Deification Starting from Wuhun

After reading about ten chapters, I felt a little bit about the author's mentality. It's a bit like the fantasy novels I tried to write when I was young. I came up with a bunch of settings and worldviews that seemed pretty awesome, as well as some magical plots that made me happy. Then after writing part of it, I found that I couldn't control my writing at all. It is a situation where it is very clear to me, but messy to others. It is too typical. The writing style cannot keep up with the imagination. However, I still have no problem with it. I feel that other people have problems with their understanding. In fact, it is due to poor information and expression problems, and readers cannot enter the author's world.

Tang San must die in the first world. Otherwise it may be a poisonous point. The current mini-boss is okay. But you can never survive the early stage.

I'm reading it pretty well so far, but I won't be able to read the book If Tang San Doesn't Die.

Don't worry, everyone, the number of words is so short, and if Douluo is regarded as the first world in the world, then Tang San must be written, but the author must also consider the rationality, and cannot just make a blind joke to kill Tang San. The protagonist must have a growth process. This is only a few words, so please be patient, the subsequent writing will definitely be very enjoyable, at least the author's current writing is really good! Brothers, don't be so violent. The author is not not to ignore Tang San, but to improve the protagonist's strength relatively reasonably. After all, Tang San has a bunch of martial arts, a bunch of hidden weapons, and a Titled Douluo dad nearby to protect him. The protagonist can't beat him with his initial configuration. He needs to give him some development time!

Now it seems that the protagonist wants to accumulate and create his own fundamental method in the world of one person. Then I have some inspirations and the author has time to take a look First of all, in my understanding, most of the extraordinary systems can be said to be inner alchemy (a method of internal strengthening, strengthening one's body. Such as fantasy martial arts system, cultivation system, etc.) And outer alchemy (a method of external repair, making up for one's deficiencies. For example, fantasy cultivation equipment cultivation) Sword repair, mechanical modification, super-type mecha, etc.) Therefore, the protagonist needs to create inner alchemy methods for internal strengthening and external alchemy methods for external replenishment that can make full use of plug-ins and martial arts The inner alchemy method is mainly to strengthen oneself, so the basic method of each family is enough, and it is enough to continuously strengthen and upgrade based on the spirit, energy and spirit. If you want to be more detailed, you can use the heart (the unfallen heart), the spirit (the immortal god), the qi (the inexhaustible gas), the body (the immortal body), the law (the feasible method), the principle (the principle of operation), and the Tao (the way of practice) as the strong foundation of the inner alchemy method. Basics The external alchemy method uses non-self external objects to make up for one's own deficiencies, so it requires divine masks, alchemy methods, weapon refining methods (mainly refining methods of natal magic weapons) and other methods that use non-one's own strength to make up for one's own deficiencies and upgrade oneself (especially The protagonist's plug-in is most suitable for this method, taking the path of Duobao Daojun) and can also use martial arts and natal magic weapons to withstand the poison of faith (the erosion and weardown of oneself by endless faith) to avoid losing oneself Even the protagonist can practice the inner alchemy method and the outer alchemy method at the same time (after all, you are a mature outer alchemy method and you have to practice it yourself).

If Tang San doesn't die soon, the beginning of this book will be wasted

I think the writing is quite good, but when the time comes, don't keep killing Tang San and let him have adventures when the time comes. That would be poisonous.

There is a high possibility that the author is a follower of Black Douluo, and the plot in it is well understood. In addition, the conflict points in the plot written by the author are very childish regardless of the cause or the result... Take the first conflict between the protagonist and Tang San as an example. The protagonist relies on counterattacks to hurt Xiao Wu, and then Tang San immediately kills the protagonist... What do you think, author? Can you write such a plot to fool a fool? Tang San was able to complete the location of the sect's secret book at the age of nine, and then visit the location, sneak in, and steal the secret book to study. Moreover, this thing was stolen and he couldn't find anyone to teach him, yet he was able to make the number one hidden weapon. There are many things that cannot be learned by anyone nowadays. I even dare to say that even if the country publishes a book called "Hand-Rubbed Nuclear Bombs - From Introduction to Burial" and let professors from the Chinese Academy of Sciences come out to teach it, there will still be a lot of people who can't learn it. Author, you completely treated others as fools.

A problem shared by many Douluo fan fiction. He said that Douluo's characters were heaven-defying, but in the end, the characters he wrote were even more heaven-defying than the original. I don't even know how I have the nerve to mock the original work.

It's really annoying to draw hatred out of nowhere. Do you need to draw hatred out of nothing for Tang San? As long as he is a normal time traveler, no one will have much favorable impressions of him. Furthermore, the original book Holy Soul Village has a separate quota for working-study students, and the original work does not even say that it shares the quota for working-study students with other villages. That's fine. You can't directly say that this is your deliberate setting. You must not admit your mistakes For those who can't accept criticism, let alone writing novels, in what profession can people respect you?

