Japanese Novelists Start with Sadako

Very good, the copy should also be warm. You have so many classics in your hands, what do you want to express with these classics? What kind of social responsibility does it assume? Or just to make money? These are all different options.

A novice, one sentence is as plain as water, without any waves, just try your best.

It's not bad. I've read novels of the same type before, and they describe the storyline straightforwardly in large sections. In this novel, the storyline is compressed, and most of it is introduced by dialogue. However, I hope that I can omit a small part of the dialogue and write more about the daily life of the protagonist. Daily life is also part of the test of skills. It can be regarded as food and grass.

On the one hand, the work affects reality. I have seen other book friends mention this. Judging from the current perception, the author does not intend to write a plot such as the recovery of spiritual energy. This leads to a kind of dislocation, that is, the work is out of control, and the protagonist is restricted by his own words. Writing supernatural novels leads to hauntings, and writing mystery novels leads to real murders. If you continue to write, if someone is really killed by a ghost, or is killed by someone using some secret room trick, should the protagonist take responsibility? The author may have also considered this problem. The solution is to advance the incident before the protagonist's work comes out. The previous incident of the innocent soul in the subway station had this tendency. Because there was not much ink, he barely managed to get past it. Now it is the astrology murder incident. Although the case happened decades ago, the protagonist's subconscious reaction is still that after telling this story, he will never touch mystery novels again—— Isn't this just a crime of guilt and self-inflicted crime? If you feel that reality is not affected by novels, why don't you continue writing mysteries? If you feel that as the protagonist of a magical time traveler, your every move can profoundly affect the world, then can death, violence, or any other negative content appear in your future works? Previously, the protagonist wrote about the despised Songzi. In reality, there really wouldn't be a Songzi who went through a miserable life and finally collapsed on the eve of dawn? The author replaced Matsuko with Akina Nakamori, but readers would not think that if you write about Sadako, curses turn out to be real ghosts, and astrology murders turn out to be perverted artists, then does Matsuko really not exist? So did she originally exist, or did she appear because of the protagonist's creation? Rationally speaking, her tragic fate is entirely caused by her character. Perceptually, can readers really separate Songzi's experience from the protagonist's works? If this continues, I won't be able to write about the protagonist, and I won't be able to write about that. In the end, I can only thank Zi Gong for his work on Hejiahuan. What's the point of that? Or there is another development, in which the protagonist abandons boring compassion and writes shocking tragedy, death, conspiracy, and terror, and finally makes reality completely plunge into darkness. If this is the case, although it does not suit my appetite, I will continue to wait and see for a while. Finally, my original intention of reading this book was to see the protagonist write a horror novel to scare readers, just like I used to like to read novels about making horror games. Other kinds of reasoning, fighting, healing, passion... There are literary novels that specialize in various categories, and all-round novels have been in the market for a long time. If the author really intends to give up supernatural horror, I can only wish the author to write better and better. We are destined to meet again in the world.

There is actually nothing special about the novel, it is just a copy of the book. But what attracted me was the part about causing trouble and exorcising demons🙂

I saw the comments on the book's release. Author, it's not that you didn't turn to fantasy, which makes people feel anticlimactic. In fact, most of the people who can catch up here are entertainment readers, and no one wants you to turn it. Many people say that the reason why it starts but ends is because you have prepared enough atmosphere in front of you, just like holding up a loudspeaker and shouting "The big event is coming!", But when everyone gathers around, you just give up. You want to leave it blank, of course you can, but there are many ways to choose the worst one. It jumps directly to the end of the matter, and there is still a storm ahead, but it ends suddenly and abruptly. The incoherence of the connection gives people the illusion of almost not breathing. To give a simple example, if you want to leave it blank, you don't need to write about the protagonist during the exorcism. You can write about the supporting role outside the house. Write about his anxiety and nervousness before starting, his concentration after starting the ceremony, his admiration when he saw the protagonist enter the house without hesitation, his shock when he was hit by hailstones, and his shock and awe when he saw thunder and lightning striking the house. Then, transfer to the protagonist, the person involved in the incident, to express his thoughts after everything is over, explain the whole story, and lament the outrageous nature of the development of things. Wouldn't the plot be better and smoother this way? This is just a relatively simple and easy-to-use way of writing, there are many better ways. I don't understand why we have to do this before putting it on the shelves...

