War Chess: with My Back to China, I Will Destroy the Gods!

What does this book say? Like most summoning historical mythical characters nowadays, the basic disk is a bit too big. The idea is good, but there are too many mythological histories in our country, and there are so many branches of the world. It is particularly difficult to control. There are too many characters, and it feels that it is very difficult to control characters and items in the mid-term. Moreover, this type of novel is a good hand at water numbers. It can be streamlined. The data is a bit too much. If it seems too tiring (costing money), you can open a separate free chapter. Otherwise, the later data will feel too huge.

To be honest, I think the most awesome thing about this book is the design of these hero skills. It always gives me the feeling that this hero should use this skill. Liu Bei, Guan Yu, Zhang Fei, and Zhuge Liang all have the same skills. I can remember some key effects of Zhuge Liang's skills. Guan Yu's consecutive slashes are in line with his performance. The most awesome thing is the newly-appeared Zhao Yun, which makes me feel that this hero should have this skill, which is also in line with his image of seven in and seven out in Changbanpo. It makes me feel that Zhao Yun used this skill to fight the battle of Changbanpo, which is just right. And the author is not copying the skills of any game at all, it seems to be purely original! ! ! Absolute food, definitely order everything when it comes on the shelves! I hope the author can really write it seriously. This is definitely a good book! ! !

I was fascinated when I first read it, but after two hours I was extremely sad because I finished reading it. Why did tmd let me see this book in its infancy 🥵😳😡

It feels like it perfectly avoids the cool points. Isn't this kind of attraction supposed to be watching the protagonist restore history, and watching the audience be shocked by the stories of various mythical and historical celebrities, watching them think they are weak flags, such as Zhuge Villager and Zhuge Wuhou?

Note: Some people have been misled by the introduction and think this book is stupid. Let me state here that this book contains a lot of original content, as well as relevant historical knowledge. In future chapters, I will continue to write some character stories, which may be combined with modern mythology, or they may be completely fictional. I will put these contents together in the relevant works. The current work is divided into character chapters, specifically writing about war chess characters. The protagonist chapter is dedicated to recording the relevant data of the protagonist. There is another most important thing about this book. Although the first chapter stirs up China's emotions, the background of the whole book is that no country has its own history. It's just that China's history is too thick, complicated, and too difficult to study. But even so, it does not mean that China is vulnerable, and it is definitely not the type where the protagonist is just a brainless show-off. Don't just read it and talk nonsense in the comment area.        ：       1.-（）： When he was a child, he lived in a small town in the southern Rocky Mountains, where the fire element was strong. When he was twelve years old, he was diagnosed with a third-level fire magic talent, and was valued by Baron Berksa of the Holy Flame Empire. When he reached adulthood at the age of 16, he was successfully promoted to level 11 and became an expert magician. He later served as the chief flame magician under Baron Berksa. At the age of 22, he went to the north with Baron Boxa to conquer the undead natural disaster. During the process of investigating the source of the plague, he was ambushed by the troops led by the level 16 undead leader Borek and died.

The profile modification failed, please chat in the comment area. ... It can also be seen from the current plot that the researchers in this world are not that useless. They have a lot of research results and their own abilities. The protagonist is not alone. Although, the overall situation is indeed that the Chinese chess team is lagging behind. But behind China, there are also countless people carrying heavy loads in the dark night. ... As for the introduction, I submitted the modification, but it was not approved. After all, the first two chapters of my original book did not pass the review. Fortunately, it was an internally submitted book and I asked the editor to help pass it, otherwise I would not have seen it... (Mainly due to the realistic background and Chinese feelings) As for the content of the new introduction, I generally want to express that China is currently in a relatively difficult stage. But our country, China, has a five-thousand-year civilization, the only existing ancient civilization, and has stood on top of the world for thousands of years. Over the past thousands of years, there have been countless opponents in the world, but I, China, have always been sitting on the chessboard! It's not like we haven't encountered troughs before, but one day, we will survive the disaster and reach the peak again! And along this journey, countless chess masters and ancestors shed their blood and sacrificed their lives, and countless researchers carried heavy loads in the dark night! We will definitely overcome all obstacles and fight our way out! The protagonist also knows his mission well. (This does not mean that the protagonist is just pretending to be brave and fighting for the founding of the country)

1. In the case of hard faults, the difficulty of development should be the same all over the world. On the contrary, the population advantage is a huge advantage. 2. China has a history of 5,000 civilizations, and there are also foreign countries. It's just that China has recorded it, but not abroad. But in the context of hard faults, the whole world starts from the same point. The sky is filled with immortals and historical generals from all countries. In fact, I prefer to watch the next issue using my brain instead of cheating and crushing.

