I'm a Director, I Only Make Bad Movies

Is there such a system? Do you all choose to make bad movies? 🙂 Am I abnormal?

My advice to the author, as long as a normal person wants to make a bad movie but makes money, he will react. You can let the protagonist film something like Westward Journey and Shushan, which was making money at the time and is now making money. After being slapped twice in the face, he will give up on making bad movies. The first Westward Journey The Legend of Shushan is really worth the money. Secondly, because it is a classic and has been played many times, ordinary people can remember it clearly even if it is not played. Thirdly, the cost is not high without hiring big names, and new characters can be added. With acting talents like Star Master Sammo Hung, it will be difficult for the protagonist to accompany the money.

Ordinary people in time travel and want to be a director without studying for three or four years without even thinking about it. For example, I don't know where the switch is. I know nothing about positioning, light and shadow, and color. If I am asked to shoot, I can make a bad film in any film.

Please read and vote, otherwise it will be easy to die. As long as there is follow-up reading, I can really do anything, woohoo~ If you have any good ideas, you can tell me here.

The director also needs to be paid, right? Moreover, the script was also written with pig's feet. He must also be working as a screenwriter part-time. Can't he be paid for this?

From the previous book, come on

Still alive? Squeak {"NickName":"It's a falling flower","UserId":431677666}

Quite joyful. Use your brain to have more fun. There are flaws in using your brain. I don't know if it can be solved: The quality of a movie depends on the plot for laymen and the expression for experts. The protagonist is a layman, but he is so talented to have such strong film expression ability as in the book. As a semi-expert, the host of UP will not call the movie trash just because the plot is depressing. Depressive films are even more likely to win awards.

I want to ask if the bad movies in this book refer to the bad movies made by ordinary people like Douyin and Kuaishou short videos, or the bad movies made by professionals like a certain fortress.

Why did 45 disappear all of a sudden? I just finished reading it.

Don't you pay the director (the protagonist himself) a salary?