China Entertainment Started from Nortel in 2002

At first I liked the rhythm of this tailwind start, and it was fun to watch. But the more I read, the more something was wrong. When I saw that Chapter 900 was about to reach 2020, I felt so boring that I really couldn't hold on. So far, I haven't felt the climax or ups and downs of the novel. The overall narrative is bland, and the highlights are often covered in a few bland strokes. The author has written quite a lot about the events in the entertainment industry during those years, and sprinkled some "salt" into them. It is not too boring to read, at least it is better than reading a report. The author often outputs theories about movies in his novels, such as empathy and resonance with the audience, exquisite plot design, three-dimensional characters, ups and downs of rhythm, macro conception, etc. It sounds very reasonable, but now that the novel is written like this, I think it is ridiculous that the author talks about movie theories in the novel. After reading these 900 chapters, I don't feel that the author's writing style has improved by comparing it before and after. As there is a saying in the writing circle before, "You already know the ending after reading the beginning of the story" There are still advantages. The emotional scenes are good, sweet but not greasy. I like it very much. However, as the proportion of emotional scenes increases, especially the emotional scenes that are not left behind in each chapter, there are After I had a child, the emotional scenes in each chapter had exceeded half, and I started to get a little tired of it. This is why I felt heartbroken when I subscribed. It felt like I had been cheated. It felt like I bought hairy crabs for the first time in my early years and found that the rope inside was heavier than the crab. It felt like I bought a ticket to watch Chen Kaige's movie, which ended in an anticlimax and ended in an anticlimax. I felt heartbroken that the money was not worth it. The reason why I continued to read it was because I had never seen an entertainment article written in real time, so I was looking forward to a movie version of The Three-Body Problem and how the protagonist would continue to develop. However, the author failed to live up to my expectations. I am really heartbroken. It reminds me of a time when I was very tired from work in the early years. I randomly found a restaurant and ordered a bowl of beef noodles. When it was served, there was only one piece of beef in the bowl. The noodles fell apart as soon as I pinched them. The soup was bland and tasteless. But I had already paid the money. What should I do? I could only fill my stomach. This made me not happy at all.

Sissi

Popular recommendation: A domestic entertainment memoir. From the perspective of the male protagonist, Reborn in 2002 recalls the past of the Fairy Sister to complete the reminiscence and review of the Fairy Sister and the past twenty years by many old fans. The work presents a third perspective of an era through the recollection of the heroine. This method, which is different from the traditional third-perspective writing method, brings a slightly different feeling to the work. Through the almost flowing plot of the work, it presents us with the most splendid historical fragments of the past twenty years. It is a story worth recommending. Work panel: [Author] Please call me Gongzi Yue [Bookmark] Time travel, system, memory rebirth [Rating]🌸🌸🌸🌸 Content review: I will test the novel, and review good books here. Hello everyone, I am Jiang Liuer, an ordinary book friend. Let's get back to the book, today I bring you a new book with 130,000 words on the new book list. First of all, the author was attracted by the introduction. This book tells the story of the male protagonist who was reborn in college due to an accident. Faced with the dazzling Grade 02 and a life of cheating, the male protagonist chose a life of running wild. While playing with Oscars and domestic entertainment, he also firmly grasped love and became a winner in life. Secondly, from the above plot, we can see that although the work is a work of oral pleasure, as mentioned at the beginning, this is a work that recalls history through the perspective of the male protagonist. The male protagonist in the first ten chapters is more like a tool man, conveying to readers those "highlight moments" of the year. Although the subsequent plot is still very watery, the protagonist has returned to normal writing. As one of Liu's works, this work is indeed more reasonable and legal than other similar works, and in some cases is even more literary and artistic than other works. And this is one of the reasons why I really want to recommend it. The characterization of the characters intersects with the male protagonist. The author personally believes that the author has created a different fairy sister. And this image is more vivid and vivid in the author's writing. It can be said that the author has given new life to the character, and it is enough for readers to remember it. Although the other characters are a little better than the male protagonist, they are basically tool people. Of course, it is enough in this novel, but the author still thinks that the work can give them a different life, just like portraying the fairy sister. Finally, the author knows from the known content that the work is the author's oral pleasure. However, compared with works of the same type, we can still see some persistence and stubbornness in the author's heart, and we can also see the author's spontaneity when writing that period of history, and we can also see the different fairy sister in the author's eyes. Compared with other works, it becomes more unique. I even think that as long as it is not too censorship, it is enough to stand out from similar works and deserves to be seen by more people. {"TopicId":"804728532092780544","TopicName":"Book Famine Terminator"}

