I'm Fighting to Be the Talisman

Collection

If you lose your own things, others can still refine them after they get them, and you have to go through life and death fighting with others to get them back... This way of writing directly takes away a lot of pleasure... If you write it like this, you might as well set it as the protagonist to cause a butterfly effect, causing the ancestral talisman to fall into the Dou Qi Continent. The protagonist does not have it, so it doesn't seem so unhappy.

Regarding the fact that the Dou Qi set by the author cannot perform the attacking spirit arts of the Great Thousand World, I think that conversely, the spiritual power should be able to perform the fighting skills of the Dou Qi Continent. After all, the original work set the Great Thousand World to be all-encompassing. This is easy to understand. It's like my computer at home. It's not equipped enough and can't start the game Red Dead Redemption 2. But conversely, a high-end computer that can start Red Dead Redemption will definitely be able to start old games like Diablo 2. 😁😁😁😁😁

What I wrote before is a bit unreasonable. It is said that it is reincarnation. My cultivation level must not be too low. I am definitely immune to women. But Yafei's true colors are revealed as soon as she teases her.

The theme of the Eight Great Ancestral Talisman is very attractive, but I don't know if it is the protagonist's own innate ability, or whether the plane fetus and the ancestral talisman have fallen into the Dou Qi Continent as mentioned in the introduction. If it is the latter, the appeal will be reduced by half.

The biggest problem with this book is the setting of the protagonist, a strong man, being reborn. It would be much better if it were changed to obtain inheritance. If he accidentally dies midway and is inherited and reborn, it would be much better.

I've finished reading it. It's not just a cloud. I've finished reading all the chapters so far. Say your thoughts. There are quite a lot of original works, but they don't have too much to do with the plot of the original work. They have their own thoughts and ideas, as well as an outline setting. It is also interesting to use the ancestral talisman in Wu Dong Qian Kun as the golden finger. It is worth watching. But that's exactly what I'm saying. Your setting is that the protagonist had a master and inheritance in the previous plane and lived his whole life and then was harmed by others. So from this point of view, the protagonist is a reborn person and can be regarded as an old monster in my eyes? After all, once you have cultivated to that level, your character and temperament are at least different from ordinary people. But judging from the setting, the protagonist is like a mature boy. The issue of breaking off the engagement in the first ten chapters doesn't matter, but the thoughts are too complicated, and I think about this and that all the time. My idea is that I am an old monster, and I don't take all this seriously. Maybe you say that because of this, you will think more after you have more experience, which makes sense. So when you write this, I also think that apart from being a little different from what I think, it is still an interesting beginning. But in the back, Nalan Yanran kept avoiding her sister, which I don't understand. The original words given by the author are that in the family drama, the sister and the brother dislike each other, but in fact, they still care about themselves. My sister doesn't like your statement, but I agree with it because of the nature of young people. But didn't the protagonist live a lifetime? So immature? Because Nalan Yanran always annoys him? But isn't Nalan Yanran just for the protagonist? I hope he goes to the sect with her to enjoy better resources. At least the protagonist's talent has always been very high in the eyes of outsiders, right? Why does the protagonist keep saying no? Doesn't the sect pay more attention to its disciples than the academy and the family? The elders of the Nalan family are afraid that no reward will be given to the protagonist in the future, so the family's highest fighting skills have been held back from the protagonist, so why not go to Yunlan Sect to enjoy better resources? This is not in line with the behavior of an old monster in my eyes, more like a newborn calf. In fact, he took the little doctor fairy with him to buy drugs at the auction and was targeted. Isn't the protagonist at the Midland auction? Based on the relationship between the protagonist and Ya Fei, would that old man still rob someone? My understanding is that it is not the Mitlan Auction in Wutan City, but a branch in another city. Isn't Yafei one of them? Calling someone directly is still useful even if it's not from the same city, right? Of course, the author may have different ideas than mine, so this is just my idea and is not imposed on the author. Finally, it's about some descriptions. There are many chapters in the book where the descriptions of "taking a breath of air," "smiling bitterly," and "taking a breath of cold air" appear. Although the occurrences are not common, maybe once in ten chapters, or there is a paragraph in three chapters. This is not a problem and is not considered a poisonous point. But isn't the protagonist's character an old monster who has been resurrected? The old monster shouldn't behave like this, right? Most of these actions in the works are actions made after seeing the treasures of nature, materials and earth. For example, when the protagonist was threatened by Yun Yun, he smiled bitterly. In my opinion, it was unnecessary. Isn't bitterness bad? Why smile bitterly? Or wouldn't it be better to just keep an expressionless face? Is the old monster's character really so colorful? Also, when I saw the so-and-so fruit, I took a breath of air with an expression of disbelief, and when I saw the poisonous body of Ernan, I saw a bitter look on his face. I saw many of them were unnecessary descriptions. At worst, you set the protagonist to be an old monster with rich psychological activities. It's fine if you like to think more, but the protagonist is too angry and lustful, right? First, let's start with the description of revenge, "I must avenge this!" Revenge is right, and the same goes for eliminating inflammation, but the protagonist knows that woman is his enemy! Standing there staring at a woman's face and trying to memorize her appearance seemed very strange to me. The protagonist can think of a prop to hide his appearance, but can't a woman do the same? The protagonist can say that women don't bring such props, but it can't be that they haven't even thought about it, right? Didn't he live a new life? Then there's no point in running away and staring at your face, right? In this premise, the woman was besieged and even slashed him with a sword. The protagonist knew that the woman saved her only later. At least he didn't find the World of Warcraft when he said "I must take revenge", right? So why didn't the protagonist of that sword strike think that the woman discovered his identity and struck that sword? Are you still standing there staring at your face? Because women are under siege? The last point is the description of women in the book. There is no problem with the "slender waist that can be grasped" and "slender jade hands" of the protagonist and the little medical fairy. Everyone writes like this, and everyone is LSP. There is no problem. But the premise is that there is no injustice or hatred. Wasn't the protagonist and Yun Yun enemies at that time? She was even blackmailed by Yun Yun. When covering her mouth, it was unnecessary to write "sweaty" and "the protagonist's lips are wet". At worst, everyone could write Yun Yun as beautiful as she wanted after turning enemies into friends, but are we enemies? Why do we spend so much time making our enemies look good and beautiful? Is it because she is the default heroine? But from the current serialization, I can't tell it's a female protagonist. I'm done complaining. I know the author is a temperamental person and he deleted all the comments he didn't like, but I still wrote it. I am not writing this to accuse or scold the author for poor writing. The writing is very good. At least the original ideas of the author of the works of the same period are very good. I just wrote down my thoughts and what I wanted to complain about after reading it. The author can take a look at it to accept it or not, or even delete the comment. I really don't mean "my writing is better than yours". Don't scold me by saying "your writing is better than the author's". I also don't impose the author's intention, because I didn't write it. I just complained about my own ideas. It's the author's business whether he adopts it or not. It's also the author's business whether he agrees with it or not. I have no objection to him deleting the comment. Everyone, read the book well🙏🏻🙏🏻🙏🏻🙏🏻