Author, can't you even copy homework? You said yes, you said it was written based on the original version of Sadako, but the original version of Sadako was hermaphrodite, and many things were wrong. Have you checked it carefully?

The topic of "exorcism" has been in the works for so long, and it's really an anticlimactic ending. Anyway, we are off topic. The hasty ending of this plot will make the people following the update look stupid.

Look at the title of your book, and then look at what you wrote? Wouldn't it be great to write horror novels and cause trouble in Tokyo? If you listen to inexplicable people writing things, how can you still be competitive?

At first I was attracted by the part about making trouble and exorcising demons. I felt that it was a rare theme. After following it for a while, I found that after it was released, it no longer had that explosive feeling. After a few days in a row, it just felt as dull as water.

Unique copywriting theme. The only dissatisfaction is with the adaptation of Songzi. It's very confusing to forcefully adapt dramas with completely different styles like this together. On the contrary, some small changes to the previous script, changes in the narrative method, and appropriate adjustments to the details are still possible. In addition, from the author's writing, it can be seen that he is hesitating whether to take the route of the mysterious force's recovery. Indeed a groundbreaking route. My personal suggestion is that you can use it in moderation, but the main thing is still to be a novelist. After all, the protagonists have all traveled through time and space to resurrect corpses, so it's probably the golden finger that suppresses the ghosts. But it can be written very implicitly, and it must be stated clearly. For example, the scene where Sadako's easter egg is in the dry well was quite good. Personal suggestion, I hope the author can see it

True story of my own experience I graduated in 2019 and was working on projects in Hangzhou, but it was not civil engineering, but mechanical and electrical, so it was relatively clean? The project I went to at that time was in Xiaoshan, Hangzhou. In 2019, the project was still driving piles. At that time, a company in Building 11 was hit on the head by a drill pipe, but it survived and seemed to be in the ICU. At that time, I thought it was an operational error. After all, I had just graduated from college and was full of materialism. As a result, the next year, when the steel support of the foundation pit in Building 11 was removed, a worker had half his head knocked off by the steel support. He was stabbed on the spot. However, I was in a meeting at the time and was pulled away before I could see him. I didn't think much about it at that time, I just felt that I had to pay more attention to safety. As a result, in the third year, a worker installing an elevator fell down from the first floor and fell down. It was still Building 11. It was then that I felt something was wrong. I checked with my colleagues and found that they were all in Building 11, and it was mid-August. That was when I felt something was wrong. After discussing with the sand sculpture group friends, I found that it was the Ghost Festival at that time. In addition, the general contractor later invited a mage to perform the ritual. After that, I never dared to go to Building 11 again. As a result, the fourth year, that is, 22 years, passed without incident. I even told my colleagues that it might be a coincidence. As a result, I had a big problem last year. An old man in Building 11 drank at night and fell into a well with a wooden cover for no apparent reason. Then, a steel support from another unit's construction site on the north side of Building 11 killed an unlucky guy who was passing by riding a scooter. A piling worker died at the construction site on the south side. On the opposite side of Building 11, one of the projects we had already completed had a guy jump in and jump out in the middle of the night. Head on the ground, I saw it when I went there to take pictures in the morning. When Brother Jing came here, he told me that there is something good about your project. I feel like the time has not come yet this year. If it still happens, I will come back and tell you when the time comes.