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If you don't want to see Liu Yifei, please just go away. I'll read some interesting articles after get off work and also learn some values. I don't care about anything else. I just want Liu Yifei not to step on a sewing machine.

In fact, only a few movies in China every year have smooth plots. The plots of most Chinese movies are very awkward and awkward. The few good movies are basically male-themed. In fact, 95% of the movies are male-themed. There are not many good movie scripts that can star actresses. Good scripts are digested internally by several film circles. If Liu Yifei didn't join those film circles, good scripts would never come to her. The movies Liu Yifei made were already the best among the scripts available to her. Many times they didn't even have complete scripts. When Liu Yifei accepted "Four Famous Catchers", she didn't have a script. Because she trusted director Chen Jiashang, she took the role. At first, she thought she was going to play the wife of a famous policeman. After joining the crew, she learned that the director had a whimsical idea of ​​changing ruthless into a woman. In 2012, The Four Greats made money at the box office with a box office of 199 million. Then Enlight Film Company used the money earned by the Four to make The Greats 2 and 3. In 2013, The Greats 2 and in 2014 The Greats 3 were pure profits. Liu Yifei, a first-line star who has been popular for 20 years, has only made a dozen theater movies, 11 of which have grossed over 100 million, and her performance is relatively stable. Most of the movies she stars in cost tens of millions. She does not care about the cost of the movie. Most of the movies Liu Yifei stars in are with new film directors, who have only made 0 to 1 theater movie before (some of them were just advertising directors, singers, TV directors, editors, photographers, screenwriters, action directors, and alumni of film schools). The only well-known Chinese film directors Liu Yifei has worked with are Hong Kong directors such as Li Rengang, who co-produced the film The Legend of Hongmen Banquet, Chen Jiashang in 3 movies, and Wilson Yip in The Chinese Ghost Story. All five of these films were profitable. Liu Yifei has actually never entered the mainstream Chinese film industry, and has never collaborated with the famous mainstream Chinese directors Zhang Wang, Feng Chen, Jiang Zhou, Wu Ningxu. For more than ten years, she has only been able to find opportunities in co-productions. In China, only the films of famous mainstream Chinese directors Zhang Wang, Feng Chen, Jiang Zhou, Wu Ningxu are really good resources. In China, they basically rely on the reputation of famous Chinese directors to carry the box office. It is a very common cooperation for first-tier female stars to collaborate with first-tier male stars to make movies. Many first-tier male stars have often collaborated with second-tier, third-tier and fourth-tier female stars. Cooperation with first-tier male stars cannot be called a good resource at all. The quality of movie resources only depends on the director's popularity and strength in China, and it does not matter who the male star is. A group of black men have been spreading rumors about Liu Yifei every day for more than ten years. However, in fact, Liu Yifei has not been filming for more than ten years. China releases nearly a thousand movies every year, and Liu Yifei's movies often rank among the top 30 domestic films. In 2008, the domestic box office of Liu Yifei's "Kung Fu King" exceeded 185 million for the third time in the year, and the overseas box office reached 128 million US dollars. With the heroine Jin Yanzi, she ranked first in the global popularity index in the Hollywood IMDB movie newcomer rankings. She signed a contract with WMA William Morris Agency. Liu Yifei successfully promoted to a movie star that year and entered Hollywood with half a foot. When the Huayi visa was refused, the gangsters carefully forged text forms, web pages, pictures and black rumors. The Internet exposed Liu Yifei, which resulted in Liu Yifei not acting for two years at that time. Since then, none of the 16 movies Liu Yifei has starred in