Director of China Entertainment: Watching Movies Adds Attributes

Seeing Han ask the protagonist to accept money from Liu's mother, he became very angry. He was completely self-indulgent and turned into a small underworld boss.

This book is all about heroine Liu, aren't you tired of it?

90% Of the heroines in certain entertainment stories are American. Can't you find a heroine among the 1.4 Billion people in the country? The key is Chinese entertainment. I'm vomiting.

In fact, only a few movies in China every year have smooth plots. The plots of most Chinese movies are very awkward and awkward. The few good movies are basically male-themed. In fact, 95% of the movies are male-themed. There are not many good movie scripts that can star actresses. Good scripts are digested internally by several film circles. If Liu Yifei doesn't join those movie circles, good scripts will never be passed on to her. The movies Liu Yifei makes are already the best among the scripts that can come into her hands. Many times they don't even have complete scripts. When Liu Yifei accepted "Four Famous Catchers", she didn't have a script. Because she trusted director Chen Jiashang, she took it. At first, she thought she would play the wife of a certain famous fisherman. After joining the crew, she learned that the director had a whimsical idea of ​​changing the ruthless character into a woman. In 2012, The Four Greats made a profit of 199 million at the box office. Then Enlight Film Company used the money earned from The Four Greats to film The Four Greats 2 and 3. In 2013, The Four Greats 2 and in 2014 The Four Greats 3 were pure profits. Liu Yifei, a first-line star who has been popular for 20 years, has only made a dozen theater movies, 11 of which have grossed over 100 million, and her performance is relatively stable. Most of the movies she stars in cost tens of millions. She does not care about the cost of the movie. Most of the movies Liu Yifei stars in are with new film directors, who have only made 0 to 1 theater movie before (they were only advertising directors, singers, TV directors, editors, photographers, screenwriters, action directors, and film school alumni). The only well-known Chinese film directors Liu Yifei has worked with are Hong Kong directors such as Li Rengang, who co-produced the film The Legend of Hongmen Banquet, Chen Jiashang in 3 movies, and Wilson Yip in The Chinese Ghost Story. All five of these films were profitable. Liu Yifei has actually never entered the mainstream Chinese film industry, and has never collaborated with the famous mainstream Chinese directors Zhang Wang, Feng Chen, Jiang Zhou, Wu Ningxu. For more than ten years, she has only been able to find opportunities in co-productions. In China, only the films of famous mainstream Chinese directors Zhang Wang, Feng Chen, Xu Jiang and Zhou Wuning are truly good resources. In China, they basically rely on the reputation of famous Chinese directors to carry the box office. It is very common for first-tier female stars to collaborate with first-tier male stars to make movies. Many first-tier male stars have often collaborated with second-tier, third-tier, and fifth-tier female stars. Cooperation with first-tier male stars cannot be called good resources at all. The quality of movie resources only depends on the director's popularity and strength in China, and it does not matter who the male star is. A group of black men have been spreading rumors about Liu Yifei every day for more than ten years. However, in fact, Liu Yifei has not been filming for more than ten years. China releases nearly a thousand movies every year, and Liu Yifei's movies often rank among the top 30 domestic films. In 2008, the domestic box office of Liu Yifei's "Kung Fu King" exceeded 185 million for the third time in the year, and the overseas box office reached 128 million US dollars. With the heroine Jin Yanzi, she ranked first in the global popularity index in the Hollywood IMDB movie newcomer rankings. She signed a contract with WMA William Morris Agency. Liu Yifei successfully promoted to a movie star that year and entered Hollywood with half a foot. When the Huayi visa was refused, the gangsters carefully forged text forms, web pages, pictures and black rumors. The Internet exposed Liu Yifei, causing Liu Yifei to not act for two years. Since then, none of the 16 movies Liu Yifei has starred in were funded by Hua Yi. Liu Yifei's film resources are the last among those born in the 1985s and 1980s. If you look at the encyclopedias of those stars, you will find that many stars born in the 1985s and 1980s have actually made more than 30 or 40 movies. Their film resources far exceed Liu Yifei's. Before Mulan, no one envied Liu