Wizard, I Can Strengthen All Things

Why does every wizarding novel give people the impression that no apprentice is needed to continue the school? This happens every time, only a few people are killed on the way to the school. Can the school really survive with this setting? He was so stuck in qualifications that almost all of them were killed before he even reached the school!

It's a pity, it's a pity, after chasing them all, I saw the assembly line, and the B squares dropped like crazy... There is no wizard's strength... All the strength accumulated in the early stage was lost... Before choosing a genre, I would like to call it fine food. After I chose it, all the B squares were lost. Of course, the subsequent plot will bring it back, but it is difficult to make up for the loss of B. It's tasteless to eat, it's a pity to throw away...

Come to watch The Witcher Fantasy, and you will be speechless as a factory assembly line material production worker.

So far, I feel it's okay, the hangup isn't too outrageous, and the logic is okay. Judging from the props and world map provided, the world view is relatively large. Next, I feel that the author should consider transportation. After all, this map is a bit big, and there should be other worlds.

It can be seen that the author is a newcomer. I have a few small issues to discuss, and I hope the author can pay attention to them. In terms of plot, the protagonist's driving force is insufficient. To put it bluntly, what is the motivation to become stronger? After the third chapter, the protagonist seems to be following the trend, practicing, and then a big battle occurs. He comes up with ideas and gets paid. This lack of driving force is accompanied by a low sense of substitution. It is like playing a game without a main line. It has a sense of purposelessness and a weak sense of expectation. Secondly, the plot advances too quickly and the map changes too quickly. The first map has been changed in 40,000 to 50,000 words. The protagonist has just been promoted to a knight's squire, and as soon as his status has been improved, he immediately becomes a wizard's apprentice. It's too late. In it, the protagonist's improvement in strength and status changes can be written in more than ten chapters. Suddenly there was a new map, new characters, new wizard settings, all unfamiliar. A crisis is used to test the protagonist's achievements in the middle, which is a bit too sudden. There is not enough foreshadowing, and it is very inexplicable when it happens suddenly. Including the first crisis that hit the city. There was no foreshadowing, and there was a big scene, and it was done hastily, especially the carpentry equipment, which was really childish and sudden. The author should read the new book Golden Finger. Go away the best at doing relationships, and layering of cool points. The new book "Go Away" draws out expectations at the beginning, creating an emotional gap, including cousins ​​and relatives at home, and parents' expectations. Including the series in Taoism, the emotional gap and getting out are all progressive. In short, the author's conflicts are too dense and too dense, and there is not enough foreshadowing and release. Secondly, the upgrade was too fast, and the impact of the upgrade was not pleasant to people.

Blood mark, add some, let me see your limit😘

When I saw the introduction to swordsmanship, it was very strange.

What the hell are you writing about? Shouldn't the main character's plot be a development territory?

When I read the introduction of Goldfinger, I feel like I just ran away from the previous book.

The writing is not rigorous at all. The person who wrote it said that a few months had passed at once, but the person who wrote it later didn't include this time at all.

Come on!

This Golden Finger description is so like rolling out a new book

The writing is good and fluent, but how do you build the territory in the later stage? You are a wizard. It is better to control the earl than to directly control the king. After controlling it, just pursue extraordinary knowledge. You are really engaged in construction.

Goldfinger is similar to The Black Seal in a Deadly Night. It's well written, but a little lacking.

The writing is very smooth, and it doesn't read like a newcomer. It is very experienced in setting up all aspects, and it is more like an old author. In all likelihood, it should be a vest account opened by an old author.

Come on!

The novel is good. Why didn't it explode? Strange, strange.