[Double strength + two-way rush + no cruelty of feelings + feelings of family and country + double cleanliness + HE]
Note: There will be amnesia scenes.
Song Jiuzhi, with a bare waist like a willow, a graceful hand, and a soft and boneless figure, was loved by all the men in Sheng'an City, but no one dared to touch her.
Just because Song Zhizhou, the son of the general who protects the country, and Song Xiaojiang, guarded Song Jiuzhi tightly behind him, as if he was protecting food.
One morning, Song Jiuzhi whispered sweetly into Song Zhizhou's ear, "Little General Song, may I be able to stay with you often in the future?"
Song Zhizhou hesitated.
However, Song Jiuzhi also disappeared and left him. Song Jiuzhi took the five hundred taels of silver given by the general's wife and worshiped at Mingyue Tower, asking for some martial arts. Song Zhizhou's numerous rejections made Song Jiuzhi realize that "the only one he can rely on is himself."
Three years later, Song Jiuzhi performed his mission as the first-class deacon Yinhui in Mingyue Tower, and did not want to meet Song Zhizhou again.
"Song Jiuzhi."
What shocked Song Jiuzhi was that Song Zhizhou did not punish her, but said aggrievedly,
"Master, am I only worth five hundred taels of broken silver? After all, it must be five hundred taels of gold."
Determined and persevering, the pretty killer vs the innocent love-minded little general
Growth type heroine
Come to China Literature's website to read more of my works!
Reader comments
The setting is quite interesting, but the structure is too thin, some settings are unreasonable, and there are some logical illogicalities and contradictions. For example:
① The second prince knew clearly when the drug the heroine took took effect and the symptoms after the attack. He was a disabled person who was completely unable to perform the task, let alone perform the task and maintain a normal appearance. Yet, he boldly asked the heroine to protect the substitute on the day of the attack. You also wrote the result.
Everywhere is described that the second prince is strategizing and scheming, and even specially sends a substitute, and also asks the heroine to protect the substitute, which shows that he foresees unrest. But you can say that he was strategizing, knowing that the place was on the lake, so he confidently and boldly sent a substitute who couldn't do martial arts and couldn't swim, and a heroine who knew that he would become a cripple that day 😰 Even if he was a substitute for the meeting, it was the second prince who went there. He was a majestic prince, and he was quite noble on the outside. Didn't he go out without his entourage? Even if there are no royal guards, it is not illegal to hire a few guards by yourself. You also have to have a long attendant with you. Can't you just use these as the public identity of Mingyue Tower's subordinates? It is easy to move and protect, and you can send a few more people disguised as servants to sneak in for protection, and arrange a few more people on the shore to observe and respond at all times. There should also be people from the Prince's Mansion on the shore waiting to drive the second prince back. This is fair and square. As a result, there was nothing.
With these, at least a lot of problems can be solved. At least the situation set up by the author can be solved. Readers can think of it. Can the second prince and a strategizing boss not think of it? Doesn't an organization as powerful as Mingyue Tower have these manpower?
②The description makes Mingyue Tower extremely mysterious and powerful. There are four levels of killers, but in the end, the master's stand-in is used. Are these two the only ones who can do it? On the lake, on a boat that can move at any time, it is very unreasonable to have one person who does not know martial arts or swimming, and the other person is a useless person. As I just said, the identity of a guard or a servant can be used as a cover, and a few people should be sent to the shore to respond and observe.
③For such an awesome organization, killers, no matter what level they are, are basically required to be able to swim - this is one of the basic skills to save life. Not to mention that fighting is so dangerous. If you are a landlubber, when you go out on a mission, there are no people around you who know martial arts. If you encounter a river in the wild and you can't cross it, how can you be a killer? How many people do you need to go with each time? What if unexpectedly your companion is not around? Or if there are many people on the other side and you don't know martial arts or swimming, you will be a complete liability. A tight-knit killer organization should be aware that unexpected situations may arise in every mission. It cannot just say that this mission should not require swimming and just send landlubbers on it. What if it happens?
