Let You Recruit Ancient People, but Not Change History

Yes, the idea is quite interesting, but the writing always feels awkward and not immersive. To use an analogy, it is like those traffic 208 people who were forced into the Spring Festival Gala, and the whole process was like "dumplings, dumplings, dumplings and dumplings!" I hope there will be improvements in the future.

The first part is very good, but the second part turns into an urban love story. At the beginning, it was for the purpose of helping to defend the city, and it was a bit explosive. Later, when the female character came out. It's all about these three women. Totally meaningless. After the arrival of the new characters Emperor Wu of Han and others, these women still have the most perspectives. The new character is just a passer-by. The soldier brother in front of him immediately went offline and lost his writing. He kept flirting with women.

I had a photographer there from the beginning, which was disgusting and frustrating to watch.

Is the photographer named Zhao sick? ?

It's a little bit of personal opinion. Whether it's right or wrong, it's up to the author to decide. When I saw the part about treating the champion, I couldn't read on. I feel that the whole book is a bit messy. I feel that the protagonist is very busy, but he has not produced anything and is just busy. After thinking about it for a while, it may be related to the following questions. 1. Unknown career line The author's main career (achievement) is to make his film and television city great, or to change the fate of history. You can have both, but you still have to prioritize them. If the film and television city becomes great, you have to focus on writing how good the people I recruit are, how beneficial it is to my film and television city, how high the tourists are, and the impact of the film and television city in the real world. If it is difficult to change the meaning of history, focus on writing how much modern materials or information helped ancient times. Then the frequency of recruiting people should be slower, and feedback on historical changes should be faster. You can't pass through a person, and for twenty chapters, his history remains silent. The feeling now is that I have both, and the gains from both are not enough. For example, if you plan to write about the success of the film and television city, you will write about taking wedding photos. The supply exceeds the demand and cannot be scheduled. Then, the soldiers were very hard-blooded. After it spread on the Internet, those in the domestic circle who played with cold weapons saw it and came over, saying how awesome it was. This was the first wave of tourists, or weren't die-hard tourists just coming? When writing about changing history, you can't just write about sending things. You also have to write about how useful these things were during the war, or when the soldiers later went to work and told you how many lives those things saved, etc. You can't just write that they were useful, you want them to use them and it was really useful. This feedback is enough. Then there is the change in history. This feedback should be faster. It cannot be said that people have traveled through twenty or thirty chapters before seeing something. This is a bit slow. Personal opinion, the author criticizes it. 2. There is too little inner description. Personally, I feel that inner description is quite important. The first is to explain to the readers why the protagonist does what he does, and the second is to let the readers follow the protagonist's train of thought and bring the protagonist's perspective into perspective. For example, soldiers can buy things with their first month's salary and bring them back. You said you would buy some rare items to prepare military supplies, and then buy medicine and a trebuchet. A bit too general. My personal idea is that the protagonist will first think about what is lacking in the city. They are besieged and lack supplies. If I send food directly here, it won't be much. But I can use modern crafts to send them back, sell them at a high price, and then buy food and military supplies from ancient times. This is a good deal. Then there was a war, and the medical conditions in ancient times were not good. I bought some first-aid medicines that would be very effective. Then there was the defense of the city in ancient times, and now there is something that can help defend the city. This is a thinking process, and it still needs to be written down. You cannot just throw away a result. 3. The driving force of the protagonist is not clearly stated What is the driving force behind the behavior of helping the soldiers and treating the champion? Why do this? Ah, I know, it must be because these soldiers have held on to the city for so many years, and the champions swept the royal court. They are all heroic figures who defend their homeland and drive away foreign enemies. As a descendant of China, we must respect such a heroic figure in our hearts and do our best. That's the truth, right? But the author seems to have only written about what they did in history, without lamenting from the perspective of the protagonist what kind of great heroes they were. As a descendant of Yan and Huang, I have the opportunity now, so I must do what I want. This paragraph feels a little knowing, but it must be written so that it is connected with your protagonist and your protagonist doing these things for these historical figures. By the way, you still need to give a basic explanation. For example, if you write about the champion, you say he is 23 years old. I'm not good at history. I really don't know whether the champion died of illness at the age of 23 or in his twenties. I only know that he died of illness at a very young age. You can't assume that your readers know it. At this time, you can write it from the perspective of the protagonist. Champion Hou is now 23 years old. From historical records, he may have died of illness at the age of 24. So there is still time now, and I still have a chance now. Or history records that the champion died of illness at the age of 23. Now time is very urgent, I have to do something quickly. Bringing the topic back to the topic, the protagonist has very clear reasons for helping those two groups of people, so why does he devote himself to the sword dancing trio? Aunt Gongsun and the others also have respectable deeds? Or is it that the protagonist is just a warm-hearted central air conditioner, or something else? I don't understand why he would rip out his heart and lungs? 4. You can make some jokes appropriately For example, didn't you write that a photographer wanted money but didn't get it, and then you held a grudge. The most basic thing is that he found someone to hack me. As a result, Heihong brought a lot of customers to the film and television city. Then when the protagonist was chatting with him, he mentioned it, oh, I don't know why many people suddenly hacked me some time ago, but my video traffic was very high. Many people watched it and made appointments to come to my place. In front of the photographer, he just smashed his teeth and swallowed it in his stomach. He smiled stiffly and echoed, "The boss is awesome, gold will always shine." Or a more complicated structure is that he found someone to hack him, and then the hacker thought the money was too little, so he called him a fool and did nothing for the money. But this film and television city was not very popular before, and people did criticize it on the Internet. Then it gained traffic and some customers came. The protagonist chatted with him and said that it became popular. He thought he was spending money to find someone to cheat on him, but instead he brought customers and regretted it. Then I spent more money to find the person before and told him not to be hacky and not to bring traffic to the protagonist. The man secretly cursed a fool, then accepted the money and did nothing. But because the people who traveled through time were very capable, netizens saw that this film and television city was really powerful, so there were no more blackmailers, and many of the people who praised it also got traffic. When the protagonist was chatting again, he told him, oops, the black ones from before are gone, but the traffic is still very good. He thought that Heizi was gone because he spent that money. I also regretted that the protagonist's traffic had not dropped, and the black points were gone. I was even more at a loss, and I had to agree with the protagonist with a stiff smile in front of him. Another example is the scene where the champion is treated. I think the character of the Chinese medicine doctor is a bit wrong, because the reaction of a medical student is a bit strange. What's wrong is that I feel that the reasons given by the protagonist are not enough and not strong enough to make a medical student give up the chance of letting the patient go to the hospital, take medicine here, and take a chance on survival. I think we should make up an outrageous but interesting reason. For example, Emperor Wu of the Han Dynasty and Champion Hou were very backward mountain people. What kind of beliefs do they have there? They don't accept modern medical treatment. Emperor Wu of the Han Dynasty was the local high priest. I tried my best to persuade them to come to me to take medicine. They really couldn't go to the hospital. The accent of Emperor Wu of the Han Dynasty was definitely different from the current Mandarin, which made him a native of the mountains. Then Emperor Wu of the Han Dynasty was very imposing and majestic, so he was definitely a local sacrifice. Just use the contrast between the majestic Emperor Wu of the Han Dynasty and the sacrifices in the mountains in backward places to achieve the feeling of a joke. Either the champion took medicine and was still close in the end. After discovering this situation, we communicated with the system on how to send the champion to the hospital. The final result was that we could send him, but what punishment would the protagonist receive? For a hero like Champion Hou, the protagonist gritted his teeth and agreed. But because of this, Emperor Wu of the Han Dynasty felt that the protagonist was really good, so he agreed to work with the protagonist. Of course, if your original plan was that Emperor Wu of the Han Dynasty and Champion Hou did not stay later, then just pretend that I didn't say anything. These are some personal opinions and cannot represent the general readers of online articles. It's up to you to weigh which suggestions are okay and which are not suitable for the author.

