Batman's Owl Godfather

In fact, some people have always said that chasing soldiers should not be set up. This is a failure, but in fact, in my opinion, this is an absolutely indispensable core setting. The reason for this difference is actually a matter of perspective. You are the reader's perspective, and I am the author's perspective. This difference is completely normal. If I have to explain it, there are probably three points: 1. I did my homework before starting the book. Most of the books that allow Batman to travel to other worlds are unfinished or unsatisfactory, because the character of Batman has never existed alone. His roots are in Gotham. You might as well think about a question, why do Batman movies never follow the plot of a certain comic book directly? The director always only borrows part of the settings and then tells his own story, and the fans can still accept it? The reason is very simple. Eighty years of operation have made Batman an IP, not the protagonist of a single story. But the IP covers more than just Batman. Is Batman still Batman after leaving Gotham completely? I think those broken and unfinished books give the answer. 2. The problem of plot and character design. Although Owl's character is a bit fun-loving, he can't really do some very bad things just for fun - such as what Jason did. In fan works, the most important thing is the variables, otherwise you can only follow the original plot or expand the world view. Some people may say that the protagonist's time travel is the biggest variable, but I think this variable is not enough. If there were no pursuers, Harry Potter's first year could only end with defeating Quirrell. I believe you have seen many such stories. Also, I don't mind expanding the worldview, but the question is, will the expanded worldview be something fans like to watch? I can't say. 3. The last point is about the relationship between Batman and Owl. Only when they have a common enemy can they get along harmoniously, help each other, and grow together. This is something that a villain who travels through the world itself cannot do. The reason is very simple - Owl knows the plot of the original work. Since you already knew there was a crisis, why did you rush to get over it? But if it is really solved in advance, what is the meaning of traveling through this world? Just to be the savior? For example, in Harry Potter, Voldemort's biggest reliance is the Horcruxes. The owl knows the whereabouts of all the Horcruxes. Can Voldemort still be the villain? If not, who will do it? You can't let the owl create its own opponents, right? Or let the owl do both heads and tails, fighting each other? It's not that I can't write it, but this way the book will become a behind-the-scenes flow, which will lead to a question - Batman and Owl will inevitably go against each other, and then I have to find a way to reconcile them. After all, if Owl loses, the readers of this book are not happy, and if Batman loses, Batman fans are also not happy - I believe that most of the readers of this book are also fans of Batman. In this way, I have to be cautious in writing, because the bigger the trouble Owl causes, the earlier the confrontation between him and Batman will be. Believe me, by that time, no matter what reasons for reconciliation I come up with, I will face a problem. Forgiveness is not accompanied by death and atonement, and the strength will never be enough. If you think about Piccolo and Vegeta, you will probably understand. And this writing method is only suitable for the second male lead. Do I really want to write the death or atonement of the protagonist at the starting point? Forget it, it's better to just end it. By joining a pursuer, I can let them go and do their thing, which is a very important step. The above is the reason why I show you from the perspective of the author. Actually, I don't like to say this, because there is no need for readers to consider things that the author should consider, which greatly affects the reading experience. But there is no other way, because I can't do it without an explanation. So the explanation ends here. I hope I can allow everyone to experience a wonderful journey in this book. Love you all. 🌹🌹🌹❤️❤️❤️

The agreement has been activated, is taking effect... Has taken effect. Found a new Batman, numbering... Your number is 52 Alfred Protocol has been initialized Mortal body, not inferior to the King of Monsters. With human power, we can rival the Holy Emperor. In the dark world, I am in panic, so I keep watch with my body. The Bat Shadow Knight is still unparalleled today! The evildoers who rebel against the party are afraid of my divine light. The demons and monsters are all unstoppable. The shadow lamp is bright and shining forever! Dear Batman No. 52, Welcome to join the Bat Army!

The reason for fighting Superman is really too outrageous. He started a war in the city without even saying a word, and then he was still lamenting the dangers of superhuman beings? Me??? The 14-year-old little bat is so crazy, will he still get it in the future? The author must have wanted to at least have a fight with Superman where the talks collapsed. And the characters of these two people. When fighting, shouldn't it be normal to think about reducing the damage to the surroundings and move to a place where no one has a house? I hope the author has thought clearly and will not do this again in the future.

I drew it with joy after seeing Harry Potter's change of character. This hand holds the Half-Blood Prince Notes. Hey, there is no fanart area where there are no characters.

"Hey, I have a good candidate!"

Katum on the upper left, Hawkeye on the lower left. Center Bruce, standing on Mjolnir. Upper right Marvel Wasteland Earth, a graffitied land. Wolverine, lower right. The reference is "KANPAI FUNK (Cheers FUNK)"

I turned on automatic subscription. I don't know what happened this month, but super-high-quality American comic fan fiction was released. This is something I never dared to think about before. In the past, there were only a few books (Spiritual Master, Deathstroke) that I could read. Now, the father-worrier some time ago is now the owl godfather. I'm in a dream

It's very interesting. The author is very thoughtful and the character creation is also very good. The protagonist is not a social loser, nor is he a fool who has just entered the society. There is no annoying stupidity, but more like those middle-aged uncles in DC who are full of bad taste. He looks more mature and comfortable to watch. It is not too cerebral. The red temperature is just that the so-called Barbatos mechanism is a relatively big bad point. The protagonist and his party will follow them immediately when they enter a world. He is a subordinate of Barbatos. In an innocent world like Harry Potter, a ghostly DC killer is chased into the world, which gives people a feeling of being out of place. The book has just begun, and there is a sense of freshness, so there is not much resistance to this mechanism. In the middle and late stages, this mechanism will be as eye-catching as an ink dot appearing on a piece of paper. It is recommended that the author either downplays the so-called DC killer and allows him to appear when he is about to leave the world, or get rid of this mechanism as soon as possible.

Next door is the father-worshipper, you are the owl godfather () Come on, come on

The beginning was quite interesting, the mean-mouthed owl and the mean-mouthed bat boy were quite interesting, but in the end we saw a werewolf killing him. . . The plot is really a bit boring. I can't say that the subject matter is not interesting, but the author really can't control it. From the beginning of this plot, the author was already very rough and a bit hasty. The most obvious thing is when the mark appeared on Hermione's arm. Batboy suddenly went crazy and bit the protagonist, thinking that it was related to him. It was weird from the beginning. After that, the protagonist's preface and follow-up words did not match. I don't know if it was foreshadowing, but it looked really abrupt. After that, the plot really changed completely. The previous tone was generally focused on joy but not on logic. As a result, when Werewolf started, everyone suddenly started thinking about logic. It felt like everyone wanted to pretend to be smart, but their performance was average, and the atmosphere became very serious. The author later said that this plot was based on the mystery of the Wolf Village, but no matter how good the Wolf Village is, it cannot deny its niche, not to mention that the style is completely inconsistent.