When I first read the title, I thought it was another Chinese God of War novel. Who knew I was wrong. I just finished following the current chapter and I feel very good. You can feel free to follow it. The author has very detailed information and you can look forward to more in the future. Update quickly, too few and not enough to read! (Another little suggestion is not to make the combat power too high, as it will be easy to jump later, or to improve the combat power in other areas. It is best to go back and forth.)

I really can't stand it anymore. The protagonist buys upgrade materials, but the official is blind and can't see it; the protagonist makes up lies, but he sees through them at a glance, and doesn't pursue them. The manual upgrade routine is not disclosed, but he reveals some things that he has never used; the protagonist The soul power is special, the synthesis has bonuses, the knowledge is overwhelming, there is a first-mover advantage, the talent is special and there are bonuses, and revealing the formula to improve the overall strength of the people also has obvious benefits for myself. Hanging it on the wall like this, and looking like a button, really can't stand it.

Has this introduction really been changed? To be honest, I understand the history of China, but I am disgusted by the fact that China is weak. It is already 2023, the second largest economy has been around for many years, and the post-2000s are still doing this in their twenties. . . The introduction is really bad and seriously drags down the content.

I like to read this kind of Chinese-style books, and I also prefer to play war and chess games. I think back then I watched and played a QQ space game like Youzhou, Jingzhou, Yizhou, etc., And then there was a gray fog in front of it. You can farm and raise troops inside, as well as catapults and tiger and leopard cavalry. You can move a few squares at a time, and enemies will come out from other places. I feel that the book written by the author is very consistent with the perfect idea in my heart. And the data calculation of the Zhanqi style novel itself is also very detailed. I hope the author can take these into consideration in his subsequent writing, come on! ! !

No, why are you always thinking about Zhuge Liang and the Three Kingdoms? I admit that there are many talents in the Three Kingdoms, but pig's feet carry the heritage of a whole world, so only the Three Kingdoms stand out? Bai Qi, Li Xin, Wang Jian, Meng Tian, ​​Lian Po of the Warring States Period, Xiang Yu of the Qin and Han Dynasties, Han Xin, Zhang Liang, Xiao He, Wei Qing, Huo Qubing, etc. There are too many to think about. I don't understand why I am always thinking about the Three Kingdoms? Wouldn't it be nice to catch all the stars in history and directly promote them all over the world? There is really no need to use so many chapters to advance the plot of the Three Kingdoms

I just read a few chapters, and I feel there is a loophole. I bought the materials by express delivery, but after checking, I can't figure out how to combine and upgrade them.

Brothers, character collection post. Just follow the form below. And if you have any new ideas, such as various styles of war chess modes, you can put them forward. The thoughts on the subsequent plot in this book all have a general strategy, and a variety of patterns will be presented! [Great Master - Zhang Jiao Level: Black Iron/Gold Type: Heroic Faction: Huaxia Stars: Zero Stars HP: 50 000 Attack: 3400 Defense: 400 Skills: 1. Power of the Yellow Turban (Passive): Against soldiers of the same camp, morale +80%, all attributes +40%. (Same camp = Yellow Turban camp) 2. Fu Shui: After use, all soldiers will recover 1000~4000 health points. 3. Invulnerability: After use, the defense power of soldiers in the same camp will be +200%, and the damage will be automatically reduced by 50 points. 4. The power of Huang Tian:... 5. The great sage and mentor:...]

You have such a big temper. You can't talk about it even if you talk about drinking water. Why are you so anxious to poke your sore spot? It's great that someone who has traveled through time and age is as perfect as a teenage middle school boy. Alas, I can't say it and it's boring to be impatient if I can't talk about it haha

At present, it seems that the author is really a eunuch

I feel that the problem of the Chinese chess team is very obvious. It is that each character has too many relationships and complicated backgrounds. Therefore, the chess pieces produced are inherently deficient due to incomplete backgrounds, which makes them more likely to fail and be stunted in subsequent enhancements and magic modifications. Therefore, they cannot beat other countries in high-end games.

