People in Tokyo, Writing Comes True

Being able to modify the world settings as long as others believe it is actually very unnatural. For example, if you forge a paper on room temperature superconductivity, it will take a long time to prove it to be false. During this period of time, many people will believe it. Then you will have room temperature superconducting technology, and mankind will fast forward to the interstellar era. Even if you have to play fantasy routines, you can also consider forming a build, using a lot of useless abilities tailored for the protagonist, and combining them to form a heaven-defying combination. Splitting them into multiple abilities can also prevent NPCs from easily reaching the same height as the protagonist. Now that it's like this, it's everything. It feels like the protagonist can be single-killed by his own derivative creation.

I've probably finished reading it How can I put it this way, all the lifespan the protagonist gets every time is used for writing, so that the protagonist is always on the verge of death (30 days lifespan), and any failure can almost be said to be a disgrace. Although we know that the protagonist will not fail, the protagonist himself does not know, and the time is too short each time, only half a day or a day, so the error rate is very low. I think the lifespan issue needs to be solved as soon as possible. Although near-death can promote the plot to a certain extent, being in a state of death at any time does not give a good sense of substitution The latest chapter is written with Chakra, which can be said to be the foundation. The author can make the lifespan it brings not one-time (for example, when the number of people is greater than a certain number, how many lifespans will increase every day, etc.), Which can be more leisurely.

It's hard to describe in one sentence, "This is a world with E-level ninjutsu" "This is a world with D-level ninjutsu"... This can also be regarded as the mastermind behind the scenes, making the story come true 😅

Too many flaws. First, if the settings fail and you are almost dead before you remember to set the settings from low, it just doesn't look very smart. Secondly, if the protagonist gives people ninjutsu without any specific purpose, you will cry if it affects your family. Thirdly, no one officially knows ninjutsu?

I feel like this doesn't reflect the character of the protagonist! Other novels like the behind-the-scenes and pig-raising scenes are more compelling! Able to give to others and take back, what they have trained can be returned to themselves! How about there are a lot of moves in the world that use your moves, and the other party that uses your moves that day is yours. Even if the other party can't kill you, they can still kill your family! Casting too many nets, no restraint! One day it will bite me back! And don't you write cool articles? Hanging for 30 days, this feeling of life being restricted is not free at all! You might as well use other people's lives, use your own life, and then continue to write things, and then continue the system to give it to you! Aren't you no different from those people? They are puppets, you are also a puppet, and you are not one level higher than them!

I just finished reading a little personal opinion, if it has any influence, I can delete it. Exposure depends entirely on guesswork, and there are no events to match it. That concert entry point is okay, but can't there be a few people who suddenly learn ninjutsu on the spot? They were all personally killed and exposed, just to complete a mission? You wrote about the modern quick and easy way to find people, but then when you got to the police, they blocked it automatically. The police also used the old saying of not believing anything when investigating a case, and then they discovered ninjutsu and it was uneventful. In fact, the police system is a good entry point for exposure, otherwise why would so many behind-the-scenes articles be written like this? The sharp knife is in hand, and the murderous intention arises. Now that you have the power, you can't write revenge dramas or heroic stories about suffering and hatred. It's cliche but it works. The exposure will come soon. Look at what the hell these things you wrote are. In fact, you should have discovered that the power system limits your imagination. Is it easier to use it if you change it to a mythical system or not limit it to a ninjutsu system?

How to say it? The protagonist's methods are so easy to exploit. How could there be a person behind the scenes who would end up on his own, let alone have no control over his own creations, nor his charisma. This protagonist really made me realize that a time traveler is a thief who steals other people's bodies and relatives. While enjoying other people's love and living in other people's homes, he is also impatient and contemptuous of others. As for the handling of resources, let me put it this way, he may not be able to tell the difference between being dirty and bad and charming. Just think of it as the kind of thing that I had in the past more than ten years ago, with nothing but a golden finger. There is nothing exciting in the plot, nor is there any surprising idea. There is no pleasure of appearing in front of others, no sense of superiority in mastering everything. It can be seen that the author has very little experience. I am the kind of person who has not read a few novels. Someone who also writes novels.

It's sixty chapters and I haven't finished the ninjutsu yet.

It doesn't matter if the protagonist is involved himself. Writing a novel is not about writing a red-letter document. It requires a template and a formula. There are always some people who can't wait to jump out and say "the protagonist must be the mastermind behind the scenes and cannot participate himself" when they see this kind of book about setting a setting and changing the world. How about writing eight-legged essays? As long as the plot writer does not violate the three views, he can use his imagination freely. As long as the plot is well written, there will be no problem. The imagination and layout can be appropriately liberalized.

There's another behind-the-scenes eunuch on the bookshelf.

Is the protagonist going to school and falling in love while pulling the strings?