
Resurrection of Spiritual Energy, Everything Starts with Slaying the Dragon
灵气复苏,一切从屠龙开始
- Status
- Completed
- Length
- 44k Words
- Genre
- Urban
- Audience
- Male
- Subgenre
- Urban Superpowers
- Updated
- 2y ago
- Source
- Qidian
Stats
0Monthly votes
21Recommends
7Fans
21Chapters
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Thoughts on the current chapter
The timeline of time is very clear, from the dragon slaying incident twenty years ago that made Chang An stained with dragon blood and all his relatives were killed, to the spiritual energy recovery ten years ago, and then to some things four years ago. From a visual point of view, the memory part runs throughout. It is a good introduction to the world view and setting at the beginning. It can better expand the content that the author wants to express, and at the same time reveal the differences between Chang An and others. In terms of interpersonal relationships, the appearance of Baishadi is not so much the heroine as an intervention point. If Changan is the anchor point of Long in this world, then Baisha, as the four major families, represents orthodoxy in a sense. Some of her explanations and experiences can well fill in Changan's shortcomings, and readers will not feel that this explanation is too rigid when reading. I prefer the author's recycling of foreshadowings, which are recycled very quickly, such as why Chang An cares so much about money, such as why he adopts so many children (the contrast between before and after makes the male protagonist thicker and less thin). This works well with the fast-paced plot. If the rhythm is the bones and the plot is the flesh, it seems that the two work well together at present. Let's talk about what I think is outstanding about the article. One is the title, and the other is the setting of spiritual energy recovery. Let's talk about the latter first. In this type of novel, it is rare to see someone put the story in a time when the spiritual energy is abundant, but the author not only unfolded the story in this way, but also spent a lot of time to add a small setting of "reviving the spiritual energy". So this must be consistent with the subsequent development of the story, and the title of the novel is implicit. Is this change happening because of the anchor point of the male protagonist? Or is there a deeper reason? No matter which direction it goes, it is very good, and it can promote the development of the entire world while shaping the male protagonist's own image. Looking forward to the follow-up.
The protagonist is not a good person
After reaching the fourteenth chapter of this book, first of all, I have to say that the writing is not bad, but in the following chapters, the quality of the content has slightly declined due to the author having a severe fever, but it does not affect reading. Seeing now, I have a general understanding of the entire worldview. According to the timeline, the dragon falling incident in Chengming City twenty years ago made the protagonist bathe in dragon blood, and he used this to show his unparalleled talent in martial arts, but it also attracted many enemies. I don't know whether it was out of protection or to suppress the protagonist's strength. The protagonist was sent to a small marginal city to serve as the captain of the Crouching Tiger Division to slay demons and demons. In the course of these ten years, the protagonist adopted a group of children. In fact, it is not difficult to see the character of the protagonist from here. He is ruthless, but more of a kind person. In other words, even though he has great power, he still regards himself as a member of the masses and does not think that he is superior. But he forgot that he still had many enemies and could not give those children a stable living environment. Especially ten years later, when the plot unfolds and various disputes revolve around the protagonist, these children are likely to become the protagonist's fatal weakness. This is also a big bug in this book. Let's see how the author solves it. If it is not handled well, it is likely to cause many readers to abandon the book. Personally, I suggest setting a growth path for each child, but you must stay away from the protagonist's development in the early stages.