Just as I Seized Power at Court, the Empress Started Simulating My Life

Good guy, how did you hold on for so long?

There are 5 comments in total and more than 700 chapters have been updated. What a great perseverance.

I guess I didn't comment at all. It's awesome that I persisted for so long.

Let's go back and remake it, really think about it 🙂 The simulation from the perspective of the empress is very good in terms of setting. But later due to the strength of the battle, it collapsed.

Does anyone feel that the world view is that of Gu Zhenren?

Could it be that the author didn't sign the contract? Because I magically discovered that this novel was also available on Tomatoes next door (in fact, I saw it first on Tomatoes and then on QQ Reading). I don't know if this is allowed?

Awesome, you can try various styles, work hard, practice 7 million words like an eagle, and accumulate accumulation later, once you have perfected your writing, I hope your second book will be a hit

Alas, what a pity. How to say it? The style has changed too fast. It was originally a very good subject matter and plot. Let me talk about a few key points. First, the problem of style change. The combat power system of this book collapsed too seriously, causing his style to change drastically. Originally it was half Machiavellian and half martial arts, (it's not considered Machiavellian, that's what it means) from more than 200 chapters onwards, it becomes pure cultivation of immortality. I personally think that there is no need for a simulation setting in a novel of cultivation of immortality, because those who insist on reading a novel of cultivation of immortality will see the ups and downs and excitement of the plot and rich characters in cultivation of immortality. Simulation will only lead to an overly dense sense of excitement but cannot be quickly realized in the main plot, which will inevitably lead to a disconnect between the simulation plot and the main plot. This book, from semi-strategy to pure immortality, I personally feel has directly dissuaded the original audience (that's me). Look at the protagonists, they have all become immortals, so what is the significance of the identity of the chief minister of the cabinet? If the style of the first 150 chapters is followed, I think it would be more reasonable. The combat power must not be destroyed. You can be good at martial arts, but you cannot cultivate immortality. Otherwise, the plot will be meaningless and difficult to develop. Second, there is the issue of the emotional line. According to the title of your book and the design of the character of the Empress, the main line should be that the protagonist and the Empress gradually develop their relationship in the rivalry scenes. There is no need to design a bunch of seemingly useful but actually redundant characters. For example, the character of the eldest princess never appeared at all in the later period, right? Does she have any emotional scenes with the protagonist? No, then does she play a role in advancing the plot? It doesn't seem to be the case, so is her character three-dimensional? Not at all! My author, and the character Liu Qing, the original attraction of this character should be to gradually discover the identity of the protagonist in the main line, recycle the foreshadowing and feel satisfied. As a result, the emotional scenes later on were completely gone. So what is the purpose of designing such a plot point? And Xun Caiwei, Qi Ziyue? ? ? I won't say more. Design female characters like this. . . It makes no sense! It can be seen that the author's design should have an emotional line. But the author may not be good at it, so he needs to practice more. There really must not be situations where the female character becomes invisible or there are foreshadowings but they are not recycled at all. If you really want to capture the corresponding audience, you must write the corresponding emotional scenes. Simulation + emotional drama is an easy way to write. Watch more and learn more. Third, there is the issue of the protagonist. I think the character design of the protagonist in the first 150 chapters is OK. The problem is that the protagonist who cultivates immortality in the later period has too many vests and there is no character design anymore. It's not a collapse, but it's gone. Do you understand? Although it is unfolded from the perspective of the empress, it is ultimately a male novel. The character of the protagonist is very important. I watch him fight back and forth every day. What is the meaning of it? What is important is his motivation and the soul he shows.                                                                                                                                                                                                           thesis in the book, the author is it is the author is written, I may be a little confused. So it was strongly recommended to rewrite it, but I was persuaded to quit in Chapter 350. Because I was so tired, all that was left was fighting and wearing vests. It's boring, it's really a pity. The first one hundred and fifty chapters are really good. If the author really wants to rewrite, he can consider a few points. 1. Reorganize the combat power system. It is recommended to learn from the "Swordsmanship in the Snow" and prohibit the cultivation of immortals. The highest combat power is the first level, and in the later stage, it can only be a heavenly being. And don't destroy the world. If your personal strength is too strong, you won't be able to write strategies and armies. Believe me, reducing the peak of combat power will definitely allow for more flexible development of the plot. There won't be too many strange forces. The feudal king, Sirius, and aristocratic families are enough. Can we not use Jiuyou? The collapse of combat power begins with this force. Second, the main plot should be the rivalry and emotional drama between the empress and the protagonist. In the process, the gradual management of the country should be added to neutralize each other to make the plot neither dull nor boring. I have no objection to writing multiple female protagonists + I strongly support it. It is indeed interesting to have multiple female protagonists, but the characters must be well determined, along with the corresponding plot and emotional scenes! ! ! Recycle the foreshadowing, don't use the vase, pay attention to the character! The level of emotional drama can be borrowed from Yang Xiaorong's "No, even gentlemen should guard against it." The combination of emotional drama and simulation can be borrowed from a certain platform's "Is It Is It Normal to Want to Marry an Empress?" There are ready-made ones that you can learn from. Third, the style should not change. This is a strategic focus and the key to attracting the corresponding audience. It is never recommended to write in a strange style of pure immortality + simulation. It's one-third Machiavellian, one-third martial arts, and one-third emotional drama. It was quite satisfying to see the protagonist kill the Queen Mother at the beginning, but later on it became boring to kill anyone. Because you wrote 100% about cultivating immortality. . . . Fourth, the character of the protagonist was established for me. I always believed that even the harem novels were based on the character of the male protagonist, let alone other books? If you can write the struggle, confusion and determination of the male protagonist well, you will definitely get better results. Now it is a boring invincible novel. The establishment of the male protagonist's character is based on "My membership is not allowed to be confiscated". Although the style is completely different, the male protagonist's character is indeed established. In the end, I read this book for about a week. Thank you for the happiness it brought me for a week, but I really couldn't hold on anymore. I strongly recommend rewriting it. The author can start from about a hundred pictures, while the style at that time has not changed, before everything is too late. . . The author really can't let go of this book, so I'll send him back to work again so that readers can see a more exciting plot.

The author's previous writing was quite good and had a refreshing feeling, but when it came to Locusts later, the ink became very watery.