Except for doctors, killers should know martial arts. Even if they are substitutes, those who need a substitute are often in dangerous situations. How can they deal with emergencies without martial arts? Even though it is clear that the second prince does not know martial arts here, as the author wrote, the situation has become chaotic and no one is paying attention. At this time, he can use Qing Kung Fu or swimming. It turns out that the double can neither martial arts nor swimming, ah ho, trouble. And, again, the problem was that since he didn't know martial arts, he had to send someone to protect him. Well, he sent a loser. Being able to push the stand-in ashore, perseverance, is purely the halo of the protagonist. Did the second prince think when he arranged it in advance: if encountering a situation, the heroine's perseverance will definitely allow her to protect the male stand-in. Good guy, the weight difference will be difficult.
④ To put it bluntly, what is the impact of the death of the substitute? It would be nice if the second prince came quietly and walked around pretending to escape. However, the author did not arrange for the second prince's people to observe and respond on the shore, so he could not spread the news, which was very helpless. Also, when a prince and a princess were in danger, no one came to save them. On the surface, the prince and princess had to bring people to the shore. Even if the princess's people pretended to report to the officials, used other boats, and jumped into the water to save people, none of these were included. In other words, the author did not write about these people at all. Without their existence, it is very unreasonable.
⑤Why does the second prince have to let the heroine enter the palace? In order to stimulate the male protagonist so that he will find out and then run to ask him not to hurt the female protagonist and let her go, affect the brotherhood and tell the truth? Even if he tells the truth, can he guarantee that they can reconcile as before? Even if he doesn't care about friendship, if he wants to be the emperor, he must not win over the male protagonist? The young general doesn't even know how to win over him, what kind of emperor does he think he is?
I don't see any irreplaceability of the heroine when she goes to the palace to dance in a mask. Is it because there are no other women in Mingyue Tower who can dance? There is absolutely no need to have a female protagonist.
Why does the second prince insist on the male protagonist bumping into the princess? He hates the princess enough, is it possible that he wants him to hate the princess even more? The focus should be on how to expose the scandal of the princess, prevent her from marrying in the powerful circle, completely cut off the prince's help, and slap the queen and uncle in the face, further affecting the prince's power, rather than whether the male protagonist saw it or not. It is completely putting the cart before the horse. Can this way of thinking be used to fight for the throne?
It's still an old problem. There are people in the palace for such an awesome boss. Even if the male protagonist has to see it, can't he be replaced by someone else? Does it have to be a heroine in a striking red dress? Don't be afraid of ten thousand, just be afraid of the worst. Sure enough, it was successfully achieved: the male protagonist found out, the princess found out, and the second prince's ambition was exposed in front of the queen and princess. What was he trying to do, just to open the male protagonist's eyes before being hurt by his lover? Anyone who wants to compete for the throne should consider all possible situations in advance, especially the worst case. As long as someone changes, the above situation can be completely avoided. In other words, the hero should not be seen in the first place, but should be seen by the guests. What will be the final result? Letting the male protagonist see it became the purpose, and letting the guests see it became an unexpected situation after the female protagonist made a mistake. It was completely illogical.
⑥In the far north, we have to find medicinal materials. It takes three days to go back and forth. It is completely unreasonable
⑦The interview is from top to bottom. The hero is a general. When he meets the princess, is his family going to rebel?
⑧ As soon as the prince took the file, he decided that it must be the prince who did it, and he wanted to kill the prince. He had already thought about how to kill him. As a reasoning detective to find out the truth, the logic was very sloppy. But they directly wrote rubbish about the prince, implying that it must have been the prince who did it, and it was found out so easily? The architecture is too thin.