Yifei's film resources, because they did not offend Hua Yi. Their film resources far exceeded Liu Yifei's. They made three films a year, while Liu Yifei only made one. After Mulan, a large number of professional hackers suddenly appeared, posting brainwashing tips and spreading rumors. Liu Yifei's movie resources were abundant. The overseas copyright income of 2011 A Chinese Ghost Story starring Liu Yifei was 12 million U. S. Dollars, and the domestic box office was 140 million U. S. Dollars in net profit. The Legend of Hongmen Banquet in 2011 had a celebration party with a box office of 150 million U. S. Dollars. Liu Yifei signed a 5-movie contract with Enlight Film Company. Liu Yifei won consecutive movie tickets around 2010. With a house worth over 100 million, "Liu Yifei's costume must be worth over 100 million" was a box office elixir. She was called a "box office upstart" at the time. CCTV10 said that Liu Yifei became the spokesperson for the new forces in Chinese-language films, an actress who valued both beauty and acting skills, and was both beautiful and good at acting. At that time, many of the commercial films of her predecessors and contemporaries often only made millions and millions of dollars at the box office. It is also a costume film with Chow Yun-fat. The top IP "Confucius" movie with the heroine Zhou x and the well-known director Hu Mei only had a box office of more than 90 million. The IP is well-known around the world: Confucius > Romance of the Three Kingdoms > Tongque Terrace, but "Tongque Terrace" with the heroine Liu Yifei + a new advertising director has a box office of over 100 million. The top four in 2012, the second in 2013 and the top three in 2014 all had profits of over 100 million. In 2015, Liu Yifei became the first Dior spokesperson with a title for the post-85s generation. Since then, Liu Yifei has continued to endorse the brand. The fashion circle is the most snobbish, and it is obvious that they value Liu Yifei's status as a movie star. In 2016, "Youth Is So You're Still Here" made a box office profit of 337 million. Alibaba's financial report stated that the 2017 Three Lives, Three Worlds, Ten Miles of Peach Blossom movie made a profit of 82 million, and Liu Yifei's movie Three Lives, Three Worlds, Ten Miles of Peach Blossom had a box office of 535 million in its first week of release. In 2022, Menghualu will appear on the financial report of Tencent Group headquarters, and in 2023, Go to Windy Places will appear on the financial report of Mango. Liu Yifei's works have repeatedly appeared in the financial reports of major companies, but they have been rumored. In response to many profitable movies, a group of professional gangsters can take the lead in making up black rumors and brainwashing them. For more than ten years, Liu Yifei has only been looking for opportunities in co-productions. After more than ten years of waiting, she finally got the chance to play Mulan. Liu Yifei won the role of Mulan out of a thousand-person audition based on her acting skills, martial arts, perseverance, physical fitness, height of 1.7 Meters, and her ability to speak English. Hua Mulan is a general. Some ancient dynasties required soldiers to be 1.7 Meters tall. Liu Yifei, who is 1.7 Meters tall, would not be short when standing among a group of male soldiers in the army. Disney also requires people to be able to speak English, martial arts, and have star qualities. If you have starred in martial arts movies on the big screen, Dick doesn't have time to watch martial arts in TV series. Liu Yifei has starred in martial arts movies as heroines: Jin Yanzi in 2008's "The King of Kung Fu", Nie Xiaoqian in the new version of "A Chinese Ghost Story" in 2011, Lingju in "Tongquetai" in 2012, "Famous Catchers 1" in 2012 and "Famous Catchers" in 2013. 2" And the 2014 "Famous Catchers 4", the heroine Qing Qian is the God of War, the heroine Bai Qian is the 2017 movie "Three Lives Three Worlds", the heroine Bai Xianchu is the heroine of the 2017 "Second Generation Fairy: Lucky Life", and the heroine Hua Mulan is the heroine of the 2020 "Mulan". The heroine Liu Yifei in these 9 martial arts movies all have martial arts plots, and all of these movies have grossed over 100 million yuan. Liu Yifei has only acted in a dozen theater movies in total, half of which were starring in martial arts movies, and 11 movies have grossed over 100 million yuan. When Disney auditioned in 2017, none of the other actresses born in the 1985s and 1990s who were born in the 1985s and 1990s and spoke English and were 1.7 Meters tall had no experience starring in martial arts movies on the big screen. Liu Yifei is really the only one who meets the requirements of Disney's Mulan.

