Under the Black River

It's still the same old routine, dumping all the tragic experiences on Fu, and then insisting on letting Feng be the savior. Feng's image is completely that of a young man who is dazzled by love, and the contrast with his strong character is even greater. And the more Fu suffers now, the more hateful she is in my eyes - A noble, stubborn and unreasonable person, of course this can be good. But I despise this man who, after having the power over his daughter, exploits his own daughter in even more vicious and ridiculous ways. I can understand the author's fascination and some myths about the Golden Lock, but I have pity for Cao and only disgust for Fu. In the end, I was actually very reluctant to talk about some sensitive points, but I couldn't help it: This is no longer a relationship between besties. The writing is completely based on youth love novels - this is "".

It has to be said that "tough guy" Zhang Yong's "Garbage Heap Classification Method" is undoubtedly his "valuable experience" from his many years as a police officer. But such words are harsh - especially in the ears of the women he attacks. Feng hated his biological female characteristics the most. This was undoubtedly the lowest day for Feng in his career as a police officer. The long-tongued police officers who were chatting in the room really made people's blood pressure soar, and secretly criticized Zhang Yong's "female police theory": Feng's compassion is certainly harmful to the identity of the police, but does the prejudice of male police officers help the police in handling cases? Gender narrative is the most ridiculous lie. Everyone's own personality characteristics are the first responsible party for the accident. Back to the story—— In the interrogation room, two women who were not understood had their first intimate contact. Fu Rangfeng in the memory was unforgettable.

4.15 Is a absurd case: a vulgar female victim with no legs, a male protagonist who never appears, a male student suspect with excellent academic performance, a serial murder case that left seagull feathers, and a police officer mother who was not allowed to investigate the case. Such a head-scratching case has an even more head-scratching development - the male student died inexplicably and the case was inexplicably closed. With nowhere to start, Feng finally found a clue after so many years: Fu and Shen. Not to mention the close relationship between Feng and Fu, even if it was just a life-saving straw related to her son's life, she would grasp it to the end.

Zhang Yong's words linger in my ears: Don't add your own subjective assumptions to everything, as this will seriously affect our judgment. Feng was once again caught between emotion and reason, but fortunately she had more than 20 years of experience in handling cases than before, and emotion had limited influence on reason - and she found a new breakthrough, an indifferent daughter Shen Qing who was outside the family. A young woman who insists on living in a community near the murder, a girl who is addicted to diving in the swimming pool and cries, and a female masochist who has been forced into the water in her memory. But it doesn't matter, Feng is here, the story will always be revealed.

It seems that Officer Feng is undoubtedly the main perspective of this article. From hating his weak physical condition to recalling the "tough guy" master Zhang Yong, readers are allowed to enter long-lasting memories with Officer Feng. The detailed description of the environment further deepens the relationship between Feng and Fu - the fish trying to escape the quagmire and the graceful swan in distress. Fu's personal characteristics are also revealed from the side: weak, but always able to burst out with fierce resistance in times of crisis. At the same time, a new hook was buried - why did such a swan fall into the mud pond?

Xiao Zhao's image is still like a childish little cock, but he wants to show that his voice is no longer so soft in front of his mature magnetism. (I really don't like Xiao Zhao's characterization. It's obviously a routine interrogation with red and white faces, but it looks like a youth love story.) But this is of no use to the "old fritter" Fu: she has a stubborn temper, and the fear of her youth has faded to look more indifferent - so Feng shows his face. It is impossible to interrogate a prisoner whose heart is calm, but now that Fu is upset, Feng can slowly ask questions.

A whole setting chapter. From Feng's perspective, Shen Weiliang's character history is briefly explained: he is rich, has business acumen, has a clear alibi for 4.15, Suffered from cerebral infarction and has just regained consciousness. Sister Ma was simple-minded and told everything she knew. Feng was also keenly aware of Fu's long-premeditated murder - but the strange thing was that Shen Qing, Shen's daughter, had already expected that her father would be killed. The daughter was lured out, and at the same time this was another hook. (I'm a little tired from too many hooks.)

