Chinese Showbiz: A Myth Begins in 2004

If I get ten likes, I will open the book. The heroine Jia Ling will help me dream 🙂

Liu Yifei happened to play the role of Bai Yueguang when the post-90s generation was still young and entered the hearts of the people. The role has been a bonus for the next twenty years. She is a typical case where appearance is justice, the first love of a generation in film and television, and a favored child.

Let's briefly talk about the poisonous points: 1. The protagonist's background: the son of the deputy director of the museum (barely considered a second-generation cultural unit official) majoring in computer science (not related to the entertainment industry) and his uncle is an editor of Western Film (at the grassroots level) 2. Wrote the first script Hurricane Rescue and cooperated with Jackie Chan + Western Film, and also served as an assistant director and final editing authority (dreaming) 3. Social experience, film and television industry rules The experience is basically zero 4. Films and TV series with an all-Chinese cast are actually very popular around the world. Is distribution so easy to do? Even if you find a strong distributor with channels, the early publicity and distribution costs (huge), the box office share is very tricky, and it is also very difficult to get money back. It cannot be distributed without the support of a big platform. The protagonist alone is better than all the predecessors in the entertainment industry. Others can't go out not because there are no good movies, but because of external environmental restrictions and cultural restrictions 5. The author always wants to make blockbusters and global hits. They don't even look at the domestic market environment, and they don't look at the foreign market either. Just making a solid domestic film market is awesome. They always use foreign scripts to make movies with an all-Chinese cast. It's really disgusting The movie is about culture. What is needed is the foundation of film industrialization. Industrialization. Just a few blockbuster global movies are useless. It is better to lay a good foundation. 6. The full text reveals that the culture is fake and empty.

Nowadays, the female protagonists who write entertainment anthologies are the same ones, Yang Mi, Liu Shishi, and Liu Yifei. The appearance rate of these few is too high, don't you get tired of it?

If it's Liu Yifei, I'll collect it and read it.

Liu Yifei around 2005

Hi, hi, hi

I haven't finished the first chapter yet. See half of it. Author, do you really understand movies? Hurricane Rescue. Handheld camera. This film not only has very high demands on the photographer. And the requirements for photographers are even more stringent to the extreme. In 2004, there were absolutely no photographers of this level in China. There are not many photographers of this level even in Hollywood. Very few. IMHO. If it were not a movie invested by Hollywood. Photographers like them will never come to China to work. Even the eldest brother, Long is not so big. . . . Many writers of entertainment articles have this problem. He obviously drives a tractor. Then she told me it was a J-20. Then he told me that the tractor he drove could fly. And this tractor can go supersonic.

As the old saying goes, people in China are all about worldliness. It is recommended that the protagonist should not get a little ink in his stomach. I feel like the king of heaven, I am the first. After all, I have to live it over again. I have experienced severe beatings from society in my previous life. In addition, I feel that The Master of Hypnosis did not have a high box office when it was released in 2005, and even Ang Lee and Zhang Yimou would not be able to do it.

I think the author has two big problems. First, heroine, please let us create a single heroine in entertainment articles. You are not capable of writing a good emotional drama, so don't take the route of a single heroine. Do you understand? Female stars are all resource exchanges. A female character is prone to aesthetic fatigue and is not easy to be polished. Second Rhythm You are a robot. You keep making movies repeatedly. There are too few daily routines. The hot spots are unprepared and repetitive. You just keep piling up box office data. Moreover, the starting point of the first few movies is so high, which is a taboo. Have you ever seen any martial arts novel where the protagonist is invincible at the beginning? Read more about good authors who write entertainment articles, see how they write, plot foreshadowing, daily movie talk, how you made it, what problems you encountered, be more realistic, rather than just one sentence. A certain movie has been completed, and there are so many activities in the entertainment industry, what kind of programs, red carpets Not all of this can be pretentious. Furthermore, when you have money, I don't want to see a robot that only makes movies. You can enjoy it, and you can also arrange business and make capital. You can write in between (if you only write about filming and not business, then you should be specific for each movie). Not all of this can be written. Make the protagonist more realistic (for example, if you have any hobbies, like opera, sports, etc., And then pretend to be pretentious in front of people, this is not all just superficial writing)