
Traveling Through the Three Kingdoms, Zhuge and I Talked About Sangma
穿越三国,我与诸葛话桑麻
- Status
- Ongoing
- Length
- 121k Words
- Genre
- Ancient Romance
- Audience
- Female
- Subgenre
- Transmigration Romance
- Updated
- 2y ago
- Source
- Qidian
Stats
0Monthly votes
46Recommends
0Fans
59Chapters
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Randomly reading the latest part of the pause, I have some random thoughts and opinions about this work and the author.
The author said that this is his first time writing, which can either mean that he has a foundation in writing before but does not write novels, or that he really has some writing genius Because in my opinion, the author clearly has writing skills but seems to be fundamentally not good at telling stories. He lacks further research on story writing itself and has not avoided some common related schools. Pay attention to basic issues (it feels weird, because usually authors with such writing skills can avoid it), the ability value is quite unevenly developed (the writer's purely general pen skills → the playwright's narrative and screenwriting ability), most writers are born as readers of heavy genre novels (and they often give priority to the ability to conceive stories and lack the ability to enrich them) The writing style) is particularly conspicuous in the online literature circle The problems I noticed in this work are: The plot content is too daily and lacks exciting points (the gimmicks like the title introduction are not used much, and they are not completely burned). In the general sense, the plot progress is too slow (or in some aspects, it is too slow). Rather, some plot connections are inexplicably omitted, spread out too quickly, or feel unclear. Basically, it is just a matter of the background setting introduction and subsequent development being written more casually) It is like a general science education article that focuses too much on the technical details of a specific field. Not to mention the problem of being too unpopular in the market, after all, this is still a personal preference. The author may not be a popular writer, but it seems to be written in an unattractive way from the beginning The unique knowledge writing method established by Tai Anyi has nothing to do with this. Whether it is a fact in reality or not (the emphasis is on the narrative), the content and process are presented too simply and lacking in highlights. At the same time, the aboriginal people of this era are naturally too ignorant, have no contact and have no thought about the content in this area (of course, they have no relevant knowledge). He has the correct and systematic understanding of modern people, and has lived here for so long without his own understanding of those things. His own exploration experience is very strange, when the protagonist can easily detect and point out such simple rules as soon as he arrives here) - At the same time, the stage The characters in different aspects show common sense, cultural background, education, intelligence, morality, etc. That are closer to modern people's feelings, which makes it even more unnatural. The various plot details that follow are somewhat incompatible with the war-torn background of the entire Three Kingdoms era. Compared with this, the overly capable life-size large-scale time-traveling protagonist and the people around him who trust and value him just so easily are just more common minor problems Is the author planning to leave this work at this point? This is just an exercise. At this point in writing, the shortcomings and randomness are There are already a lot of places, and there are not many readers to support it. It is not surprising to put it in any time But I personally think that the author has a very stable writing performance for the first time in writing a novel and has the basic writing skills to describe and depict realistic characters. It is not that he has no creativity and can only follow the trend and copy common templates. It is a very good tendency to focus on writing content in unpopular fields that I am interested in. (It is just a "tendency", because the specific effects of these parts in this work always have some regrets, even if they are not problematic in themselves) I think that with these foundations, as long as there is still the interest to continue writing novels It should be interesting, and it should have the potential to become a good novel writer (based on the style of this work, there is no guarantee that it will be a hit) If the author continues to write or has a new work in the future, I will probably want to try reading it again (even if I personally do not share the focus of this work on Sense)