Tokyo Mystery Writer

[Prior Statement]: I have fully ordered this book. I was very surprised to meet an author who writes about mystery literature seriously at Qidian. I am not a troll, but the author is not mature enough, so I still have to point it out in some places. I look forward to the author's more complete works Sha~ Let's count your sins in detail ①The author's love for mystery novels is unquestionable! ②The author may be too green in his writing. At least it is not suitable for this kind of online novel ③According to the author's level of understanding, he has the ability to create some niche, but relatively in-depth creations in this vertical segmented field ④The theme chosen by the author - [Soul Penetration + Wenqi Gong] only requires a certain understanding of this field. The key is how to How to give readers the pleasure of immersion? ⑤ At the same time, in terms of literary talent, it is also relatively lacking. This may be because most of the mystery novels are translated from Japanese, so the literary presentation is not so full ⑥The author is relatively weak in character creation, at least the three-dimensional presentation of the characters is not enough. If it doesn't work, you can learn from the character creation methods of light novels ⑦ There are also problems with the plot setting. It does not maintain enough suspense, and there are not enough turns to give readers continuous stimulation. The plots so far are all about "cutting melons and vegetables along the civil and public road". Some reversal plots should be designed appropriately to enhance the drama ⑧The shaping of the external objective environment is not sufficient. Whether it is the social environment or the natural environment, it could have a relatively good rendering effect, but it is still relatively pale in this article ⑨The author is still relatively unfamiliar with side descriptions, especially for When describing the social effects of the work from the side, it would be better if it could be more natural ⑩Why does this book seem to be completely different from the previous one? Ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh, author, you have been replaced. In fact, I was a little hesitant when I posted this. After all, as an online writer, I have to eat. Posting this post may affect the opinions of ordinary passers-by. After reading the latter part, I think it would be better to post it. After all, there are relatively few mystery literature nowadays. As a new author, the author has quite a deep understanding. With careful consideration, he may be able to create a new trend in the declining world of Chinese mystery literature.

After reading the free chapter for the time being, I can see that the author undoubtedly has a profound background in reading mystery novels, and I just give it a big thumbs up. However, there are some deficiencies in how to describe the content of mystery novels in a way that readers can accept. Sometimes it feels like reading a short version of another mystery novel. I can understand the author's love for mystery novels, but it is not necessary for every novel to detail the main content. Describe it, because the works that can be written by the author must be good works, and good works have a certain mass base. Since everyone has read it, the plot must have a certain impression. There is no need for the author to repeat the plot in detail. The fun part of Wenzhao Gongwen is still the part where he pretends to slap the face. The author can take some time to read "Absolute Ichiban" and "Blessings for Animation Production" Compared with the copying part, which is acceptable, the emotional drama part is a disaster, with a sense of beauty like Mr. Liu The above is the current feeling after reading. In general, the book is a good book, the author's reading and understanding are sufficient, and other shortcomings need to be polished.

It can be seen that the author's reading volume and level of mystery novels are not enough, but the copying of public Internet articles is indeed not enough. The emotional drama is average, and the career line is too slow. There are too many plot summaries in mystery novels, and there is a lack of reader feedback and social repercussions. The author can try not to write a plot introduction first, but to wait until the work is published and introduce it through the readers' mouths. They can also write readers' reactions and various book reviews along the way, inserting some polemics in the middle. These are common techniques in Wenzhiliu. By the way, the introduction to the works is pretty good and can be used as a book list.

Try it out before the exemption. The bottom line of this kind of copying flow is still guaranteed. After all, the copies are all well-known mystery works. The content of mystery novels is written in more detail in the book. Some mystery novels cannot be summarized and the contents of the original book are written out. Will there be any copyright issues? The most poisonous part of the book is probably the first part. I almost starved to death but I still insisted on writing works that were not popular in the market. I was lucky enough to be picked up by an editor, but the whole book was finished. The protagonist has a very serious literary youth disease before he becomes famous, or it should be said that the author of this book has a serious literary youth disease. Daily beauty posts are like a galgame, with lots of misunderstandings and blushes. In short, this is a refreshing article for fans of mystery novels. Readers who like to read refreshing novels should like this kind of work.

I have read more than 260 chapters and paid for my real-money subscription. Let me tell you something nice first: (after skipping all the emotional drama at the beginning) So it is a good choice for readers who want to understand mystery novels. I myself have read many interesting works on the recommendation of the protagonist. Then I'm going to curse. At the beginning of the volume "Kai Ma Jia", I think the author was confused. I mistook [an online novel for ordinary people with a mystery writer as the protagonist] as [I am a writer writing a novel]. Throughout these two hundred chapters, the things and atmosphere you emphasized are quite clear. The protagonist is a warrior, whose main goal is to break the curse of Qingzhang and lead a new style. He is an avid fan of reasoning and frequently produces masterpieces. The rest of the people are responsible for: 1. Marketing. 2. Comments. 3. Handle chores. This logic is very clear, and after more than 260 chapters, it has been [deeply rooted in the hearts of readers]. How do you describe the matter of wearing a vest? [Everyone except the protagonist is not optimistic about it], [Only the protagonist thinks it will work], he thinks that if a good vest is used [it can become a big hit and increase sales]. You make the protagonist a person who is a head-on confrontation with the person who wrote the novel, and you think "I have an idea" and promise to market it, and then you make the person responsible for marketing strongly oppose it, and then in the end, it is probably no surprise that the protagonist succeeds. The characters of the protagonist group in more than two hundred chapters are all cholera. The more seriously people read your book, the more people who accept your output feel like they are being teased.