In 2008, "Into the Dust" was filmed??? And it was also used to participate in foreign awards??? Even if it is not banned, it is still dreaming of a big hit. It's really funny 😰😰😰

I haven't forced myself to make a literary film yet. Some of them are used by ordinary people. Movies are not all about making money and watching the box office.

This book is poisonous. It is completely self-indulgent. Yang Mi shouts "Husband~" before every sentence. To be honest, it is disgusting. I found Qidian only recommends bad books now, and persuades me to quit, quit, quit!

Just look at the author's selection and you'll know that he hasn't seen many good movies.

Olympic photos disappear into the dust and smoke, you are awesome

Family scandals should not be publicized. Do you think your ancestors are joking? If you lick the white skin at the beginning, can you pass the trial? Even the second generation is not good, he is still a new director, Zhang Yimou was criticized for filming, and Mo Yan was criticized even for winning the award.

After only reading the first chapter, I realized that the author had a wrong understanding of this profession. The three processes of film directors, micro-films/mv/short films, underground films, and theatrical films. All current undergraduate students are in the first stage, occasionally there are social students in the second stage, and basically no one reaches the third stage. Similarly, as for film projects, there are also three processes. The first is to complete the filming within the budget. Basically new directors will get stuck in this. The second step is to pass the investor's acceptance and have an issuer willing to push it to theaters. The third stage is to watch the box office. Basically, the first three films of the Academy did not consider profit, and had to go through all the mistakes before getting on the right track. So in reality, if a film director, before the age of 30, can win awards for his underground films and his feature films can be released in theaters, he is considered young and promising. Contrary to what many people think, before the age of 30, there was a director who made a loss-making movie in theaters, and he was actually more popular than a director without any works. Because everyone agrees that directors are trained at a loss one after another. Those who have suffered losses have already been cultivated. If they take over again, they will have a greater chance of being cultivated. Being able to get the first investment shows that he has potential.

I don't know what the whole Jiu Mengzi character design is for, is it disgusting? You get drunk every few chapters. Do you feel that big business is discussed over the wine table? You can try getting Jack Ma, Ma Huateng, and Ren Zhengfei drunk at the wine table.

Very Poisonous, in the finale, Kojima married dozens of female stars, the extremely poisonous novel

There are a lot of little poisonous spots in the front, so I can't stand it. Just like the heroine who disappears into the dust and smoke, she is dark and thin and can be blown down by a gust of wind. Especially the face, which looks so thin.

When I read Chapter 54, I suddenly felt uninterested. I didn't even eat the meat that came to my lips. The plot was dragged out and the plot was boring.

People with an IQ of minus 100 or more can take a look, but even those without cerebral infarction can't stand it!

You can work part-time and marry dozens of actresses, even if you are the president. You can play with them, but their purpose is also very strong to make money and transcend classes. Even the ancient palaces would not dare you to play like this. This is not a cool article, this is a big fool.

Good water, one sentence is said repeatedly in the award-winning plot. No wonder he rushes to the street

Is it true that Tony Leung Chiu-wai mentions a gun in "Lust, Caution"?

I don't understand those who don't copy so many movies and insist on copying them.

It's really interesting that the protagonist pulls up his pants and doesn't recognize anyone. He's not pretending at all.

Take a look at the female stars in the Chinese entertainment industry who are both beautiful and have relatively big headlights! · · Many celebrities in the entertainment industry like to change their age to a younger one. Those marked with ❓ indicate that their age is suspected of being falsified. · 1995～1999 Zhao Yue 1995, Meng Ziyi 1995, Cheng Xiao 1998, · 1990~1994 Zhang Tianai 1990/198 8❓, Guo Shuyao 1990, Lin Yanrou 1990, Xu Dongdong 1990, Wang Zixuan 1992, Xu Lu 1994/1990❓, · 1985~198X Li Yufen 1985. 1986Jiang Yan, Yang Mi, Gan Tingting 1986/1982❓, Clara. 1987Alan Dawa Zhuoma, Li Fei'er 1987/1981❓, Zhang Yuqi, Zhang Xinyu, Zhao Yihuan, Mou Xing. 1988 [Jing Tian, ​​Kan Qingzi, Wang Xiaochen, Liu Yuxin, Guo Xuefu, Zeng Zhiqiao]. 198XChen Xiaojun, Shen Mengchen. · 1980~1984 1980A Duo, An Yixuan 1980/1978❓, Liu Yan, Huo Siyan. Yang Rong1981/1978❓, Zhang Meng1981, Li Xiaolu1981, Wang Zhi1982, Zhou Weitong1982, Li Yixiao1983, Jiang Xin1983/1975❓ · 1975 ~1979 Chen Zihan 1975, Li Xiaoran 1976/1972❓, Zuo Xiaoqing 1977, Qin Lan 1979, Chen Qiaoen 1979, · · 🈶 Welcome to add➕➕➕ ·

The author will popularize female celebrities for you! The Four Beauties of Fairy Sword and Poetry Fairy of the Tang Dynasty: Qianqian, Mimi, Shishi, and Tangtang! Four beauties: Fan Bingbing, Liu Yifei, Tong Liya, Gao Yuanyuan! The Four Demonic Concubines: Fan Bingbing, Tong Liya, Guo Zhenni, Bai Bing! The three beauties of Xinjiang: Tong Liya, Dilraba Dilraba, and Guli Nazha! Entertainment quadruplets: Li Qin, Bai Lu, Li Yitong, Sun Yi! Very sweet: Liu Yifei, Jing Tian, ​​Shu Chang! Big and Little Joes: Liu Yifei, Liu Shishi

After reading the previous dozens of chapters, what do you think? It's just a self-motivated article. I can't say it's poisonous, but it has a lot of flaws!

The protagonist has to use Huayi's characters in all his movies, and the author believes that if you use characters from other companies, you have to give others a share of investment, and when you can continue to compete in Europe's top three, the movies you have to make can only be limited to domestic F-level minor awards, just for the sake of an empty favor!