People in Doraemon: Make a Fortune by Delivering Goods Via Live Streaming

Nobita

To be honest, your novel might as well create a new female protagonist yourself, and you really shouldn't compete with Nobita Nobita. After all, you can't be as persistent as Nobita Nobita.

Sometimes the protagonist doesn't have to compete with Nobita for the lead role, and sometimes he can just play a supporting role quietly without making a big fuss about taking the lead. It just needs to be everywhere in the story. In fact, sometimes when watching fan fiction, especially Doraemon, where the space is very small, it's okay to express the video! Sometimes what we watch is not the same person, but the communication between others and us watching the movie together. After the big adventure, it is recommended to write about daily life, but not too much. This is the protagonist's home field. It is recommended to teach Nobita as much as possible, let him learn something, and grasp the role of the protagonist as a guide.

How can I put it this way, I don't want Shizuka to be with the protagonist, because Nobita gave up too much for Shizuka, and I would rather have the female protagonist in the theatrical version be the heroine. But how to put it, I'm very confused about this type of novel. First, I want to read a fanfic to resolve my regrets about the theatrical version, especially the heroine in the theatrical version. Character, but I don't really want to watch it. Unlike Naruto and Pirates, I only watch some. For Doraemon, I read every theatrical version and buy comics to collect. I'm afraid that some of the protagonist's actions will destroy my yearning for Doraemon. For example, Nobita in the theatrical version saves people when he wants to, instead of looking at the beauty of the heroine.

System anthropomorphism may be unpleasant later on

What I like about Doraemon is that in one episode, Big Bear and Doraemon go to Nobi's father when he was a child and cheered that Japan was about to be defeated during World War II.

Shizuka Source

Wake up! In the theatrical version, Mu Shan cannot appear!

Let me tell you an interesting story. Yesterday I relaxed and watched Doraemon's 1992 movie "Platinum (Iron) Hotel" and found that the villain's flag was exactly the original Rising Sun Flag, and the boss couldn't even tell who it was.

As a time traveler, Dekisugi is really qualified. When he suddenly came to a strange and familiar world, he didn't panic. Instead, he learned about the world through his own actions in case there was something he didn't know.

The male protagonist is a bit too perfect and calm, resulting in a less obvious personality. I hope he will become more childish as he gets used to it. As a primary school student, be more cheerful. This is just a small suggestion from me. The author can refer to it There are not many people who write about this subject. I myself like to travel back to the animated world of my childhood to take risks with the protagonist, but even if I travel into these worlds, Upgrading and fighting monsters, etc., I haven't found much in daily searches, but it's really rare to see people writing about this. I really want to encourage the author, because I quite like this article, but if the results are too dismal, it will be really disappointing. My wallet is limited, so I can only vote for one. If the writing is to your liking, I will read it every day. One day the author really makes the decision, and I hope to see you again in the world. I wish the author better and better results.

After reading Chapter 70, I have a very serious problem. The protagonist is basically dispensable in the plot. I feel that there is no sense of substitution at all. If you find it troublesome to change the plot of the theatrical version, you can write more about daily life.

If the protagonist can only follow the plot, why not watch anime. . .

It's a bit like a time-travel streaming dressed in Doraemon plus a live streaming book. The live segment chapters are too long and a bit boring. But the timeline is very interesting, Schrödinger's salary hahahahaha

The author is asking why no one is reading it. Let me just tell you my opinion. If it can be helpful, I hope the author can write better and better First of all, I came in looking for live broadcast articles. The title of the book also makes it clear that this is a novel that mainly focuses on bringing goods through time and space But the first plot is about the plot of a small dinosaur and the lineage of Spider-Man. Is there any relationship between these two things? Although the author explained that it is to show ability, it feels too forceful. It is recommended that the things you bring with the goods should be closely related to the plot. For example, in the world of dinosaurs, you should write about dinosaurs Then there is the setting of the buyer. Not many people in the world can afford it, and it is not that there is no bidding in the auction and it is not interesting. If you write that you never want to buy and want to buy while watching the goods, it will look good. You can also write buy The changes in the world after that Then there are the plots other than the protagonist, one is Nobi, one is the hunter, one is the lizard man, one is the live broadcast perspective. Group dramas are not so easy to write, otherwise it will be like now, it is too messy. The author needs to practice his writing more if he wants to handle it well I read that the author said that the content of the live broadcast was deleted later. Personally, the time-travel delivery is the biggest attraction.

Shizuka Source

It would be better without the live broadcast system

When I was watching Doraemon, many friends took adventures with Nobita, but Dekiyama seemed to rarely take risks, because his character is high IQ, smart, and calm. If he followed Nobita on adventures, there would be fewer ridiculous things, and the difficulty of the adventure would probably be reduced.

You must grasp the degree! Nobita's strengths and abilities have also been written, and the protagonist will most likely be involved in making suggestions first.

I recently rewatched Doraemon's movie version, especially the movie version called Doraemon's Secret Museum. After reading this, I suddenly understood why I always feel a little bit uncomfortable when reading some Doraemon novels. I know the reason. It's mainly Doraemon, whether it's the movie version or something? Theoretically, as long as they can be borrowed, Doraemon's props can basically be solved. In the theatrical version, the props are basically malfunctioning, or the screenwriter does not allow them to be used. If the protagonist is involved, this matter will basically become very easy. After watching the Secret Museum, I suddenly had an idea. We can transport the protagonist to the island with the secret museum in the 22nd century. The island is basically full of scientists with secret props. Even the grandson of Dr. Hartmann, who invented all-metal, can develop a vacuum cleaner with a small black hole. My idea is that the protagonist travels to the 22nd century and becomes a secret props scientist. Then he can travel through the world if given a golden finger, and then the protagonist develops the secret props himself and dominates other worlds. I feel pretty good

Good looking😊

The author is still writing, so I will vote for you with three recommendations. After all, there are not many novels in Doraemon_(:з∠)_

So far, it seems pretty good. The logic is smooth and there are no obvious mistakes or typos. This is quite rare. Worth keeping on a bookshelf.

After a preliminary look, I don't think it's too shocking. I also saw that you said that your results were not good enough and that you would be rewarded with a reward of 10,000. I hope you can persevere. Come on.

Boss, please write more. Not only the theatrical version, but also the birthday special version.

Dekisugi Yingcai

The writing is very fluent and the plot is touching. It is definitely the work of a master with the greatest potential!