
I Am a Ghost Cultivator! How Come All the Skills Are Xuanmen Taoism?
我鬼修啊!怎么技能全是玄门道法
- Status
- Completed
- Length
- 709k Words
- Audience
- Male
- Subgenre
- Rules Horror
- Updated
- 2y ago
- Source
- Qidian
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46.8kFans
262Chapters
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Excellent work!
Starting from the appearance of the Fourteenth Mother, it gradually gets better and better, which is really fascinating! At the same time, the writing style is really good. It can be seen that the author is not the common author who lacks basic literary literacy and does not care about language errors and typos, and relies on the following three ways to gain readers. Come on, author👏!
It is also very cool for ghost cultivators to take refuge in the underworld. Don't limit yourself to Taoism. In the underworld, let alone the Ten Palaces of Yama and Yin Tianzi, the avatar of the Ziwei Emperor, Taishan Palace Sacrifice Lord and Emperor Tianhou Tu.
I posted it to the wrong channel. The writing is really awesome. It's so awesome. The name is a bit wrong with the content. I thought it was a plain article based on the name, but it turns out it's not. It's amazing. It's a sure thing.
It's clearly set in a Chinese fairy tale, but I can still feel a sense of Journey to the West. The author's writing style is interesting.
About the White Lotus Saint
It made me laugh so hard, I saw such a beautiful woman, no matter how she plays tricks on the protagonist, no matter how evil she is, she can always be cleansed. Why do you say that the Saint of the White Lotus Sect is so upright and pure? Isn't it a crime to play tricks on the people? Inciting people to plot against the people is still a serious crime, right? The protagonist was described as being so righteous and righteous. The protagonist in the Changle Palace did not take the people seriously, so the protagonist was dissatisfied with them and looked down on them. However, when he came to the White Lotus Saint, she used the people to plot against the protagonist, so the protagonist pretended that he could not see it? Maybe you will say, those people are not dead, they are laughing to death, why? You only look at the results and not the behavior, right? Then what is the use of charging attempted murder? Don't say anything about applying modern laws to ancient behaviors. Liaozhai was written in the Qing Dynasty, in the style of Tang romance novels. This crime was common in both the Qing and Tang Dynasties. When did this starting point become, will the supporting characters not care about what they did, but rather their gender and whether they look good or not? The same goes for you. From the time you wrote that the Locust God was a girl, I knew she would not die, and you must have arranged a solution for the protagonist. Even if the supporting character kills the protagonist's family, as long as she is good-looking, she will definitely not die. Even if she dies, there must be another way to live, and it is usually the protagonist who makes her come back to life. Furthermore, regarding the lawless character of the saint in your works, who would believe it if you said that she had never harmed innocent people? Relying on the justice that the protagonist claims and guessing that the forces behind the protagonist also need to be involved, use the lives of ordinary people to test the protagonist and get the protagonist involved. You may also find the twists and turns in the paragraph you wrote interesting, maybe. Maybe I just can't stand this. I wish you to become a great god as soon as possible
The beginning is a bit flat, but after descending the mountain, it is quite refreshing to kill decisively. It feels a bit like the book "Under One Person, I, Zhang Zhiwei, Arrogant Zhang". Moreover, in just over ten chapters, the story characters of "Green Phoenix", "Painted Skin" and "Dou Family" have been interspersed, as well as the setting of "Shuimanggui". I can only say that the author is unfavorable. Looking at the introduction, there are also popular characters such as Nie Xiaoqian, Jiao Na, and Ying Ning. I hope the author can come up with some new ideas. Come on.
It originally looked good. The protagonist's skills were upgraded quickly after he came down from the mountain. However, there are too many useless skills. The ultimate move is not upgraded. The master did not explain the disadvantages of the protagonist's soul power growing too fast. I didn't think about this as the author. Maybe I have been the Riddler for too long, and I can't promote it by writing straightforwardly. And why does it have to be moved away by the crow spirit? Just kill it with a thunder. The good deeds are added, and the people are more pious. I don't know why the map is changed like this.
I read most of the book in one go and wrote about my personal feelings. After a big plot at the beginning, this book began to enter a long slow-burning period. It just threw in a big button and I didn't know when it would be untied, which attracted many people to continue reading. And the introduction is a bit deceptive. It describes the plot in the later stage. But now that it is so slow, it probably takes a million words to see Lao Wang's version of Nie Xiaoqian appear. Then the plot is not a short and quick story, but more or less like a long storytelling, with many places being introduced in detail. Finally, there are the characters. I feel that Xin Shiniang is a bit like a gentle version of Hermione, an all-round talent, while the white fox is the lucky star pistachio. At present, everything looks good. The only thing I worry about is not to write too many strong characters to appear, so that the protagonist cannot show much ability and excitement. I also said that it is not very good, what is it like? Anyway, some novels are about how masters from all walks of life calculate and plot for a long time, and wait for too long for the protagonist to show off his power, and finally feel that he can't stand it anymore.