As expected, Shen Qing and Xu Zhaoguang are an "open" couple: you play with yours and I play with mine, but don't destroy the marriage. It is normal for the paintings in the gallery not to be sold: in theory, these paintings must be suddenly noticed by a rich man, and then the rich man will bring his family and friends to visit, and then they will buy and sell each other, and finally let the painter stop painting for only a small group of them, and they will "accidentally" leak out - the money printing machine is the correct use of a real gallery. But this is not important. Shen Qing's obsession with "Yuan" is important, and Shen Qing's need to face Officer Feng is more important.

1. Shell A hard shell is often just to protect a fragile and sensitive heart. The emotions between women always seem to be unable to escape from all kinds of colorful and trivial memories and minute regrets. A small difference in attitude in long-lasting memories will bring about hidden cracks on the emotional ice - until one day the cracks finally cover the ice, and the cold river water will swallow everyone up with a splash. The Fu sisters are like this, and the Shen Qin sisters are the same. Those who receive preferential treatment feel that everything comes from charity, while those who sacrifice resent their own dedication. But at the moment when their faces were torn apart, the seemingly aggressive one could only cry loudly, while the silent one was still silent - the victim was numb and her tears had long since dried up. 2. Youth 1 Youth is such a wonderful thing. Ignorant and arrogant, I paranoidly focus on things that can only be eaten away in a few years. But it also brings the purest emotions - love is love, hate is hate, disgust and love cannot be hidden. I don't like Qin Jiajia, I think she is too showy and conventional, but her aura that breaks the stubbornness makes my eyes light up - Everything is nothing, living is to be free and easy, laugh when you should, scold when you should, bonds are the most useless thing. If someone says to me: You are a bastard. Then I will point my middle finger and tell him: Fuck you x. Of course, you have to recognize the path you are walking on, and you have to grit your teeth to pick out the blood blisters on your feet. The price is always high. 3. Youth 2 I like a joke very much. The little Taoist boy asked the old Taoist master: Master, what does it feel like to be enlightened? The old Taoist said: After all the hard work, you finally climbed the chimney into the house, but when you came in, you found that the door was not closed. The seemingly indestructible shackles of rules turn out to be just a soft layer of paper, which can be broken with a poke. But the shackles are not only a prison for prisoners, but also the last protection of living things- Without their shells, shellfish have only one way to die. 4. Bar I always order a rum-based cocktail in an empty bar and indulge my brain in a quiet corner to pursue nihilistic inspiration. I hate those chaotic and noisy spaces, where all kinds of smells are mixed together, making them look dirty and rotten. But this is the place that every half-year-old child can't wait for. Countless novels put their perspectives here - young bosses, naughty dudes, or delinquent teenagers and girls with wet eyes. Cold or enchanting men and women always have all kinds of bloody and eye-catching plots with each other here. But this noisy joy has a threshold. You have to drink several glasses of wine before you can listen to the strong music softly, see the dazzling lights dimly, and feel the malicious smile full of true feelings. Since the sharp appearance is due to the empty heart, what should be used to fill such an empty self? Smoking, alcohol, and the false love brought about by sex. 5. Spring Zigong asked: 'Which one is wiser, Master or Shang? ' Confucius said: 'The teacher is too good, but the merchant is not good enough. ' He said: 'Then the master will recover? ' Confucius said: 'To go too far is not enough. ' Past historical experience tells us that strong suppression will only bring about a more intense backlash. But Shen's emotions were far from being suppressed to the lowest point. Qin's gentle push relieved Shen of his resistance. As long as Fu showed a little bit of concern, Shen still hypnotized himself like a child eager to get a toy - as long as he had a good sleep, as long as he slept, the toy would come to him. But I don't think so. What makes me happy is that Shen Qing finally doesn't think so. Even if the cost is a life. 6. Father Good memories cannot be recalled carefully. Those details that are deliberately forgotten are the real past. Father Shen's memories are like this, beautiful but full of incongruity. Like a puppet master's thread: everywhere and everywhere.

In just a few words, Sister Ma's eyes outline Teacher Fu's tense family relationship - mother and daughter are at odds, husband and wife are cold, but father and daughter are quite harmonious. The text suggests that the reader should relate to each character in the wedge: the wrong daughter, the wrong father, the grief-stricken mother.

