The Fairy World I Designed

……speechless

There is a common problem in Golden Chapter 3. He said that he was in a remote small county, but in this remote small county there is also the extremely wealthy Yin family. Isn't this a contradiction? The owner of an extremely wealthy family hides in a remote small county. The author explains why he fell in love with the protagonist? In my opinion, it is a completely forced explanation. The early setting is completely like a matryoshka doll. If you want to get the sword, you must find the world map. The world map is divided into seven parts. If you want to find these seven parts, you must find the magic crystal. If you want to find the magic crystal, you must find the witch.

It's a shame that there are multiple female protagonists, it might have taken off with a single female protagonist. By chapter 80, there are many female protagonists who have begun to lose control.

I feel like the main character's name was poorly chosen. . . .

How can I write it as the God of the Small World? Your topic is a little too far.

It can only be said that I am not the audience

No one can hold on to it for so long, which is much better than the Rubik's Cube next door 🙂

It feels like the protagonist's departure from the Yin family is a bit abrupt. Also, the highest level of cultivation in the mainland is less than the Golden Core, and the sea is already a Nascent Soul. Has the protagonist arrived at another point in time?

I don't know why, but I can't get it in. Overall, it feels like a running account.

The name of the protagonist is too bad. Please choose a better name.

There's too much truth in it, but it's not bad.

I dumped a lot of settings when I first started. Don't do this again in your next new book.

To be honest, this novel is well written and the author's writing style is excellent. But there is a small drawback. As a time traveler from modern times, the protagonist should advocate reform and overthrow feudalism and aristocratic family autocracy. After reading Chapter 36 about Mu Shou and Chapter 42 about taking concubines, the protagonist's actions have a vague feeling of collaborating with the feudal autocracy, making people feel like an ancient corrupt scholar who has been educated by Confucianism.

A new book with 320,000 words, an out-of-circle index of 1 unheard of

I don't understand. Is it based on historical prototypes? But Liu Bang is the ancestor of Liu Xiu, and writing about the Yin family will involve Yin Changsheng or Fang Xiandao.

The good guy met the monster, and he met the fairy again this time

The writing is delicate and the reading is smooth. This evaluation is reasonable. But, why do I feel that it is so delicate and smooth because of keeping a running account... "There is also an episode here", "It is worth mentioning" This way of writing is not the standard way of writing a running account. After reading about 40 chapters, there are no ups and downs, and they are always trying to reason with readers. Reasoning in itself is fine, but it can only be used as an interlude for plot conflicts. To sum up, it is too boring, which is a taboo in novels.

Already collected, the writing is delicate, the reading is smooth, the setting is novel, and the plot is fascinating.