My Tokyo Love Story

It's better to respond to a single heroine or multiple heroines, it's not good to hang around. In addition, the writing is very good, I suspect it is a trumpet, come on

I can read it for now, the writing is good and the style is clean, but I always feel that the author may write something depressing or poisonous in the future. I suggest you pay attention to this aspect and write carefully.

Those who have never responded to a single heroine or multiple heroines will be counted as stock traders.

It's so well written. Your Qidian light section is definitely unique. Your rich reading volume and magical imagination are very fascinating! Come on come on

It may be mainly because the pace is a bit fast, and each plot has a strong sense of non-routine, and it feels like it is constantly unfolding. However, in fact, establishing the daily life of the characters is also a very important part. Love and superpowers must be present in order to be considered healthy. On the other hand, the relationship between the male and female protagonists is actually established a bit quickly. With the male protagonist's pure love for the God of War, he will probably not choose "betrayal" after the relationship is established. This is equivalent to completely cutting off the daily aspects of love, or even giving up. After all, the best part of this type of relationship is the hazy pull and pull when the relationship is not confirmed. In addition, what I feel now is that when the male protagonist gets along with these female characters, he plays more of a savior role, unilaterally giving charity, which causes each female character to have a good impression of him. But relatively speaking, the female characters other than the heroine are more like vases. They are only used to encounter crises and be rescued. They lack character arcs and, more importantly, their role on the protagonist cannot be seen at all. For a character with a thick heart like the male protagonist, his affection for characters other than the female protagonist may not be enough. This makes it almost impossible to have a love plot involving entangled choices, and it becomes a pure double arrow between the male and female protagonists. Personally, I feel that the simultaneous development of multiple threads has resulted in the stories of all the female characters not developing much, failing to grow, and giving it a sense of confusion. My personal opinion is that a better way to write this type of story is to first promote the branch plots of each female character one by one. For example, the plot of the stepsister, mother and daughter, abruptly enters the main plot halfway through, causing the plots of these two people to be left hanging there. Then it turns to the plot of the adopted sister and her daughter. It starts with a daily routine, the life with the adopted sister, the heroine's love simulation, and the pursuit of the senior sister. It can write a very exciting daily life, and then gradually introduces the adopted sister's father to compete with the underworld, and adds some highlight plots of the adopted sister to let her support her mother. The senior sister who has conquered the previous stage can also logically join the battle to fight against the underworld. In the end, the male protagonist defeats the underworld leader who avenges his wife with the reward of the previous mission. The super-powered old man is solved secretly by the heroine behind the scenes, which introduces the setting of the enlightened person while retaining a certain sense of mystery. The plot of the stepsister comes to an end. As for the content about the heroine, we can put aside the main plot and personal puzzles for the time being, and instead depict the daily love pull. The love simulation score is a part that I personally find very interesting, but it ends very hastily. The fox's foreshadowing suddenly appeared out of nowhere, and then the foreshadowing was revealed in the blink of an eye. At first, I thought that the heroine's anomalies were slowly described in a hasty and gray line, and then exploded in the final personal chapter, but the heroine soon blew herself up. Generally speaking, I can feel that the author is very clever and thoughtful, and he is good at breaking chapters. However, he may have relatively little creative experience, and the rhythm and structure are somewhat insufficient. He wavers between superpowers and love. I feel very happy about the radio wave, which is worthy of being praised. However, some people who pay attention to strict logic seem to be a bit poisonous, because each chapter may look good individually, but the transition of plot development and connection is not natural enough.

These recent chapters of Cowherd are really hard to read😫

Run quickly, I don't know what I'm writing anymore. The author is a guy who can't even control his own stream of consciousness. He seems to think that the world is like a trap that expresses the unfathomable unfolding of God, and feeds it to the readers with great pride💩

Many people didn't like the plot before it was released. I think the main reason was the readers' expectations for this book. I thought it would be relaxed and enjoyable, but suddenly a plot appeared where the protagonist explained his own ideas. Although it was like shaping the protagonist's character, most people didn't care about it at all. What more people wanted to see was the interaction between the male protagonist and other women, so they felt that this section was watery. It would have been better if it could be written in one go, but it was There are so many chapters that those who follow it will definitely not be able to stand it; and it will be even more embarrassing for those who have long passed the age of secondary disease; the first two are relatively good, but for those whose lives are already unsatisfactory, the violence is already very strong, and this concept is incompatible with them. They feel that this concept is childish or even disgusting in their hearts. They just want to read some exciting articles to cheer themselves up, rather than watching the protagonist talk about the so-called truths in the novel.

It started to be chaotic with Inugami, and then the succubus became even more chaotic. Does the author really have an outline?

Author, you can write about love or butter, after all, what you wrote before is really good. But if you have to rely on the supernatural and you can't grasp it, it's just like Italians eating pineapple pizza, French people eating Pan Pan bread, and Chinese eating stuffed dumplings. Just write about everyday love affairs. Writing about science fiction/fantasy is really not as good as watching the red-haired old man and the great master in the stock trading field.