I have introduced almost all the factions in mystery novels in detail in my works. I believe that after reading this, you will have a general understanding of the Japanese mystery factions😃

I feel that the status of the female supporting characters is very awkward. I spent a lot of time describing them, but they seem to have little effect on the plot. For example, the eldest lady of the group and the shrine maiden, I always feel that removing these people will not affect the plot. They are like casual readers. The protagonist's works have no impact on them, and they seem to have no impact on the protagonist. 😅 In contrast, "The City That Never Sleeps" really changed the fate of the gang boss and the actress. These two people also had a positive impact on "The City That Never Sleeps". In other words, I feel that there is relatively little interaction between the protagonist's work and the real environment in the article. The protagonist's motivation for writing seems to be to write in every genre, or to write at the request of others. The impact of the work seems to be only reflected in the good sales and the crazy rush of the work. The impact on society seems to be only the stance of the Metropolitan Police Department. I always feel that something is missing.

It can be seen that the author has researched and read a lot of mystery novels, and there is no doubt about his professionalism. However, the online text processing does have a general impression. The first is the emotional processing in the early stage, whether it is the ancient setting of the lucky pervert, or the protagonist clearly determines the emotional line, but still does not act or make decisions and let it develop naturally. This aspect has a very poor impression. On the other hand, you can balance the proportion of daily life and mystery introduction, describe more daily life or add more foreshadowing of mystery novels to balance it with mystery novels. The introduction of mystery novels is very exciting, but the result of unbalanced daily proportion is that it will be very tiring to watch. Great subject matter, very rich knowledge and reading volume, it is definitely a masterpiece for those who want to understand mystery novels but can't bear it, or don't have a lot of time. As far as the work is concerned, its flaws do not hide its merits.

The main plot involving the creation of the novel is written very realistically, and you can feel the author's love for mystery novels. But the heroine's setting is too dreamy, the girl-in-chief thing is too inconsistent, and the relationship between men and women is suspected of being too strong. Generally speaking, friends who are interested in mystery novels or manuscripts can choose to watch it, but readers who are interested in romance plots are not recommended.

Japanese mystery novels will be invincible as long as they change the motive of the groove and strengthen the subtle writing style! The reason why Murder on the Orient Express is a classic is because revenge for a good man is popular with the public, and this is what many mystery novels lack!

The love line was written a bit too hard. Then there is the copying line, which is not well connected. The biggest pleasure and difficulty in copying is the praise of others and how to show others' appreciation skillfully. I feel that the author is in a hurry but not in a hurry, and the emotional line is very fierce. However, the career of copying feels purely for the sake of conquering the beautiful editor-in-chief. The mystery plot feels very well written, and it summarizes the core plot of the original mystery novel very well.

There are always those who talk nonsense and copy the original work! Isn't copying meant to show off the brilliance of the work you've written and win the admiration of others? Otherwise, why should we read literary novels? Isn't that what we read in literary novels? If you don't write these things, what else should you write about? Are you writing about making money and chasing beauty? Making money and having a harem is just an additional by-product. Could it be that just because the protagonist has produced a great work, that's it? The most important thing is to reflect the awesomeness of the work and the amazement of others

Who are the female protagonists? Who are they? Please be aware of the author. The above picture is above.

The reasoning plot is interesting, but the description of daily emotional scenes with the heroine... Needs to be improved.

Oh my God! This book has been exempted for a limited time again. I can't even remember how many times it has been exempted. Is this going to become the novel with the most exemptions?

(Stack the buffs first. The following is my personal opinion. I have read about the first hundred chapters so far) I'm not nervous. The mystery novel part is indeed well written. But the emotional line and the pretentious and slap-in-the-face plot make me feel like I have traveled back to five years ago... Let's just say, should I consider revising it or pay attention to this kind of plot when writing later. Although it's not good to say this, I still hope the author can pay attention to this issue: It feels like eating hot food, and then suddenly fed me a mouthful💩

