In Tokyo: My Classmate Is Tomie Kawakami

I want to know why the author made the protagonist so miserable? A broken home, a burdensome sister, and myself without money. The main theme of this book should be urban transcendence and conquering demons. The protagonist will have to go to school, work, take care of his sister, practice skills, and fight monsters every day. To be honest, the protagonist feels very tired. I don't even dare to step in and sympathize with the protagonist.

King Kong Yihuangnan: Long time no see, cracked girl, do you still remember me?

I don't approve of the heroine not having a slit girl, Hanako, Hachisha, Sadako, Tomie 🤫

After reading more than a dozen chapters, the author, you have such amazing wisdom, how do you set the character who is going to be one of the heroines to be a green tea character with a boyfriend? In fact, this is not a big problem. She only needs to hold hands and do nothing else. The image of the heroine you describe is not very likable. Before breaking up with her ex-boyfriend, the protagonist can touch her whenever she wants. So what if she doesn't do the last step? With this performance, I doubt that she did anything else. Just the inexplicable ex-boyfriend, it wouldn't affect the plot if I didn't write it, but I did write it, I can't figure it out

Damn it? This is really the first time that the daily recommendations are actually completed books or unfinished books.

If the author doesn't know how to write emotional dramas, then don't write them. The current female characters are like sluts It's all a repost, with no process, no emotion, the process of overthrowing cannot be written, the ambiguous plot cannot be written, and the fight against demons is not exciting. The book is either in vain until the end, or it ends hastily. It's 2024, and it's really not good to throw talismans and recite spells. It's like mechas are still using joysticks to compete for hand speed, pet battles still rely on spoken commands, and cards must be thrown by hand. It's too embarrassing.

The starting point is now a crazy exploration on the verge of death, and a lot of side stories. It's just different from Xiao Huang Wen, huh huh.

There are too many female characters written. What's more important is that you didn't portray these women at all. Just add some meat and put it next door. The moderator is a good book. Click here, 👎🏻

I wrote a bunch of female characters, and the process of recommendation was briefly explained. It's better to be more pure love. The sister's presence is not high, and the interaction is too plain. It's unnecessary to write for the sake of recommendation, and I won't talk about the rest.

A hundred years later, the protagonist's women all died of old age. The protagonist hangs out with the remaining mother. Two hundred years later, he became a Taoist Immortal.