Also, even if the prince really did it, what did he do with the file? The heroine is missing and there is no clue. What can the file record? Is it necessary to take it? It's superfluous
⑨ By telling the scars and names, I believe in hatred and life experience. The former and the latter are obviously not related. The heroine is so stupid. True or false, the scar is real, the name is real, so what he said must be true? The same surname may not necessarily be related, and there is no mention of the heroine being heartbroken when she heard it, nor telepathy. She just believes what others say. It's so stupid. She has been around for a year, and the result is this level?
⑩The male protagonist said that they were in love, so she took the initiative to kiss her, but when she acted later, she was surprised: Oh, the male protagonist is like this, and she got to know him a little bit (personally, it is still a superficial characteristic). Even though I was taken care of before they started working together, I still had no impression of the love between the two. They said they had feelings for each other, but after I realized that he was different from before, I didn't get to know him very deeply, so I just took the initiative to kiss him. Too hasty.
The setting is quite interesting, but the structure is too thin, some settings are unreasonable, and there are some logical illogicalities and contradictions. For example: ① The second prince knew clearly when the drug the heroine took took effect and the symptoms after the attack. He was a disabled person who was completely unable to perform the task, let alone perform the task and maintain a normal appearance. Yet, he boldly asked the heroine to protect the substitute on the day of the attack. You also wrote the result. Everywhere is described that the second prince is strategizing and scheming, and even specially sends a substitute, and also asks the heroine to protect the substitute, which shows that he foresees unrest. But you can say that he was strategizing, knowing that the place was on the lake, so he confidently and boldly sent a substitute who couldn't do martial arts and couldn't swim, and a heroine who knew that he would become a cripple that day 😰 Even if he was a substitute for the meeting, it was the second prince who went there. He was a majestic prince, and he was quite noble on the outside. Didn't he go out without his entourage? Even if there are no royal guards, it is not illegal to hire a few guards by yourself. You also have to have a long attendant with you. Can't you just use these as the public identity of Mingyue Tower's subordinates? It is easy to move and protect, and you can send a few more people disguised as servants to sneak in for protection, and arrange a few more people on the shore to observe and respond at all times. There should also be people from the Prince's Mansion on the shore waiting to drive the second prince back. This is fair and square. As a result, there was nothing. With these, at least a lot of problems can be solved. At least the situation set up by the author can be solved. Readers can think of it. Can the second prince and a strategizing boss not think of it? Doesn't an organization as powerful as Mingyue Tower have these manpower? ②The description makes Mingyue Tower extremely mysterious and powerful. There are four levels of killers, but in the end, the master's stand-in is used. Are these two the only ones who can do it? On the lake, on a boat that can move at any time, it is very unreasonable to have one person who does not know martial arts or swimming, and the other person is a useless person. As I just said, the identity of a guard or a servant can be used as a cover, and a few people should be sent to the shore to respond and observe. ③For such an awesome organization, killers, no matter what level they are, are basically required to be able to swim - this is one of the basic skills to save life. Not to mention that fighting is so dangerous. If you are a landlubber, when you go out on a mission, there are no people around you who know martial arts. If you encounter a river in the wild and you can't cross it, how can you be a killer? How many people do you need to go with each time? What if unexpectedly your companion is not around? Or if there are many people on the other side and you don't know martial arts or swimming, you will be a complete liability. A tight-knit killer organization should be aware that unexpected situations may arise in every mission. It cannot just say that this mission should not require swimming and just send landlubbers on it. What if it happens? Except for doctors, killers should know martial arts. Even if they are substitutes, those who need a substitute are often in dangerous situations. How can they deal with emergencies without martial arts? Even though it is clear that the second prince does not know martial arts here, as the author wrote, the situation has become chaotic and no one is paying attention. At this time, he can use Qing Kung Fu or swimming. It turns out that the double can neither martial arts nor swimming, ah ho, trouble. And, again, the problem was that since he didn't know martial arts, he had to send someone to protect him. Well, he sent a loser. Being able to push the stand-in ashore, perseverance, is purely