It is still the story of Officer Feng, but here we focus on revealing some of the stories of Feng's mother and son: The gloomy and explosive description of the environment, which is exactly the same as Chuezi, suddenly stuns the reader and brings the reader into the desperate dream of a mother who lost her child - and is suddenly awakened by a knock on the door. A slightly ambiguous meal description interrupted the fear. Xiao Zhao's existence may play a huge role later, but at the moment I just feel bored with him. But it doesn't matter. Since then, two mothers with different personalities but similar experiences have finally met each other, and the fun is just about to begin.

The plot ushered in a new development: Feng used airtight dialogue to reveal Fu's behavior layer by layer-until the motive for the crime. Facing the stubborn Fu, Feng Ye finally revealed the reason why she had to interrogate Fu personally. Her son has a special connection with Fu's husband, and an absurd sense of fate binds two similar people together again. If you don't want to say it, I will say something that I don't want to say. There is always something you are willing to hear and what you want to say in the words here. The new case/the real text has been unfolded, and the story of Under the Black River has just begun.

The romantic ending fully met my expectations, and this long mother-daughter story has finally come to an end (applause). But I think the portrayal of the waves can be more dispersed into the corners of the previous story, using the waves as a memory point to project the mother and daughter's emotions to determine their fate. The current turning point is reasonable but blunt, and the importance of the waves is too weak. As a result, the emotion has not reached its peak and the author has revealed his best writing skills to crown Shen Qing. A bit of a pity.

1. Tears Tears are contagious, and so are memories. 39,000 years ago, the last Neanderthals were wiped out by Homo sapiens on the Iberian Peninsula. Nepalese are far more majestic, braver and even smarter than Homo sapiens. Just like the endless overlord stories, people wishfully think that noble people died of despicableness. But the real reason for their failure is that they were born autistic and depressed. They did not construct a common imagination over the long years, and were immediately eliminated by the imagination of Homo sapiens. The girls who mourned for Qin would inevitably have pushed her to the rooftops by publicizing her indiscretions during Qin's lifetime, and then seemed tender and sincere after Qin's death. But this is their survival instinct: United yet shameless, despicable yet effective. 2. Illusion Shared fantasy is the strongest link that homo sapiens have ever built, at least that's what they think. Xia and Shen reached an agreement in this illusion. A cable was even constructed - when Shen and Xia were closer, they would inevitably be farther away from Fu. 3. The right thing Of course Fu Qiurui is innocent. She did all the right things. This is one of the few positive comments I have about her so far. Just like my last comment - the blisters on your feet are caused by yourself, and you have to pay the price yourself. If you blindly take off your own shell, you must accept that your soft body becomes a beautiful landscape on the rocks. Thanks to Qin Jiajia for her sacrifice of life, which fueled the breakup between Shen and Fu, and also taught Shen an important lesson: When you decide to run barefoot, it is best not to get too caught up in the gravel on the ground and the blood blisters on your feet. Of course, this sentence is also sent to Fu Qiurui: Since you have chosen the simplest, crudest and most blunt way to deal with it, don't make me feel sick by showing any kind of tender love. 4. Punishment The most stupid thing in the world is to punish others by abusing yourself. Then the result is often that one falls to pieces in vain illusions. I sincerely hope that they can have spirits in heaven, so that they will see that no one in this world can live without anyone, and the so-called "mother's look back" is just a nonsense joke. But young people always feel that the world should revolve around them, and their death will surely awaken something that has never been objectively true. And encouraged himself by admonishing the civil and military forces to fight to the death. But in fact, the ministers and generals never seemed to have much intention to do anything to the emperor. They just wanted to leave a name in history. Dear friends. Promise me, please be more selfish. 5. Return to the story itself 1-Memories The complicated character creation has come to an end for the time being, and the story returns to the original starting point-the struggle between mother and daughter. The message hidden underwater appeared in the scolding battle, emphasizing once again that Shen is not Fu's biological daughter, and that Shen's father's apparent tolerance also stems from his emotional sustenance for his deceased daughter. Shen's father's emotions seemed hypocritical and false in front of Huang Shirt, while Fu's hysterical abuse had a real and genuine intimacy. But I personally despise these. No matter how false the emotion is, it can bring real warmth, and no matter how real the resentment is, it can only bring vicious violence. A gentle push on the stairs: Okay, the murderer is really a murderer. The break I was looking forward to finally came, and Father Shen in the dark finally came to the forefront. Cheng Xia couldn't suppress her feelings for her daughter Shen Qing, and Xia Yunkai wanted to take Shen Qing away like a genius. But the puppet master cannot tolerate the disappearance of the puppet, so he will make all arrangements. As long as the restless variables disappear, his puppet will still be his sincere love. 6. Return to the story itself 2-Present Compared with Shen Qing's memories, the current plot is too weak. The clues drawn by the famous brands in Shen Qing's memories appear deliberate and perfunctory through questions pretending to be ignorant of reality. Since Xiao Zhao has been shaped into a tool for asking questions, it is better to add a torch to Feng to make him more mysterious. The emotional description of Feng and his son is a little too detailed, which makes this line look bloated and boring. My personal preference is to greatly reduce the direct description of Feng's own emotional senses and increase the third-person perspective of Feng's expression of his children's emotions. Weaken Feng into a mysterious man under the iceberg, who hears thunder in the eyes of others, and further focus the story on Fu's family and Xia Yunkai who they narrate. Feng mainly serves as a perspective in the early stage, letting Xiao Zhao ask questions, and then letting her solve all the mysteries at the end to reach the climax. Let a mysterious man (Feng) in the fog suddenly come out and burst out his own fiery emotions that others have ignored. (Just like describing Shen Weiliang) In this way, I think the reading experience will be much better.

