Momen in Qin Dynasty

The big problem, to be honest, is that productivity is not taken into consideration at all, and only production relations and ideological enlightenment are focused on. The problem is that when productivity is not enough to support this kind of production relations, it will collapse from within.

To be honest, after more than 50 chapters, I feel that the protagonist, the next giant of the Mohist family, is just a small character, stepping on everyone. The Yin Yang family relies on the Qin State and has a feud with the Mo family. Moreover, Da Siming was dispatched, so it would be fine if the Moon God was captured. But the farmer was obviously invited by Fang Xiakui's boss, so even if his subordinates didn't welcome him, they even threatened to beat him up. The protagonist accepts the challenge, and then the subordinates on the opposite side start to say that the protagonist is not worthy and is only worthy of being on the same level as the subordinate. You must know that the protagonist is the next giant. To be honest, the protagonist's level is half a level higher than the opposite. After all, the hall leader is only a candidate, and the protagonist has already confirmed the giant. As a result, the next giant is on the same level as the subordinate's junior. Then the younger brother wants to kill someone. Although I know that conflicts are set up to promote development, this plot is simply worse than the pretentious slap in the face of the urban novels ten years ago. After all, urban novels ten years ago were still enjoyable like this, but it is uncomfortable and embarrassing for you to do this. Obviously, when I wrote about famous scholars, I thought it was okay, but in the second volume, it became like this. What follows is a hundred schools of thought, a hundred schools of thought that insult the protagonist and the Mohists. It simply throws away all the style of the Mohist family. There is obviously a book of the same type as yours next door. I can't even copy it. It's written like this.

Author, what the protagonist should do most now is not to first combine what he has learned with the various knowledge of that era, sort out the knowledge system, and establish an ideological class theory.

Overall it's okay, but there's a problem! At the beginning, you cannot look at ancient times from the modern perspective, but the protagonist really understands the interest conflicts in ancient times and starts to comment on ancient times from a modern perspective. Without paragraphs of description, it is useless to just write about how miserable the lives of the people below are. Let's travel to at least 2 countries!

This book was good at first, but it started to get sick when I met women. Compared with the current Qin Shi colleagues, I prefer to read historical novels with the Qin Dynasty as the background, because although the protagonist of the historical novels has three wives and four concubines, the plot is briefly mentioned, while the Qin Shi colleagues are almost trapped. In the crowd of women, or in other words, those who have ideas but the pitiful thoughts are suppressed by the crowd of women, the pursuit level is too low, whether it is to destroy the six kingdoms to unify, then fight for global hegemony, or to cultivate immortality, Qin Shi's technology and skills have this background, but they just engage in women

This type of genre is destined to be a hit. Let's not talk about whether the author's writing style and IQ can sustain it. What do readers of Qin Shi fandom read? Women, women, women! Those who are popular are those who pick up women with good writing and logic. Who cares about how strangers live on the Internet? They don't even care about reality!

It feels like the protagonist is like a wild dog, kicking everyone. Life in such a big backstage is so frustrating

At the beginning, he dared to say anything, and even assisted Ying Zheng to unify the six countries. The Mohist giant was not surprised, and he just got by in a normal way.

As a talent that the Mo family wants to cultivate, if there is no one to protect it, it would be outrageous to be able to say it twice once. Even if it needs to be tempered, there will be someone to follow. Don't agree with each other, but it will cost people's lives.

Call it a refreshing article, but it's not refreshing. The writing is deep, not heavy. In the final analysis, I want to write something like this, but I can't control the writing style, so it often makes people feel awkward.

The power of the Mohist family here is just as funny. It is said that the protagonist is the next giant. The Yin and Yang family kidnapped the protagonist just to find someone. Nothing else. What about the game between the forces? What about the exchange of benefits? Isn't this a rule allowed to be discussed? As soon as the protagonist comes out, the Yin-Yang family comes again Everyone in the Mo family is like a fool. Don't they know that the Yin-Yang family is arresting the protagonist? After some exercise, you can rest assured that the protagonist will go out for fun You haven't learned your lesson, right? You don't know the strength of the Yin Yang family? That's it for the next giant I mentioned earlier how important and popular the protagonist is That's it

When I saw the beginning, I thought I saw a masterpiece, but unfortunately I paid for it by mistake.

Just write a fan fiction well, why do you suddenly start bragging about it? Why would you write about the little political sociology you have learned? Don't you think this is as uncivilized as going shopping naked?

The layout at the beginning is quite large, how can I put it on the shelf? Is it getting worse? Just the farmhouse section looks too awkward.

How hungry you must be to still think about women when your life is at stake.

Couldn't resist. . . How should I put it, the author should be a novice. It's like reading an essay mixed with various personal items. There are quite a few typos, the layout is also weird, and some paragraphs give people a very strange feeling.

I have been speaking for the protagonist. The protagonist talks to himself and reveals his future attributes. I said it's okay, but I may not be able to accept it. The protagonist falls in love with a wife and is willing to be a pick-up man to raise children. I said it was okay, she was a peerless master and a super beauty, and most people might not be able to bear seeing the paper person they once loved. Then I got stepped on a few times by the Yin-Yang family. The Yin-Yang family was very strong, so I said it was okay and I would wait for a while before talking about it. Then the farmer stepped on me again. What is this?

I never understood that a Yin-Yang family trying to catch the protagonist is like trying to catch chickens. Hundred schools of thought are fighting to find the successor of one school of thought. How many masters does the Yin Yang family have? Is the Mohist family so arrogant? How can he become a scholar if he is so protective of his heir?

When it comes to the main character who is a farmer, he goes crazy with B. Anyone can come and step on him. It's not as good as before.

When I was practicing martial arts, I kept saying that I was lazy and couldn't possibly practice well. When it comes to inventions and creations, I always say that I didn't invent them myself, but that I dreamed of them. What's the point of creating this protagonist?