the halo of the protagonist. Did the second prince think when he arranged it in advance: if encountering a situation, the heroine's perseverance will definitely allow her to protect the male stand-in. Good guy, the weight difference will be difficult. ④ To put it bluntly, what is the impact of the death of the substitute? It would be nice if the second prince came quietly and walked around pretending to escape. However, the author did not arrange for the second prince's people to observe and respond on the shore, so he could not spread the news, which was very helpless. Also, when a prince and a princess were in danger, no one came to save them. On the surface, the prince and princess had to bring people to the shore. Even if the princess's people pretended to report to the officials, used other boats, and jumped into the water to save people, none of these were included. In other words, the author did not write about these people at all. Without their existence, it is very unreasonable. ⑤Why does the second prince have to let the heroine enter the palace? In order to stimulate the male protagonist so that he will find out and then run to ask him not to hurt the female protagonist and let her go, affect the brotherhood and tell the truth? Even if he tells the truth, can he guarantee that they can reconcile as before? Even if he doesn't care about friendship, if he wants to be the emperor, he must not win over the male protagonist? The young general doesn't even know how to win over him, what kind of emperor does he think he is? I don't see any irreplaceability of the heroine when she goes to the palace to dance in a mask. Is it because there are no other women in Mingyue Tower who can dance? There is absolutely no need to have a female protagonist. Why does the second prince insist on the male protagonist bumping into the princess? He hates the princess enough, is it possible that he wants him to hate the princess even more? The focus should be on how to expose the scandal of the princess, prevent her from marrying in the powerful circle, completely cut off the prince's help, and slap the queen and uncle in the face, further affecting the prince's power, rather than whether the male protagonist saw it or not. It is completely putting the cart before the horse. Can this way of thinking be used to fight for the throne? It's still an old problem. There are people in the palace for such an awesome boss. Even if the male protagonist has to see it, can't he be replaced by someone else? Does it have to be a heroine in a striking red dress? Don't be afraid of ten thousand, just be afraid of the worst. Sure enough, it was successfully achieved: the male protagonist found out, the princess found out, and the second prince's ambition was exposed in front of the queen and princess. What was he trying to do, just to open the male protagonist's eyes before being hurt by his lover? Anyone who wants to compete for the throne should consider all possible situations in advance, especially the worst case. As long as someone changes, the above situation can be completely avoided. In other words, the hero should not be seen in the first place, but should be seen by the guests. What will be the final result? Letting the male protagonist see it became the purpose, and letting the guests see it became an unexpected situation after the female protagonist made a mistake. It was completely illogical. ⑥In the far north, we have to find medicinal materials. It takes three days to go back and forth. It is completely unreasonable ⑦The interview is from top to bottom. The hero is a general. When he meets the princess, is his family going to rebel? ⑧ As soon as the prince took the file, he decided that it must be the prince who did it, and he wanted to kill the prince. He had already thought about how to kill him. As a reasoning detective to find out the truth, the logic was very sloppy. But they directly wrote rubbish about the prince, implying that it must have been the prince who did it, and it was found out so easily? The architecture is too thin. Also, even if the prince really did it, what did he do with the file? The heroine is missing and there is no clue. What can the file record? Is it necessary to take it? It's superfluous ⑨ By telling the scars and names, I believe in hatred and life experience. The former and the latter are obviously not related. The heroine is so stupid. True or false, the scar is real, the name is real, so what he said must be true? The same surname may not necessarily be related, and there is no mention of the heroine being heartbroken when she heard it, nor telepathy. She just believes what others say. It's so stupid. She has been around for a year, and the result is this level? ⑩The male protagonist said that they were in love, so she took the initiative to kiss her, but when she acted later, she was surprised: Oh, the male protagonist is like this, and she got to know him a little bit (personally, it is still a superficial characteristic). Even though I was taken care of before they started working together, I still had no impression of the love between the two. They said they had feelings for each other, but after I realized that he was different from before, I didn't get to know him very deeply, so I just took the initiative to kiss him. Too hasty.