The Strongest Combat Support in the Starsea

It is really not a wise move to engage in intrigues when one has the upper hand.

It can be said to be nitpicking. The organization the protagonist belongs to has such lofty goals and ideals, which can also illustrate the cruelty of survival. But there are still situations like the 11th. I just feel like the two are incompatible and I don't like it.

What age are you in? If you still have genius, you should practice more. Breakthrough from desperate situation. I really dislike myself for having too many readers.

The relationship is inexplicably written, a hero saves a beauty and then the two fall in love. The plot is also too cliche. For example, the protagonist is assigned to a new team, and then various questions are asked to test the strength. No? The protagonist was assigned by the top leader to join your team. Is it your turn to question it? The protagonist entered the team as a nanny, and you actually tested his strength? Really funny

It belongs to Super Mechanic without the game elements, but the writing is a bit poor and I can't read it.

I had watched a little bit of it before, but I couldn't stand it when that woman appeared. Now I've watched it again for free and I still can't stand it. If you don't know how to write emotional scenes, don't write them. It's a pity.

I'm sorry, I really can't get the enjoyment out of this book. I can't watch it. The deputy director of Shelter No. 11 Was okay until the female star came out, including the stabbing of Grandma Yiyi. I can understand it (I guess dying will facilitate the plot and make it easier to write). From the female star, I felt that the author is like a dog-licker (the author is not the protagonist), and he has to revolve around that bitch, the most powerful violent group in the government agency. The leader of the organization and the first genius in history to serve as a bodyguard for a female star. I can't understand. As a relative of the boss, you come to receive the protagonist, and then arrange the security work (who is assigned to be responsible). You hold a concert, and the protagonist goes to see it, and then pretends to be cool (triggers the plot). Then in the part about fighting the God of War, I only saw how awesome the God of War's men are, and how incompetent the Supreme's men are. I can't get the soul of the author. I'm too good at it.

To be honest, I don't recommend it, it's disgusting. I don't think I want to say that geniuses are always arrogant. This kind of person despises life. If there is no protagonist, all the members of the Holy Light Legion will be killed. This kind of perversion should not be affected by any character flaws or skills. Therefore, the author often disgusts people. Bad people can be educated, good people will be killed, and loyal people will betray. Reading novels is for fun, not for mapping social meanings. I often deliberately create imperfect structures, or the protagonist group's relatives cannot all survive, and so-and-so must die, especially the author's idea that the strength can be improved only after the death of a relative, which is very annoying, although not every time, but the key nodes have occurred more than 3 times before, during and after, and it is often inexplicably disgusting.

Just feed it as soon as it comes on the shelves? Is there something wrong with your character setting or your writing style?

The subject matter is good, but the writing is terrible