing that makes people feel worried is the addition of players. What makes players flow in wizard novels is not a question of whether it can be written well. It would be useless if you wrote it like a super god mechanic. It is a question of simply not being suitable for wizard novels. Player flow will inevitably change the tone of the whole book. No matter what the subject matter is before, as long as you plan to describe the player-NPC game framework in a large space, then this book will only be a player flow article. For example, when we first introduced players, we created the typical popular "screen NPC" image of the protagonist and described the players who were crazy about the protagonist. To be honest, I almost went black. As long as the player is still like this after arriving, the tone of the wizard civilization can be restored. I can only say that fortunately the author took it back. Now my evaluation of this book is only if you give me an update soon

I don't understand what is the difficulty in advancing to the level of composite elemental wizard? For single-element wizards, take the protagonist's apprentice as an example. He is a fire-element wizard and follows the path of his grandfather, so he can advance as long as his spiritual power and rune understanding are up to standard. The multi-element wizard takes the protagonist as an example. It seems that he wants to create compound attribute witchcraft on his own. However, through the protagonist's second-level advanced witchcraft, it can be seen that single-attribute witchcraft can also be used.

A very good novel, with a fast pace and sloppiness. It doesn't have a crappy beginning, it doesn't have trouble walking when it sees a woman, and it doesn't have an all-female supporting cast. There is no poison, just a piece of food and grass. I hope it won't be too poisonous in the later stage.

After reading it, I don't understand wizard novels. I feel that the protagonist has a plan, and then the flow of genius does not overwhelm the combat power. A qualified cool novel is the latest one that suddenly jumps out of a panel sequence. I don't understand what it is. I read it quickly. It seems that the golden finger is not the protagonist's only one. Later players come, plane wars and so on. I don't know if the author can maintain the level. I think it is quite interesting, because I prefer to read cool novels, and I don't like the kind that is full of twists and turns.

Please note that there are players who are not single-player. It's not because the writing is not good, but I personally don't like it.

By the way, I feel like everyone is so impetuous when reading novels now, and they really want to read the outline directly. In fact, I feel that except for the panel, I feel a little bit wet every time I read it. I think other side descriptions are really not good. If there were no other side descriptions, wouldn't it be boring to read the book? The reactions of some passers-by and the behaviors of supporting characters. If they were not included, the novel would be too boring to read. Only when the dryness and wetness are appropriate can it be considered food and grass. If the story is interesting, it is above food and grass.

I went and suddenly dreamed about the world in the novel. I watched the development of the scenes in the imaginary novel from a third-person perspective. It was so bizarre that I couldn't describe it. Basically, many crises outside the plane were approaching, and the protagonist made a major breakthrough in the law of time. Sanchez was fending off the enemy outside the plane, and Vincentia looked outside the plane. Then Lore seemed to be possessed by a mechanical god or beat Vincentia, and Vincentia knelt down on one knee, floating like falling iron beside him. The mechanical gauntlet of the Herrscher of 3, and then suddenly a dazzling cross-star-shaped red light flashed in the eyes, and then a steampunk-like air flow shot out from the whole body and rose into the sky, smashing the strong man outside the plane with one punch. In the dream, he could not fly, so he fell from the sky. At this time, Sanchez rushed up to grab Vincenya's hand, and used his strength to throw it upward, and then the two of them posed in the air in a handsome close-up. The perspective behind it turned to Lore, because The characteristics of the law of time, many wonders of the products of the law were derived outside his wizard tower. Countless things with the characteristics of time and the appearance of food floated upward from his wizard tower, like bubbles rising in the water. Some of them could slightly accelerate time, some slowed down, and some stopped. Then at this time, many forces outside the plane discovered that this plane did not have any good things as imagined, but a group of talented natives. Then After saying that he had to take something with him even if he was deducting some meteorites from the starry sea, new forces in the wizard plane continued to emerge, flying out of the plane and exploring the star sea. Lore continued to conduct new experiments in his wizard tower where he braved countless time-characteristic food bubbles (above, the original scene in the dream cannot be described. The dream was grand and epic, and it suddenly happened. The only shortcoming of this book is that the author is too short. It will grow out soon! Looking forward to it!)

Compared with other books, the wizarding world in this book is so harmonious and friendly. I like this book so much.

If you are worried that the player cannot control this speed, you can look at Super Mechanic. He controls the player very well.