Interweaving two lines is a common trick of this author (laughs). Another story line suddenly branched off to show us another mother. In just a few words, a female police officer with a strong personality, a spirit of sacrifice, and a strong moral character is vividly shown on the page. At the same time, she also talks about Ms. Feng's murderer son, which fuels the readers' interest in reading.

This is like a script, not like a novel. The tense atmosphere suddenly dropped - the emotional rhythm in the previous article was too high, and the fierce light of the emerald "just cut my hair" completely failed to satisfy my cruel expectations. Inexplicable hidden medicine, inexplicable pet taking medicine, I guess the next step is the death of the pet, which detonated the mother-daughter bomb. Maybe the author wanted to use pets to imply something, but it didn't succeed at all for me.

A whole Zhang Ailing style story narration. Details the past experiences of parents and daughters and lays the foundation for the story/The mystery behind the story: Where does the father's tenderness come from? Are mother and daughter really close? Habitual end hook.

The author carefully controls emotions, from fear to longing to tension, making people guess the next scene but not sure. People are like Jian, the more disgusted they are, the more they will stick to him. Shen Qing fully proved this point. And she has to face her real dream break next: to be disgusted is to be disgusted, and even the disgust will escalate into a desire to kill. However, the three or four chapters of Shen Qing's story made me a little tired. The author's original intertwining plot has not yet come to the rescue, and the originally stunning mother-daughter resentment has become an old lady's foot-binding - smelly and long-lasting.

The previous story is disconnected from the current plot. The memories of mother and daughter only stayed in Shen Qing's mind, while Feng Zhao and Feng Zhao still found nothing. So, as expected, Feng's memories came. After Fu left, Feng was filled with loss and emptiness. The sudden misunderstanding contributed to the most beautiful description in this article. The description of Ksitigarbha's disembowelment made me amazed. But what about storytelling? The long emotional descriptions made me dazzled and dizzy - what is the purpose of this pile of things? Is it just to deepen the bond between the heroines?

The author's profound writing skills bring the seemingly willful and empty Shen Qing to life on the page, and her sense of conflict runs through the entire text from beginning to end. Xiao Zhao is becoming more and more like cannon fodder. I guess he will die at some point in the case. It's incredible that Feng recognized Anshan Middle School only in the middle of the chapter. She should have recognized it long ago - unless she couldn't remember her son's story clearly either. The ending is the author's habitual hook: Shen's murder history

A leopard can be seen in a tube. The profound anger in Fu's every move is unforgettable, but it has to make people wonder: How can this character be whitewashed after such a violent portrayal? This disgust and hatred deep in her bones and the fact that she raised Shen Qing formed a mind-numbing doubt: Is raising Shen Qing just for the purpose of abuse? I hope you won't be disappointed when the characters are reversed later.