Personally, I was very happy before it was put on the shelves, but I was a bit disappointed after it was put on the shelves. In other words, I personally don't like copying passages from non-horror masterpieces. If you copy Hachiko, a loyal dog, not to mention whether you can remember so many novels after traveling back in time, without those skills, the copied book will not adapt to the local environment, all of which will lose your mind. The key point is that there are too many books written by Wen Chao Gong. If you step on the head of a giant and appear as a saint, there are a lot of books to read. Why not specialize in horror novels? In other words, novels influence reality. Before it was put on the shelves, it was clearly shown that the novel was related to reality, but after it was put on the shelves, it began to be forcibly separated. The coincidences in Kayako's house started to disappear again when it came to Sadako's well. Cousin Akira Toriyama could dream that the amulet was broken, and later it started to be bitten by animals. At first it was said that there was a murder in the house, but later it was said that the body was not in the house. The novel written by the main character and the reality are purely coincidental. I think it is fun and very happy to watch. But the author himself uses the power of God to fulfill his purpose. I can only feel that I have been fooled. For example, it's like a scripted murder I played before. The crappy host gave us all kinds of clues to identify the murderer. After we used the clues to infer the murderer, the host said, oh, there are actually some new clues that I didn't give you. You guessed the murderer wrong. In fact, there was no murderer. The deceased committed suicide. It just makes people feel boring. Why can't we go along the path of creating ghost stories? For example, if the protagonist writes a horror novel, there will be similarities in reality. The police in real life are dubious, while netizens on the Internet are free to express their opinions. For another example, the protagonist wrote a post about strange stories about zoos. As a result, some netizens actually discovered that there were rabbits in the elephant hall of a zoo and that there were elephants swimming in the aquarium. It could actually be a rabbit escaping from prison and running to the elephant house. And elephants can actually swim. In this way, netizens find it scary, the protagonist tries his best to refute the rumors, and readers get a lot of fun. Isn't it bad? Another point is that it is too watery. I don't understand the meaning of this movie. Apart from helping and being praised a few times, what did the protagonist gain? There are no details about the help, nor the audience's feelings after watching the movie. Only the protagonist said that the filming was okay, and the director praised the protagonist for a while. Although I read the latest in one go, if I still plan on the author to separate the connection between the novel and reality, I will probably have to throw away the book. I don't know what everyone thinks, we can discuss it. But put a shield in advance. Different opinions can be discussed. Anyone who curses will disappear randomly on one page of the household registration book.

Although romance is the impression that many people have on writers, I still hope there are fewer plots like this. It's too weird to just go to bed casually. It's really uncomfortable to watch it all the time.

This kind of popular novel is too cheap for a literary giant.

I can only comment that the writing is too bland. In addition, you should watch less Japanese movies when you have time, especially action movies. It is clear what you desire no matter what the names are.

On another observation, if the protagonist really doesn't write horror novels in the future, I'll be happy.

This kind of theme is suitable for fun, complaining, and making trouble! Just don't be too serious about the consequences and go through them. Don't write too deeply about it in a relaxed way, as it will reduce the feeling of pleasure.

Author, your subject is a novelist after all, and it has been a long time since you published a new novel! There is no follow-up to the Songzi book I wrote before. The recent plot has been about exorcism. It's not that it's boring, but it feels like it's off topic.

There is a kind of stallion novel with a horror cover...

It's quite vicious. My self-requirement has been reduced to 0.1 Per thousand words. I'm really sick of my brain. And it's waterlogged after it's put on the shelves, so there's no need to read it.

The three chapters of the book are quite stretchy and not attractive at all. The more you read later, the better. The magic is very good and very attractive. However, I have this feeling when reading many books. I always catch up to the latest chapter and break it, and then I don't want to read it anymore. So the author should write more. I regret why these kinds of books are basically new ones and not longer ones. Or is it that it consumes the author's inspiration too much, so writing it becomes in vain and I can't read it anymore.

By the way, Sadako's prototype comes from a science fiction novel. The original work is Ringland, which is about cyber viruses invading reality.

Let me first ask, is there no heroine? Or a single heroine?

After so many chapters, this is the result?

Can I get extra updates if I vote monthly?..

Not dug? So Oracle and Samsung are right? Water is available again

Do all the novels you open have multiple female protagonists?

The ghost flow behind the scenes would be great! While picking up girls, kill Xiao Baga! Developments behind the scenes!

I haven't read it for a while, but recently I thought about it, and I thought I still had more to write when I was following it, but when I read it, it was finished, just a few chapters after I read it, and I was convinced Then I read the author's other works, The King of the Palace