were funded by Hua Yi. ) Liu Yifei's film resources are the last among those born in the 1985s and 1980s. If you check the encyclopedias of those stars, you will find that many stars born in the 1985s and 1980s have actually made more than 30 or 40 films, and their film resources far exceed those of Liu Yifei. Before Mulan, no one envied Liu Yifei's film resources, because they did not offend Hua Yi. Their film resources far exceeded Liu Yifei's. They made two or three movies a year, while Liu Yifei only made one. After Hua Mulan, a large number of Yingxiao accounts suddenly appeared, brainwashing and spreading rumors. Liu Yifei's movie resources are rich. The overseas copyright income of 2011's A Chinese Ghost Story, starring Liu Yifei, directly repaid the original cost of US$12 million, and the domestic box office made a net profit of US$140 million. In 2011, the legendary Hongmen Banquet held a celebration party with a box office of 150 million yuan. Liu Yifei signed a contract with Enlight Film Company for 5 movies. Liu Yifei had several consecutive movies that exceeded 100 million yuan around 10 years ago. "Liu Yifei's costumes must exceed 100 million yuan" was a box office elixir. It was said at the time As a "new star at the box office", CCTV10 said that Liu Yifei has become the spokesperson for the new forces in Chinese-language films, an actress who values both beauty and acting skills, and is beautiful and has good acting skills. At that time, many of her predecessors and contemporaries' commercial films often only made millions at the box office. Also starring Chow Yun-fat, the top-notch IP "Confucius" movie with the heroine Zhou x and the well-known director Hu Mei only had a box office of more than 90 million. The IP is well-known around the world: Confucius > Romance of the Three Kingdoms > Tongque Terrace, but "Tongque Terrace" with the heroine Liu Yifei + a new advertising director has a box office of over 100 million. The top four in 2012, the second in 2013, and the third in 2014 all had profits of over 100 million. In 2015, Liu Yifei became the first Dior spokesperson with a title for the post-85s generation. Since then, Liu Yifei has continued to endorse the brand. The fashion circle is the most snobbish, and it is obvious that they value Liu Yifei's status as a movie star. In 2016, "Youth Is So You're Still Here" made a box office profit of 337 million. Alibaba's financial report stated that the profit of the 2017 Three Lives Three Worlds Ten Miles of Peach Blossom movie was 82 million, and the box office of the Three Lives movie was 535 million in the first week of its release. In 2022, Menghualu appeared in the financial report of Tencent Group headquarters. In 2023, go to a windy place and appear on the Mango Financial Report. Liu Yifei's works have repeatedly appeared in the financial reports of major companies, but they have been rumored. In response to many profitable movies, a group of professional gangsters can take the lead in making up black rumors and brainwashing them. For more than ten years, Liu Yifei has only been looking for opportunities in co-productions. After more than ten years of waiting, she finally got the chance to play Mulan. Liu Yifei won the role of Mulan out of a thousand-person audition based on her acting skills, martial arts, perseverance, physical fitness, height of 1.7 Meters, and her ability to speak English. Hua Mulan is a general. Some ancient dynasties required soldiers to be 1.7 Meters tall. Liu Yifei, who is 1.7 Meters tall, would not be short when standing among a group of male soldiers in the army. Disney also requires people to be able to speak English, martial arts, and have star qualities. If there are those who have starred in martial arts movies on the big screen, Di Chi has no time to watch martial arts TV series, Liu Yifei has starred in martial arts movies and the heroines include Jin Yanzi, Bai Xianchu, Bai Qian, Nie Xiaoqian, Qing Sheng Yayu. Other actresses born in the 1985s and 1990s who are over 1.7 Meters tall and can speak English have no experience starring in martial arts movies on the big screen. Liu Yifei is really the only one who meets the requirements of Disney's Mulan.