What I think is the development direction of the protagonist's martial spirit The First Lord of the Ring: In the future, the four innate signs of earth, water, fire, and wind will be completed to derive the Bagua and the two rituals, integrating Taoism, magic, arcana, witchcraft, secrets, rituals, evil arts, etc. To achieve the Magic Ring The Second Lord of the Ring: In the future, it will be upgraded to integrate the world tree, Jianmu and other sacred trees to suppress the Kingdom of God or build a home base in the mission world, which can be produced The Familia achieves the Mother Tree, The Lord of the Rings The Third Lord of the Ring: In the future, after unifying all life bloodlines and mastering the mystery of life, the Lord of Creation is achieved The Fourth Lord of the Ring: Absorbing all material properties and refining methods, forging oneself to make up for one's own shortcomings, and achieving the Lord of the Rings.

I think the idea is pretty good, but the writing is average and a bit poisonous

The writing is okay, but why is it so eunuch?

I'm speechless, the protagonist can't even distinguish the priorities. Chapter 4: Regarding the issue of admission, even if the protagonist hates it, he should hate Tang Hao, not Tang San. After all, Tang San didn't know anything about his family situation at that time. The only thing to blame is Tang Hao, who clearly had a strong background, but ignored Tang San, causing Tang San to have to work as a work-study student.

What are you writing? It's a mess, with only characters and no time or place. It's either not clear or fuzzy, or it doesn't exist at all. What is your main idea? Feel free to throw in the items you set. This will only make your article too bloated. The protagonist will not know what he wants to do, and he will have no idea what you are writing.

I don't understand. There are too many things that the author wants to write, but the writing is not good enough. The writing is terrible, and the starting point of the early conflict is wrong. In the original book, each village has a quota for co-students every year, and the twin martial arts souls are full of soul power. The content that should be short is a lot of nonsense, and the content that should be lengthened is mentioned in one sentence. It makes my brain hurt to read it.

I have written a lot, it is nothing more than an evolution, a super evolution. Does it need to be so troublesome to write? It's so tiring to read.

How to put it this way, when I first read this book, I thought I had found a treasure. There were a lot of fans who had proofed the story, and the story was pretty good, and the world view was clearer because the Douluo fans were badly written. However, as soon as the author started to create it himself, it became clear that his ability to innovate and set the world background was unsatisfactory. The protagonist's martial arts, skills, and training system all have a sense of patchwork, especially the martial arts that have to be acquired, and the three-life martial souls must be gathered together, and then in the dungeon, this one must be studied, and that one must be strengthened. It's like the protagonist in a JiaDianliu novel must add boxing skills, kicking skills, body skills, alchemy, weapon refining, etc., But does not add realm.         ，，

Don't be too strong, Tang San. The protagonist has too many advantages. He knows the plot and has cheats. Although I am not particularly disparaging about Tang San, according to the performance in the original work (the first part), Tang San really did not show much intelligence. In his past and present lives, he was just a technical geek (at most, he had some darkness in his heart). His IQ was not particularly high, otherwise he would not have been deceived by Yu Xiaogang. What the protagonist did was to kill the Ghost King. Level 40 plus two ten-thousand-year soul rings. From the description of the protagonist, he can only kill the Soul Saint. And Tang San could kill the Soul Emperor at over thirty levels. If he was killed by strength, you would have cheated Tang San. If the protagonist still can't get rid of Tang San, all I can say is that it's rubbish. The protagonist is a soul-killing saint who is over 40 levels, and Tang San is a soul-killing emperor who is over 30 levels. If you describe it like this, there is something wrong with it.

It's a pity that Goldfinger has a good setting, but the author didn't choose the right path, and the protagonist's personality is not very good, and the anger feels a bit heavy. In addition, although I don't like Tang San very much, there is no need to be too specific. The talent of the protagonist has already opened a big distance from the beginning. The author is still affected after all. I hope I can re-plan the next one and look forward to the author's new work.

It's a pity, the subject matter is quite good

I will never watch it again, this guy is already used to being a eunuch.

I haven't seen you for a long time. Today I offer you a stick of incense.

Md spent 16 yuan to watch tj

The first few pictures are really poisonous! First of all, it is written in the original book that Holy Soul Village has its own separate quota. Secondly, it's outrageous that Xiao Wu sneak attacks on the protagonist and the protagonist can be injured. You must know that he had just fought with a tiger before and even kicked the tiger's bones without getting hurt. Xiao Wu is only at level ten, so even if the protagonist's soul power is not upgraded to the soul master level, the gap will not be overwhelming. Also, Xiao Wu wants to accept you as his younger brother, so he really wants to kick you to death? The power that can hurt the protagonist is put on an ordinary work-study student, and he will be disabled for life even if he doesn't die.

The setting is good. If you don't want to jump, it's a book worth recommending.

It's too big and the author can't control it

I feel like the imaginative setting of the plot is okay, please give it a try, author.

The protagonist is more Tang San than Tang San 👍

Ah, where is the Tongtian Ru? There is no reason not to give it! When I saw the back, I was so confused about this.