Author, have you ever considered that Emperor Jing of Han Dynasty, with one skill, can get 100% headshots on the chessboard?

To provide the author with materials, the following are sixteen major categories of myths (not counting minor categories) in five regions of the world. I hope the author can write better Selected from Zhihu user Longcheng Haidong In the early days of exploring the world, ancient ancestors tried to describe what the world looked like in their imagination. When imagination upgraded to a collective behavior of worshiping supernatural gods, early civilizations would build a self-justifying mythological system, and ultimately left traces of the gods for us. 1. European Region: 1. Ancient Greek-Ancient Roman Mythology: Basic Introduction: Source: Myths and legends that appeared in the Balkans during the ancient Greek period, as well as the results of their inheritance and adaptation by the Romans. Main recorded documents: "Homer's Epic" and "Theogony" (Hesiod). Related cultural background: Ancient Greek polytheism, ancient Roman polytheism. Positioning: polytheistic worship, heroic epic. 2. Celtic mythology: Basic introduction: Source: The mythological system created by the Celts. Main recorded documents: "Legends of Ulster" (including "The War of the Cattle" and other chapters, which record the stories of the Danu tribe, Cú Chulainn, and the heroes of Fiona), Irish manuscripts preserved in Latin form, the adventure legend of the ancient Irish navigator Merton, "Mabino Gion", "Britannia" (Legend of King Arthur). Related cultural background: Druidism and nature worship popular in the areas where the Celts lived. Positioning: polytheistic worship, heroic epic. 3. Nordic mythology: Basic introduction: Source: The mythological system that emerged in Scandinavia from around the 1st century AD to the 2nd century AD, which is the main belief of the Vikings. Main recorded documents: Icelandic epic "Edda" and "Saga". Related cultural background: Nordic polytheism. Positioning: worship of multiple gods. 4. Slavic mythology: Basic introduction: Source: The mythological system created by the Slavs. Main recorded documents: ancient Slavic ballads, the work of the Byzantine scholar Procopius in the 6th century AD, and "Records of Past Years" (12th century). Related cultural background: Slavic polytheism. Positioning: worship of multiple gods. 5. Judeo-Christian mythology system: Basic introduction: Source: Judaism (which only uses the Jewish version of the Old Testament as its belief, that is, the Tanakh) and Christianity are mythological systems based on the content of the Bible (other religions that use the orthodox Bible as the main basis of belief are also included in this category). Main recorded documents: "Bible" Related cultural background: Judaism, Christianity. Positioning: Monotheistic mythology. 2. East Asia: 1. Pre-Qin mythology in China: Basic introduction: Source: Early myths and legends created by the Chinese ancestors in the pre-Qin period, which formed a general lineage after being passed down and rewritten by later generations. Main recorded documents: "The Classic of Mountains and Seas" (written by Chu or Bashu people), "Shangshu", "Huainanzi", "Historical Records", "Bamboo Book Annals", "Biography of Emperor Mu" (unearthed in the Western Jin Dynasty), "Inner Biography of Emperor Wu" (suspected to have been written by Bangu of the Han Dynasty or Gehong of the Jin Dynasty), and "Chu Ci". Related cultural background: Cultural beliefs in China's pre-Qin period. Positioning: polytheistic worship, heroic epic. 2. Chinese Buddhist and Taoist myths: Basic introduction: Source: The Chinese mythological system formed after the introduction of Buddhism and the emergence of Taoism. Main recorded documents: Taoist classics, Chinese Buddhist classics, and folklore of late ancient China. Related cultural background: Confucian culture, Chinese Buddhism, Taoism. Positioning: A mythological system composed of the coexistence of multiple religions. 3. Japanese Shinto mythology: Basic introduction: Source: The mythological system created by Japanese Shintoism Main recorded documents: "Kojiki" and "Nihon Shoki". Related cultural background: Japanese Shintoism, Japanese Buddhism. Positioning: worship of multiple gods. 4. Korean mythology Basic introduction: Source: Legends about ancient countries on the Korean Peninsula. Main documents: Legends and stories about Korean customs, "Relics of the Three Kingdoms", "Kuyuan History", "Huantan Ancient Records" (a modern Korean culture collection book). Related cultural background: Koryo shamanism, Confucian culture, Buddhism. Positioning: Legends of ancient countries. 3. Africa: 1. Egyptian mythology: Basic introduction: Source: The mythological system created by the ancient Egyptians. Mainly documented documents: Book of the Dead (the most famous of which is the Manuscript of Ani), archaeological discoveries related to ancient Egyptian civilization. Related cultural background: Ancient Egyptian polytheism. Positioning: worship of multiple gods. 4. West Asia: 1. Mesopotamian mythology: Basic introduction: Source: A series of myths and legends created by civilizations such as Sumer, Akkad, and ancient Babylon. Later, this myth system became an integral part of Babylonian religious belief. Main recorded documents: "The Epic of Gilgamesh" and "Enuma Elish". Related cultural background: ancient Sumerian beliefs, ancient Babylonian religion. Positioning: polytheistic worship, heroic epic. 2. Persian mythology: Basic introduction: Source: The mythological system created by the Persians and other peoples in the Iranian plateau. Main recorded documents: "Book of Kings". Related cultural background: Zoroastrianism, Mithraism, Manichaeism. Positioning: The myth of monotheism with dualism. 3. Islamic mythology: Basic introduction: Source: The Islamic mythology system believed by Muslims. Main recorded documents: "Quran". Related cultural background: Jewish faith, Islamic faith. Positioning: Monotheistic mythology. Five, South Asia. 1. Indian Vedic Mythology: Basic introduction: Source: The mythological system created by the Aryans after they invaded the Indian region. Main recorded documents: "Rig Veda", "Bama Veda", "Yajur Veda", "Atharva Veda". Related cultural background: Vedic polytheism. Positioning: worship of multiple gods. 2. Indian Brahmanical mythology: Basic introduction: Source: The mythological system constructed by Brahmanism based on Vedic culture. Main recorded documents: Purana series, previous Vedic classics, "Brahma Book", "Forest Book", "Upanishad", "Ramayana", "Mokobharata". Related cultural background: Brahmanism, Buddhism, Jainism. Positioning: The main deified polytheistic myth. 3. Indian Buddhist mythology: Basic introduction: Source: The mythological system created by Buddhism. Main recorded documents: Buddhist scriptures. Related cultural background: Buddhism. Positioning: A polytheistic myth that worships the supreme causal system. Today, it is one of the three major religions in the world. Although Buddhism has declined in India and Hinduism (Brahmanism) now dominates the Indian peninsula, Buddhism still has a deep influence in East Asia and other places.

