Peninsula: My Road to the Top

Dragon Dream

I didn't know anything. I heard there were 72 female leads so I came in 😌

Bae Joo Hyun will release her solo on November 26th!

Basically everything in the character card will be written, but most of them will only be passing by and will not be described in detail. Of course, the ones with more likes will have more scenes. If you have idols or actors you want to watch, you can leave a message.

More than a hundred female protagonists made me curious to click in. A man who was dozens of years old and was reborn as a twenty-year-old acted like a teenager and successfully persuaded me to turn away.

It took me a long time to see him. There are more than 100 characters. Is it so explosive? ! !

Goo Hara

The following personal thoughts: First, I have read the latest chapter, and I feel that the other female protagonists have too few appearances. Even if I don't focus on the description as you said, I can't just write one or two scenes, right? After all, the name of the heroine is not really ons. Readers of the heroine who has not appeared for a long time will also want to read the occasional chapter or two of the plot that is re-released without asking you to write too much. I think I originally wanted to watch Let a Hundred Flowers Bloom, but it ended up being about the careers of Choi Sulli, the main heroine, and Goo Hara and Yoo Jimin. These three heroines took up too much space. The other women were not seen for more than a year at most, which was too crazy. Meeting them once every two or three months was about the same. And he ignored the protagonist when he took the initiative, which was a bit too irresponsible. He used busyness as an excuse every time, and went crazy to take on the work, making it look like he was reading a career drama. Who watches Korean entertainment to read a career drama? Outrageous. The early articles that were mainly about emotions and sub-careers gradually took up more and more space, and turned into articles about main career and sub-emotions. No wonder I feel less and less motivated to read. The heroines like Jung Eun Ji, Kim Hyun Ah, Lee Sun Mi, Kim Ji Won, Han So Hee, Kim So Kyung, Park Hyo Min, Park Ji Yeon, Lee Fen Hee, Lee Da Hee, Park Min Young, Kang Min Kyung, Jang Nara, Sunny Kim Jenny, and Araki Yuko only have one or two scenes, which is ridiculously few. Except for the three heroines who are not mentioned, the remaining heroines have more than twice, but not much more. I estimate that the six newly acquired characters, Bae Suzy, Kim Seolhyun, Park Choa, Park Sooyoung, Nagazawa, and Hamabe, were all forgotten by the author in the blink of an eye and thrown into the dark corners of the world. Many of the heroines mentioned above were given to the protagonist for the first time, and they used the protagonist as their emotional sustenance. This is unbearable. The author just said "the protagonist is busy" to prevaricate her. Sometimes I really want to curse. I don't expect the author to be completely average, but I still have to make outline notes and record the order of appearance of the heroines. It wouldn't be difficult to arrange a meeting plot for any heroine who hasn't appeared for a long time. How difficult can it be to write a plot about meeting and maintaining a relationship in just one or two chapters? Just write about those crappy movies like crazy. No wonder there are fewer and fewer readers, and the author is getting slower and slower. It's a vicious circle. Who loves to come to Korean Entertainment to see the filming process and plot descriptions of the movie? You might as well go in the direction of interactive plots with heroines who haven't appeared for a long time. The author took a long time to write this book, but the readers read it within a few days. That is to say, from the reader's perspective, the heroine who was quite fond of yesterday in the plot has no role in the story after one or two hundred chapters. It would be strange not to be depressed. If we can't do our best to share the success of every heroine, we will inevitably lose a large number of readers who like other heroines. If it really doesn't work, the heroines who can write the plot with few appearances can be arranged to write alone, and the heroines who can make up the appearances like Hyuna Sunmi, Hyomin Jiyeon, and Jisoo Jenny can be arranged to have two chapters of the plot together. Overall, I still feel that the author has ignored too many other female protagonists, and Choi Goo Yoo takes up too much space, especially Choi. Arranging the plot according to the number of likes is a bit confusing. People who like it may not necessarily follow it. As long as the arrangement is more evenly distributed and the popular characters are slightly more popular, it is not as seriously unbalanced as it is now. Coupled with the squeeze from more career descriptions, the emotional plot is really only a drop. If you give the three female protagonists one more point, the other female protagonists of Good Guy will completely disappear. It is recommended that the career line should be abbreviated unless there are major company-related plots. If Cui Gu is already there, the plot can be reduced. It would be great to arrange for the heroines mentioned above who have not been online for a long time to return with one or two chapters of plot. The second thing is that the punishment for Li Shengli's group is too weak. The protagonist always does things with little courage and the results are always not enough to relieve his anger. Kim Soo Hyun was almost solved just because he had something to do with Goo Hara in the future. Li Shengli, the direct perpetrators who had already taken action, were still intact. The only person who died was not his own fault. Don't talk nonsense about influence to me. If Jang Ja Yeon, Choi Sulli, and Goo Hara die, there will be no influence? People don't care about you, but you do care about its impact. Those who are close to you will hate it, and those who hate it will soon be angry. Cutting the grass and rooting out should be applicable to any novel, right? Especially the phrase "I'm afraid that I will lose control if I get used to it". Don't talk nonsense like that. The strong are constantly improving themselves, while the weak are unfounded. The protagonist is always described as lacking a bit of decisiveness, lack of spirit, and average personality charm. A soul in his thirties really has no courage. Besides, whether they lose control or not is not a matter of the author's words. It's just that the author doesn't want them to die. I can't imagine how difficult it would be for the Wall Street financial consortium to kill several artists. What else are you telling me about losing control of yourself? Even if you have already opened up, you were talking about conquering the world, but in the end, you are so hesitant? The punishment of these villains could have been written as the highest point of the novel. After all, the villains had a hard time, but in the end, the waves they set off could be considered waves, and they were only as high as surfing, but they were nothing compared to the tsunami. Whether it is suggested to cause an accident, be solved by one of their own umbrellas, or be it dogs bite dogs and bite each other to death, the liquidation will be complete only when all these people are dead and their debts are wiped out. Don't be ridiculous if you sit like this for a few years. It's too light, even if you arrange them inside, it's too light. Don't forget about the punishment plot, their pain and torture is the highlight of the revenge plot. I think these two points are the biggest problems of this book. Personally speaking, these two points have seriously reduced my interest in reading. The kind of favorability that drops again and again makes me feel disappointed. As for the other minor flaws of Bara Bara, I won't mention them, they are not as big as these two problems. Of course, maybe the author will not care about the two issues and adjust his writing after seeing this discussion post. I personally like this book quite a lot, but the two flaws are a bit fatal, especially for someone like me who is passionate about women, lustful, and jealous of evil. Now the author is getting slower and slower, and I don't know if I can finish this book. Finally, I wish this book will get better and better. Although there are two very uncomfortable points, I will try my best to overcome them and continue to read them. {"NickName":"Eat while lying down and sleep while standing","UserId":364481202}

Cheng Xiao

Park Hyo Min

My mother, I was stunned when I saw this list of heroines

IU Lee Ji Eun

The content setting is pretty good, but the author's writing skills are average, and it's basically just a running account. Whether it's a description of feelings or career, it's basically all written in one stroke. The characters and plot seem hollow, and the characters seem thin.