The Mythical Great Qin I Simulated Came True

Good book, gift from a great master! Follow up

I felt that the woman was superfluous, so I cut off the emotional scene while it was still early. Otherwise, it will become poisonous later.

? ? Chapter 7: I've fed the river demon several times before, don't I have a long memory? ? Are you still thinking about your materialistic worldview? I feel that the protagonist has not experienced the feeling of death and soul separation, and there is no growth after dying a few times.

The simulation part is very exciting, but the reality part is a bit inferior. I hope the author can take a step closer and make the description of reality more interesting.

It's too boring. I want to see the blood flowing into a river after digging up Qin Shihuang's mausoleum.

There is a logical question. If you are not dead, why is there a tomb?

The author listened to my advice, you can write Chen Qinghan as the protagonist's comrade-in-arms. At most, Chen Qinghan has some feelings for the protagonist.

Good books are not popular, and I personally think this title is definitely a drawback. The introduction can also be changed and packaged 🥵

The simulation looks good, and the real-life report can be read. Isn't it meant to be a speed pass? Shouldn't it be a continuous simulation and then directly pass the level and then write the real-life report?

As for the woman Chen Qinghan, she is disobedient when she becomes the Riddler, and He Bo wants to kill the protagonist. There is no point in saving her. Wouldn't it be nice to raise an obedient woman? It would be better to have King Qin send someone to destroy He Bo's family and let her die as a fool 🙂

This book may be different from the simulation you imagined. It is better to say that it is a simulator plus a palace battle drama. There is no large-scale change in the plot, nor does it say that the ancient times have changed, but the current world has changed. The protagonist has not gained power, nor does he have the kind of wild imagination, such as using certain skills and knowledge to change the past. Throughout the whole process, my feeling is that it is a time travel simulator plus a palace battle drama.

Archives are like key nodes in the game. The protagonist has saved them many times, but has never tried to review the previous archives. Why is this? Forget about knowing the plot after the Celestial being, I can barely explain it, but what about before? If the rewind function is not limited, it should be described that looking back at the previous save is like a game, and you will see what new plot lines there are. About the heavenly beings (those who have fallen outside), their abilities make me feel that they are sometimes strong and sometimes weak. Their wisdom described in the book is not as strong as I imagined. As for the leakage of the elixir, this is the same as the historical process (change of dynasties), and it is like an established fact. Why? It's as if the future has been determined. The protagonist did not study the functions of the simulator (archive and return to history), why? What is the essence of an emulator? From what the author has described so far, the simulator has the ability to jump timelines, project consciousness into the Qin Dynasty (this past is questionable), change history slightly (only in the Qin Dynasty), have the ability to archive time (the setting of this ability is a bit problematic), and absorb the abilities of heavenly beings? (Crossing the River), anchoring the present. Especially the ability to time archive, which should be the core point of the simulator. It includes two functions (only those shown in the book are mentioned here) 1. Time nodes: surviving nodes on the timeline 2. Backtracking nodes (can only be traced back after death? This is questionable) Also, the simulator does not necessarily have the ability to jump the timeline, but to create a new world, or create a new timeline, as Li Si (Li Tong) mentioned. I have a bold idea. In fact, it is not only the protagonist who has a simulator, but his different counterparts all have simulators (their essence is that they are all protagonists). The protagonist should have discovered that the general trend of history is controlled by heaven and man (the change of dynasties), and the simulator cannot interfere with this. In other words, a certain behavior of the protagonist in the future has been determined. The power of heavenly beings seems to be [surface level] compared to the ancient power system. Even a pseudo-"Immortal Qin", the killing god Bai Qi, has not reached the [annihilation star level]. However, modern science, without physical blockade and other excessive interference, will reach this level sooner or later. But the conceptual expression of heavenly beings is multi-level? Can it actually cross the timeline?

Originally, the book title and synopsis were okay, but at the end of the synopsis, a few 'confidantes' popped up? To be honest, watching too much of the harem is too Yue, sorry

Personally, I feel that I have been using modern materialism to exaggerate the deep-rooted thoughts of ancient times. The key is that only readers know that every time I deal with Qin Shihuang, I have a feeling of guilt. There was no inspection at all, it was paid, and so did the heroine. At first she said she had no contact for a long time, but in the second and third chapters, she started to lick her.