The previous writing was okay, but at chapter 40 I started pretending to be dead, and by chapter 51 it was like there was no protagonist. There were only 51 chapters in total like this?
If the content after chapter 40 is not overhauled, this abrupt change of image will dissuade at least half of the readers. It depends on what the author thinks, whether to change it now or not.
Silly Baitian, get out of the starting point
It looked okay at first. Later it became more and more watery. The latest two chapters were very exciting to me. Being crushed by a woman's IQ. This white lotus is described as rare in the sky. There is nothing on the ground. The main character is like a puppet. Being led by the nose while walking the dog. As soon as he looked at it, a name came to mind: Zhang Wuji was here. When you see a girl, you want to fuck her, right? All the skills are trained on the dog. And the teacher's background. The writing is awesome. The master is similar to the four great heavenly masters. As a result, people are plotting against her. Slipping away. Reading the latest chapter shows respect for the author. Collapse and sell out.
Must read before reading! Explanation on the protagonist Shen hidden in the black locust tree in Chapters 40-51
When I originally designed this plot, I thought it was quite interesting. Because the two villains didn't know that the protagonist was right under their noses, they even moved the protagonist to Mang Mountain, the next plot point. The plot of Mangshan is very important, and the characters who appear here are also important, and it is by no means a hard-written separate plot. But in fact everyone's feedback really slapped me in the face. Actually, when I was writing the foreshadowing section before the hero meeting, I already felt that this section was not as interesting as I imagined. There may be some small highlights, but they are not enough to make up for this huge mistake and keep everyone interested in following it. But in the new book period, there is really no way to stop and revise. Once I stop, the book will be completely hopeless. I can only promise to learn a lesson and avoid such poisonous points in the future and the next book. Actually, I have thought about it carefully. The biggest mistake is that the span of this paragraph is too long. If it can be compressed or the protagonist can be highly involved in the plot even if he is hiding in a tree, the reading experience will be better. I will definitely revise it later when I have time or after I finish the book, but now I can only say sorry to everyone. To make up for it, I will add these eleven chapters after they are released. I hope everyone can feel my sincerity. Of course, it's still a little early to say it will be on the shelves. I don't know how long it will take before it will be on the shelves. It all depends on the editor's arrangement. It may be several weeks away. Old book friends know that usually more than 200,000 words are put on the shelves. I am very slow at coding. There are basically two to three chapters in a day. I don't have any manuscripts on hand. I often finish writing in one day and find myself dissatisfied. Three chapters have been scrapped and two have been scrapped. It is necessary to arrange interesting points and try to fit the original work as much as possible. Of course, there will also be expressions that are different from the original work. Everyone will see it in the future. Finally, I wish everyone can find happiness in reading. (It doesn't have to be my book, it can be something else)
Is there an id Taoist priest? Why do they all have zombie skills?
Old-school plot but no old-school writing. The people watching are upset. The rhythm of this plot is not far off
The writing is very strong, but the map switching is too stiff.
I have a question. Once the protagonist upgrades, will he be unable to use his previous skills?
The protagonist is a ghost who cannot appear during the day, so he hid in an old locust tree. Then, unexpectedly, he accidentally waited for a series of abrupt twists and was sealed in the tree and never came out. Can you imagine that the protagonist who has a series of spells such as Five Elements Escape Technique, Sword Control Technique, Thunder Method, Golden Light Spell, etc., With sufficient mana, was sealed in the tree with a talisman by a person who is not as strong as the protagonist and cannot come out? He couldn't help but run around, he even knew how to wield a sword, but he didn't even find a sword for himself I was obsessed with it for more than ten chapters. I watched the whole show and worshiped a master, who was said to be a certain generation of heavenly masters. He was not given life-saving magic tools, and he was not taught any life-saving spells. What two spells were taught? A Netherworld Arrow and an Earth Escape? (Teach ghost earth escape?) Throw the protagonist into an unknown place, and then go out to play by himself. As a disciple of Sanqing, the protagonist will not be able to sway others, so he can do it all by himself? There are so many things to complain about, I can't even name them.
After practicing and upgrading for so long, I am still a brat! The author knows how to suppress the protagonist
I regretted abandoning the book after reading the chapter on the witch. Here are my thoughts: 1. There are so many female characters who fall in love with the male protagonist, but the male protagonist is Liu Xiahui. By the way, if you want to write a eunuch-type male protagonist, don't write about interacting with female characters. It's a waste of everyone's time. 2. After the character of the witch comes out, it is not necessary to forcibly give the male protagonist wisdom in order to match the plot of the witch. The male protagonist's personality has already been set, so it is impossible for him to be played by the seductress. According to the previous setting of the male protagonist, he overturned the seductress's desk. How could Liu Xiahui, a man who had a bad relationship with her before and a man who didn't want women, allow her to play with her like this?