I have read Chapter 242 so far. When I saw the book friend comments at the end, I suddenly felt that my daily life was really lacking. The protagonist was like a ruthless writing machine. He often wrote at home. When he went out, he was either invited to go shopping or gathered in crowds to read the manuscript. Even if Ozu Shiba hadn't mentioned it when he gave me a gift, I wouldn't have known that the protagonist's royalties were over 100 million. It seems that the daily life written by the author has nothing to do with emotional lines and mystery novels. The author's plot is too compact. Although he has written so many chapters, it seems that the protagonist has not passed half a year since his debut, but one after another, and from time to time there are long novels like the city that never sleeps. I am really tired of reading them. I don't know if the author will write about the protagonist's other activities besides work, such as traveling to a certain place and being inspired to write a new book, going to the crew to watch acting or acting as an easter egg in a movie, using reasoning skills to solve interesting events on the way out and making news at the same time, etc. (Maybe even if you are more imaginative, you can I was able to produce some linked easter egg comics with popular cartoonists at the time, such as a well-known comic character traveling through time or dreaming or meeting a character in the protagonist's novel somewhere, and the comic character solved the incident in a way that fits the personality (I don't know why I instantly became curious ⑨ reaction to encountering the case in the mystery novel of the protagonist Baka)). If I hadn't been so focused on the wonderful mystery novels written by the author, I wouldn't have noticed that the protagonist was about to become a workaholic.

Wouldn't it be much better if you put on Conan's skin?

After reading more than half of it, I feel that the author is more like a reviewer. Every time the protagonist publishes a mystery novel, he writes at least one or two chapters. Some of them are quoted from the original text, which seems so boring. I basically skipped the Gu Huo Bird. Maybe the author enjoyed writing these, but it was not enjoyable to read, because I quite like literary novels. Maybe I will give it a try before reading it.

Shocked, there is a limited exemption on the 24th. Wasn't it just now?

Will the protagonist take revenge on the kidnapper later? I personally feel that both the knife and the person using the knife should be punished. Instead of simply letting it go.

After reading Chapter 381, I discovered that the author really doesn't know how to write about business war The people sitting at the table around the male protagonist are friends, not employees. How can they arrange tasks like this? There are still some logical problems The heroine is only in her early 20s. Can the current editor-in-chief of the magazine really rely on ability? Impossible. Then why did the former owner attack the heroine with such a shabby excuse as the magazine's closure? If I were the protagonist, they would contact the original copyright holder directly. This was an infringement of Chi Guoguo's goodwill. I would help him fight the lawsuit for free, and the rumors collapsed as soon as they were touched. You can even take the opportunity to authorize the resurrected magazine to take over the readership. If you really want to attack the heroine, she has too many weaknesses. In a related household, her mother is the president of Futaba Club, and she seizes the male protagonist's works to become a leader. It is a common rumor that women rely on their bodies to gain power. Short qualifications lead to quick promotions. In a society like Japan that emphasizes seniority, it would be unfair to be attacked. The last thing is time. In four months, one large novel has more than 700,000 words, and the remaining three short novels count as 1 million words, plus one short story per week, one long novel + three or four short stories. Is the protagonist a tentacle monster?

The history of popular science mystery novels and various excellent authors and works are indeed very good, but the daily life and main plot of this online article are simply a mess.

The upper limit of 15 tickets for lv5 power has just been raised, otherwise I wouldn't be able to collect so many votes

It would be okay to write a few chapters and give an ending to complete the book.

Make up for the full order, and hope the author can resume updating as soon as possible 😳

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Among the "three great masters" of the golden age of mystery novels, Agatha Christie was good at psychological games and conspiracy layouts, while Ellery Queen was famous for her rigorous logical deductions, and the last one, John Dixon Carr, was known as the "King of Locked Room Mysteries." The three peaks of Japanese mystery literature are: Matsumoto Seicho, Edogawa Ranpo, and Henggou Masashi. Edogawa Ranpo is known as the originator of Japanese mystery novels. Without Edogawa Rampo, there would be no Japanese mystery. The original style and the changed style, the social style and the new original style all originated from Edogawa Rampo. Henggou Zhengshi is known as the master of Japanese original mystery novels. His novels are fantastic and unpredictable. Although they are mainly based on his own characters, they also represent the romantic style of detective novels. Matsumoto Seicho is known as a master of Japanese reasoning and the founder of the social school. There has long been a saying in the Japanese literary world about the "Qing-Zhang Revolution". The reasoning schools introduced in the book "Tokyo Mystery Writers" are: original style, changing style, social style, logical flow, deductive flow, fuxian flow, SF reasoning, Honkai flow, babk reasoning, travel reasoning, forensic reasoning, and daily reasoning. If there are any missing genres, other book friends are welcome to add them. By the way, the author has stopped working for a month. When will he be able to resume work? I have been pursuing the book for three years and am looking forward to finishing it.

The spring breeze is proud of the horse's hoof disease, and I can see all the flowers in Chang'an in one day. Borrowing a good saying from the ancients, I wish all my book friends the Year of the Horse: May you be happy and happy forever; no disasters, no disasters, and peace every year. I hope that when you are young in bright clothes and angry horses, you will live up to your youth and know it.

No one has voted for the book for two months. This month I contributed 5 votes, and I was the only one who voted. If I don't update this book, no one will read it.