It is true that the photographer was ill during that period. He forced conflict, forced his wits to fall apart, and gave up.

Is it the influence of those long video AI animations that recruit ancient people at tourist attractions? This type of article has popped up a lot recently. However, there is basically a common problem, that is, the time between ancient and modern times is synchronized. The ancients went to work all day long, and went back to get off work at night. Some books even packaged and recruited the Yellow Emperor's family. So the entire royal family works during the day shift every day in modern times. Isn't everything in ancient times chaotic? There will definitely be some restless people who will plot a rebellion while the emperor is away! The most reasonable way is to come to modern times and work a day shift. It only takes about an hour to go back to ancient times. It is best to divide it into two shifts, morning and afternoon. Each shift is calculated as the time flow rate of half an hour, and then the life span consumed during the time traveling back to work is calculated based on the ancient time flow rate. Anyway, there is a universal system, so this is not difficult.

It's fine if the historical figures are too out of character. Still bragging about Yingzheng in front of Liu Che, except that no other dynasty has a good opinion of the Qin Dynasty now, and he is still talking about the one emperor through the ages.

This won't be the same routine of "starting with a farmhouse and taking on the ancient times", and then hosting Wu Song and Liu Guanzhang.

No, there were trebuchets recorded as early as the Zhou Dynasty. How could a group of people in the late Song Dynasty not have seen it?

The progress is so fast. Are you planning to run away? 😰😰😰

Don't take history seriously. History is written by people, especially Li Er. It is a struggle between aristocratic families and imperial power. Which person with real power will follow the advice? It was Li Yuan who founded the Tang Dynasty, and he acquiesced that Li Er seized power and retained imperial power.

I still have eight monthly passes, but I can't give them, so there's nothing I can do. Oh my, this book is really well written.

Hahaha! This book has 29,000 words My 92nd investment The 94th one has read the latest chapter It would have been better sooner

It is recommended to write quickly, diligently, and write 996, otherwise you will lose readers.

After catching up on the latest chapter, the film and television base has been taken shape. As a "film and television base", it's time to arrange for the crew to enter the scene. And since you are a "base", you should be able to launch your own film and television works in the middle and later stages, right? You can't just run it as a tourist attraction and a 'retirement' place for travelers! Although it is not clear whether the author focuses on changing history? Or is it to create a five-A scenic spot? I feel that the ancient NPCs are enough for now, and any more would just be repetitive descriptions!

How does the author comment on Returning to the Jingjing from the Cold and Going into the Mountains with Dispersed Hair?

There are too few themes about the Southern Song Dynasty's anti-Mongolian struggle. I'll help out when I see one.

I don't know why, but I haven't had the urge to settle down in the last few games.

It's a bit embarrassing to watch with a serious mentality, and I feel like I don't want to see this kind of change in history. But if you look at it from a fun person's perspective, it's just fun. What will happen to Xianqin Technology, Shenhan Technology, and the technology tree? See if you can survive. You can also look at it from another angle, have some cultural shock, and see if you can revolutionize feudalism.

I don't know whether to put it in the history category, urban entertainment category, light novel, or plot management