Entertainment: Start from Where You Never Expected It

If you open a company, you'll get 50% of it. Don't talk about brotherhood, friendship, and other nonsense. Unless they are all your reborn parents, no matter how you turn around, it's still bullshit.

No, you approached Yang Mi because you thought highly of him. Without her, you couldn't shoot? Yang Mi is a powerful actor in the film industry. Get on the pole and lick it? Can't tell the difference at all. When I make a movie, I want to sleep with a big star. Can't you wait until you shoot a few more movies before you go to sleep? Quick hammer

Why aren't domestically produced films such as "Train to Busan", "The Coming of Death", "Superman", "Transformers", "Godzilla" and "Jurassic Park", which are out of the industry and recognized globally, better?

I have read Chapter 45 so far, and it actually cost me a fucking 100 coins just to post a comment! Many plots are a bit inconsistent, not to mention that the account sharing issue of Wanwan Studio is too vague. When you start a company later, you must first clarify your personal and company income. There is a big difference. Not all income goes to the company. Also, what qualifications does your newly opened studio have to publish? ? Just think of that script as selling it to your brothers, and it should also be your personal income. Also, even if you open an offshore special effects post-production company, you still need to transfer money to that company to do post-production special effects, right? Good Guys just prepared it for release without any contact. Are you not afraid of investigation? And your idea of ​​eating alone is not impossible. However, not all movies can be invested on their own, unless they have always been comedy. Also, the special effects are totally incompetent. It's such a simple thing to get famous, get a big technology project, say 300 million US dollars, and invest 30% of the rest. Other companies can directly ask for the actress or singer they like. It's such a simple thing. It's reasonable to spend 2/3 on the special effects, right? How uncomfortable is it to get 200 million US dollars on the spot? It can also better promote the special effects company and make money faster in the future. Think about it, now you have connections, money, more people to help you, higher status, more influence, and you can't solve problems (not general direction problems) even if you think about it. Who do you want to play with? It's not trivial? Isn't it more comfortable than your idea of ​​eating alone with not much money? Or do you think it's interesting to have a story about being alone and being picked on by other companies every day, secretly attacking people, trying to prevent this and that, and then fighting each other online every day and then pretending to be a rivalry to give us readers the benefit of the doubt? Think about your core, do you focus on playing girls, or do you focus on promoting movies, or? ? ?

For me the system is a failure

What protagonist?

Just to make money and take care of the shooting. There is no longer-term plan written down, and there is no purpose. The writing and plot are okay, there is nothing pretentious, the slap-in-the-face plot, company design, and opponent design are all still online. The main plot, outline, and plan can be spelled out a little more clearly. Since there is a system, it is like system tasks and so on. In the later stage, it is not necessary to rely entirely on the system. There is a grading system, a mature academy, and production will not be slow. The east becomes the west.

Come on, big power is the most beautiful, so many people will read her books!

Although Xingye's movie is very good, Uncle Ying's is not bad at all.

Cao Thief is very attractive, but too young and has too many bad reviews. Please come back later.

Even if there is a golden finger, I still need to add a system, but it has no effect except hydrology.

There are still people writing old dramas like Crazy Stone, but they are not from the same era. I haven't seen any bright spots at this stage.

Isn't it a bit too casual, without any description of life? And there's no need to be in such a hurry. You can slow down appropriately, and two or three movies a year are enough. With a little more emphasis on word count and plot, you can write about life and characters' exchanges, dialogues, and emotional progression. This kind of writing has the appearance of a piling machine.

My last investment opportunity this month is for you, author

I'm reading it, the paragraph is too long, I suggest the author pay more attention at the end, otherwise it will really discourage people!

Is this female lead teaming up as a mother-daughter team?

The age gap between the heroines is a bit big! No fees for those in the middle years?

The timeline is very confusing and vague, I guess the author wanted to make a hodgepodge of porters! Look at the control the author has! The author remembers that the first three times when making a movie were okay! If you still don't know how to operate capital in the future! That shows that the author's skills are still too shallow! Not attractive! The protagonist needs to constantly evolve

Can the author write Uncle Ying?