Shennong's suicide note (dead in Chapter 20)
I couldn't stand it after reading chapter 20. It's really weird. I push the main line and tell you the plot briefly. A certain man made a woman pregnant, the woman committed suicide, and then the woman became a ghost and killed another innocent woman because she didn't want the man to marry again? The protagonist was called over to get rid of ghosts, but what did the protagonist do? He sat down with the female ghost who killed innocent women and talked about making him a murderer's accomplice to help the female ghost kill the scumbag. (Let's not discuss whether the scumbag should die.) Isn't this like discussing with a murderer, I will help you kill someone and then you die? The key point is not here. The key point is that if she really hates evil, or for the so-called moral point, then if the parents of this female ghost went to report to the government and were killed by the government, shouldn't they go to the government to take revenge? In the end, I just skipped it and didn't even mention it. If you have the wrongdoer and the debtor has the owner, you have found the wrong person, right? ? ? Then the plot begins to be forcibly advanced. The protagonist is a kid who has just been practicing for a month. His master doesn't care and leaves him outside. Then the protagonist wants to start a fight with an organization because of a ghost he saved on the road. (I don't know anything about this organization, and the place I go to is determined by others.) IQ is 99? ? ? (Additional point: There is a patch in the setting saying that you can only gain 1 point of soul power and courage pressure level every day. It does not count the poison pressure level as normal, but I still prefer reasonable settings instead of this kind of pressure. This is a matter of personal preference and will be added in the supplement.) This is chapter 20. I think everyone with higher poison resistance only talks about poison after chapter 40 or 50. I quit it first, and book friends who can bear it will continue reading. Shennong couldn't resist!
The previous book friend was right, the rhythm was quite good at first, but suddenly it became chaotic. The messy monsters and monsters jumped one after another. The smell of deus ex machina was too obvious, and then it was just up to the protagonist to deal with it. There was no excitement, no emotion, and no expectations.
Repaying evil with kindness, the protagonist is a good person, no, what a ghost, the protagonist is a saint! It's beautiful, it's so beautiful, um, I can't watch it anymore, I'm going to vomit if I watch it again.
The style of painting has changed so much that I can't stand it anymore
I can't stand it anymore after reading Chapter 150. Has the author changed? I feel like the style has changed.
Just by looking at the author's profile, I'm pretty sure this book is poisonous. Author, do you not understand what it means to never be reincarnated? I still use words I don't understand
Seeing that after ten years, people will be numb, and they are not ready to pursue it.
Although there may not be many people who have seen it, the readers who have been following it until now must be like me and really like this small world that the author has brought to us. No matter what the reason is, ending such an excellent work hastily in this form is an irresponsible act not only for all readers who have followed it up to now, but also for the author himself and future readers, and even for this excellent story itself. For me, it is the best ending for this excellent work to end here, and let all the stories so far become small memories under the pressure of my future life. I hope the author's next book can maintain the current level and achieve better results.
It's better for the author not to write about ghosts. It's better to just write about people. You don't have any taboos about ghosts. It's so speechless to go anywhere.
I couldn't hold it anymore after seeing chapter 53, and was poisoned to death by 40-53. I personally don't like the kind of plot that lasts for a long time and then the protagonist explodes, not to mention this kind of panel flow, which is so messy. It can be seen that the author really likes the female characters in his novel. At the beginning, I thought Qinghu and Gui Niang were just passing roles. But when the Fourteenth Niang came out, the plot revolved around those female characters. It is estimated that such female supporting roles will be indispensable in the future.
The combat power is unclear and the level of cultivation is unclear. It is outrageous that using magic will reduce the level of cultivation.
Bad end, bad end, bad end! So angry!
Really pissed off! It's so exciting that you wrote such a masterpiece! Did you know that currently there are basically no stories about ghosts and monsters becoming enlightened in the Xianxia section of Qidian. If you write it well, you will definitely make a lot of money. But as a result, you can't grasp it. After the Tribulation, you will basically be all kinds of bad and noobs! Very angry! The main character's name is Zhang Ling. After he becomes enlightened, he changes his name to Zhang Daoling, and then writes the story of his enlightenment. Wouldn't it be good? If you have nothing to do, go read the deeds of the founder of Longhu Mountain and polish it up, wouldn't it be a masterpiece? The result was written as a piece of shit!
Read a little
The first three chapters are good, but I don't feel much after that.