Is this still the starting point? Where did you come from?

The introduction scared me off! Mental illness!

Prepare it for movies and TV series! I don't have the skills to waste this introduction. Let's see what I can write.

I have read Chapter 33 so far. The story of Fu Feng and their children has completely made me wonder what the case is, and the overly intimate description of women also makes me wonder if this is a love story. 00-10 is about the persecution of women from a male perspective. 11-20 is about my family's ethics drama, in which the father who left home is cold and the mother is abused. The writing of 21-33 has evolved from the love story of Fu Feng to their next generation: Xia Yunkai and Shen Qing, Shen Qing and Qin Jiajia, Shen Qing and Wang Shuai... Not only satisfied all kinds of CP at once, but also really started to write youth pain literature. Based on the approximately 400,000 words of this article, this early foreshadowing is a bit too slow, right? ! Fu Qiurui's character creation undoubtedly refers to Cao Qiqiao from The Golden Lock, but Fu has no sympathy for Cao Qiqiao at all. Instead, she is wanton and vicious, and the more pitiful she is, the more satisfying she is. Feng Yalin's portrayal has completely transformed into Wei from the Battle of Two Cities - the stronger she looks, the more cowardly she is, wanting everything, and then suddenly going crazy and abandoning everything, leading to all the bad consequences. If the author's purpose is to make me hate the two protagonists, then I want to applaud the author: the portrayal of the true villain and the hypocrite is really penetrating. The highlights of the full text are endless, and there are countless memory points from the bottom of the water to the broken belly. However, the fragmentation of the story is completely unconcealed. Perhaps the development of more stories later can bring out some of the author's hidden thoughts and use a boomerang on me. —— But I am really a little disappointed now: The dual-line narrative that the author is proud of has not been put into good use. Large sections of memories can be broken up and put into the "main line" (I guess it is solving the case) for a fragmented narrative, which will feel better. Now the large chunks of memories have completely squeezed the solution of the case into small branches and fruitful results, and the overall context of the full text is unclear and makes people scratch their heads. Perhaps the full version will be interesting to read. But in serial mode I just feel dizzy.

Carve out a literary path in the online literature platform

Man, this introduction shocked me.

It's probably a call for essays, for film and television rights.

Homosexual hatred has always been something that I think is very difficult for creators to write about, but it is something that they have to write about. Including "July and Ansheng", "My Genius Girlfriend", "Xiao Yan and Wu Aili" in the past two years, including "Ku Jin Gan Comes to Meet You", which has become an extremely popular topic on the Internet. The relationship between mother and daughter and female friendship have always been content that creators on the Internet are very persistent in writing one by one. I especially like "Xiao Yan and Wu Aili" here. Because I love you, I bear the crime of wiping my father. After meeting you again, I chose to leave because I couldn't stand you. In the end, I used your name to tell myself that I just don't want to hate you anymore. Including Ferrante's "My Genius Girlfriend" and Teacher Qianbi's "Under the Black River". I think the reason why I like these works is because they are no longer obsessed with writing a static relationship. Love and hate are an existence similar to Schrödinger's cat. They never tell you what they are before they are solved. Although I would like to discuss some of the plot here and talk about my views on the story and understanding of the characters, the story is still being serialized and I don't want to spoil it too much. This is just to express my admiration for Teacher Qianbi and my expectations for the story. From the current wedge, I am already looking forward to the development of the story between Shen Qing and his mother. Finally, I especially want to quote a sentence from Ferrante, which I also feel is very consistent with the theme and title of the story: "Our initial appearance is just a blur of color that we see when we look back on the opposite bank of the river after experiencing vicissitudes of life."

I haven't started watching yet, so I'll set a flag first. I feel like this story is not big enough to be a full-length novel.