If you have nothing to do, post pictures

Sissi

Liu Yifei is so disgusted by the writing... Can you change the heroine? Zeng Li is also okay, Da Tiantian is also okay

I didn't say anything, the previous writing was a bit naive, what's wrong? I'm so upset, delete my post 😰

Why is Zeng Li included in every novel? I don't think she's so pretty.

Are there any other single-heroine novels by Liu... The best ones I have read so far are this and Nian Huayu... Are there any? I have finished them all. So empty 🤤🤤

Shut up if you talk about Liu Yifei's ex-boyfriend

Happy birthday to Sissi on August 25

After reading that year of Huayu and this one, are there any similar recommendations?

It seems that those with Liu as the heroine don't have good grades.

If you don't want to read Liu Yifei, please don't write comments on Liu Yifei's books or like anyone and comments, and don't mention Liu Yifei in the comment section of any Qidian book. As long as you like your comment and mention Liu Yifei, the artificial intelligence of the platform algorithm will crazyly recommend Liu Yifei's online articles to you.

But there's a lot of Liu Yifei's aesthetic fatigue

Are the new book and this book by the same author? The new book has made great progress

I haven't read it for a long time, and suddenly I discovered that someone was editing your novel. It's so outrageous.

The main thing is that after reading too many entertainment books about Golden Retriever, I felt fragmented. I found that I read too many private books and some entertainment books were not very acceptable. However, I still like the logic to be more self-consistent.

Were the two books written by the same person?

Take a look at the female stars in the Chinese entertainment industry who are both beautiful and have relatively big headlights! · · Many celebrities in the entertainment industry like to change their age to a younger one. Those marked with ❓ indicate that their age is suspected of being falsified. · 1995～1999 Zhao Yue 1995, Meng Ziyi 1995, Cheng Xiao 1998, · 1990~1994 Zhang Tianai 1990/198 8❓, Guo Shuyao 1990, Lin Yanrou 1990, Xu Dongdong 1990, Wang Zixuan 1992, Xu Lu 1994/1990❓, · 1985~198X Li Yufen 1985. 1986Jiang Yan, Yang Mi, Gan Tingting 1986/1982❓, Clara. 1987Alan Dawa Zhuoma, Li Fei'er 1987/1981❓, Zhang Yuqi, Zhang Xinyu, Zhao Yihuan, Mou Xing. 1988 [Jing Tian, ​​Kan Qingzi, Wang Xiaochen, Liu Yuxin, Guo Xuefu, Zeng Zhiqiao]. 198XChen Xiaojun, Shen Mengchen. · 1980~1984 1980A Duo, An Yixuan 1980/1978❓, Liu Yan, Huo Siyan. Yang Rong1981/1978❓, Zhang Meng1981, Li Xiaolu1981, Wang Zhi1982, Zhou Weitong1982, Li Yixiao1983, Jiang Xin1983/1975❓ · 1975 ~1979 Chen Zihan 1975, Li Xiaoran 1976/1972❓, Zuo Xiaoqing 1977, Qin Lan 1979, Chen Qiaoen 1979, · · 🈶 Welcome to add➕➕➕ ·

Can this be a good time? Mainly I want to feel it 😁

This is my last monthly vote for this book. Can you please add more?

Looking forward to the new book, I wish the author will get better and better as he writes. In the future, he can learn more about how other people write parent-child articles, so that he will become more and more mature in this aspect. He can write more, and I can follow up more.

New books will be coming soon. I'm out of books to read.

Brother, the Lantern Festival is over, where is your new book 😭

Don't get it 😁😁😁Understand

I'm looking forward to your new book. Do you really want to create a QQ group and invest immediately?