Yo~~~Isn't this Su Xiang! Why are you acting like this after not seeing each other for thousands of years? Why are you becoming a pallu! 🐶

Because it can't be a tragedy, it's probably the protagonist (celestial beings) controlling historical people (Li Si, etc.) Controlling the protagonist (the present). You can see the end at a glance.

This woman really has a... Strong sense of presence. The selling point of this novel is obviously not her. Isn't it better to be a tool in silence? If you want to accept it, you don't need to write too much. You can just mention a few words and interact with each other many times to build the relationship. Then it will be smooth and it will be over.

That woman is really annoying, I feel annoyed when I see her

The content is worth savoring carefully. The switching between ancient and modern times is also very natural. The focus is clear and not brainless. It is a very good book 🤓

Inexplicably, I feel like Tiantian looks like a Trisolaran, and the people around the protagonist (including himself) are Wallfacers, Tiantian Riddler 🙂

The writing is really good, digging holes everywhere, let me see how you fill them 😡

The first is the title of the book. The title spoils the text. This title is really hard to arouse interest in. The second is the content. After reading dozens of chapters, I haven't seen any chapters on the shelf yet. So far, both the writing style and the articles can be good grass or even fairy grass. It is slightly poisonous but does not affect this article at all. Both puzzle solving and foreshadowing are relatively smooth. Currently identified as good grass 😍

Stop raising it. If you keep it any longer, I think the author will become cold. Having said that, I don't even know what to call the author 🙂😰

In fact, the biggest logical problem with this type of book is that changing history has no impact on the existence of current characters, just like changing my parents' marriage in the past but me still existing now.

Is there a possibility that the faster you update, the better your results will be? Update quickly

It's a pity that a good book is not popular!

There are river monsters and they say there are no heavenly beings 😅

It's so boring. I'm writing about mythology. Sometimes it's realistic and sometimes it's ancient. It's so exciting.

"I have played with guns on the throne of Khorne, drank soup at the cauldron of Nurgle, shared spoils in the house of Tzeentch, and sold songs in front of Slaanesh's bed! This is me, the founder of the empire! The slayer of orcs! The resister of demons, the emperor of mankind, Sigmar!" Sigmar introduced himself to the banquet with his warhammer, and by the way told all the guests how bad he was. "Fellow prophets, who can tell me the future destiny of the human empire! Can it suppress all races and be glorious forever?" The muscular man asked arrogantly. The prophet of Ulric the White Wolf came out first and said: "I see that the future of the empire will be filled with bald priests. They have scriptures in one hand and hammers in the other. They chant the name of Sigmar and brutally surround and suppress Ulric believers. After the civil war, the empire was destroyed." "Heresy! As a devout believer in Ulric, I don't believe your sowing discord!" Sigma was furious and smashed the White Wolf Prophet's head with a hammer. The Great Necromancer stood up again and said: "I saw countless warriors fighting with muskets and giant swords. Soldiers were cut down, priests were bewitched, and the empire was destroyed. Only the world of undead and bones will last forever." "Bastard! Humans will never accept a dead world!" Sigma smashed the bones of the Necromancer with another hammer. The rat prophet took a step forward, and the green crystal ball in his hand projected a picture of the bliss of the world: humans and rats coexist harmoniously, and the future will be prosperous; they provoke wars and sell military disasters, but criticize normal trade; they eat chicken and shoot each other in American style, but they are called They love life; their hands are full of blood, but they claim that they are the victims; they party together on the island, but claim to be human role models who take care of Luo Li... "This future seems pretty good. How can we realize it?" The big golden man asked humbly. "We lie, we cheat, we steal, and we have a course to teach these. With such continuous exploration and progress, the glory of the human empire will surely be realized." "What a wonderful future, I really want to see it with my own eyes." Sigma sighed happily. "Yes, when the empire is about to be destroyed and the last emperor, Karl Franz, dies in battle, you can be resurrected in his body and experience it all for yourself."

Do all the novels you open have multiple female protagonists?