I don't know if it is considered a transitional chess group to Shuhan, but from the current point of view, after the war chess has been upgraded to the pink level, and after Lu Bu and Ma Chao came out, Guan Yu's basic attributes are a bit behind. The soul realm may not be easy to detect, and the bonus deduction in the real world is too severe, so more emphasis is placed on basic attributes. As for Liu Bei, I feel that he is about to get the soy sauce. This is the core of 3+1. It is true that Liu Bei is not famous in history for his combat prowess. After all, as the supreme leader of the regime in the later period, he would not be able to go to the battlefield frequently. But without Liu Bei, there would be no Ji Han, without Liu Bei there would be no 3+1, and Guan Yu, Zhang Fei, Zhuge Liang and others would not be so exciting. After all, Zhuge Liang would definitely not have been able to exert such great abilities under another leadership, let alone Guan Yu and Zhang Fei. In that era where family background was important, it was hard to say whether he could get ahead. Looking at it now, isn't it said that too many bonuses will be unstable and the bonuses will have to be pushed downwards so that they cannot be fully utilized? Personally, I think you can consider giving Liu Bei an organizational ability or morale bonus skill to provide a stable bonus. After all, if there is a swarm of swarms, no matter how strong the combat effectiveness is, they will not be able to exert their strength. As for the morale bonus, the top leaders are on the front line, especially the leaders who are usually very kind to them, so why don't the soldiers fight tooth and nail? And organizational ability and morale are exactly the source of the army's combat effectiveness, so the effect of stable bonus is just right (laughs). The Three Kingdoms were originally troubled times, but until now, the Three Kingdoms is still a story that people are familiar with and even talk about. It is because the three sworn brothers in Taoyuan will never leave, and because Liu Bei and Zhuge Liang share the same heart and morals as their old comrades, and they are dedicated to reviving the Han Dynasty and saving the people from fire and water. The glory of idealism continues to shine until the 21st century.

Has the author not updated? I came here after seeing the author's introduction to the starting point of the writer's income.

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Alas, what a bunch of meow meow meows are watching is a real show