In fact, I recommend the flame ancestral talisman as the second talisman found by the protagonist. The first flame ancestral talisman can pretend to be a different fire, and it is not easy to expose the existence of the ancestral talisman. Second, without the help of flames, the protagonist cannot refine weapons, armor, or talismans. There is no good equipment in Douqi Continent, so he cannot pick up ready-made equipment like Lin Dong, so he has to refine it himself. The third point is that the protagonist has the inheritance of a bunch of alchemists, and he has wood attribute fighting spirit. With the flame ancestral talisman, as long as the protagonist is interested, he can make a pill to show off.

I have some personal thoughts on the emotional line between the protagonist and Yun Yun. If it does not conflict with your outline, I hope to adopt it: First, let's talk about the reason why Yun Yun didn't kill Xiao Yan in the original novel and gave him the Hai Xin Armor. First, Xiao Yan saved Yun Yun in the Warcraft Mountains. Second, Yun Yun made her own food. They mistakenly put something they shouldn't have put away, which led to them hugging and chewing. Fortunately, Xiao Yan held it back (maybe he was threatened by Yun Yun's words). In the end, Xiao Yan risked his life to help Yun Yun obtain the Amethyst Crystal (he also wanted to obtain the source of the accompanying Amethyst Crystal for himself). The protagonist and Yun Yun haven't reached that point yet, so now it's better for the protagonist to leave some good things for Yun Yun to run away, otherwise Yun Yun will definitely go crazy and chop the protagonist when she wakes up. It is best not to arrange for them to meet during the Autumn Hunting Competition, otherwise the protagonist may fail and get hammered. At this time, Yun Yun can be arranged to look for the protagonist everywhere and want to teach him a lesson. In the end, their turning point can be arranged in the Tagore Desert. Yun Yun was injured by the snake-men and the protagonist went to the rescue. In this way, Yun Yun would not kill the protagonist even if she wanted to teach the protagonist a lesson, and their mutual feelings would be more logical.

Xiao Yu in my heart, Nalan Palace actually broke off the engagement to make it easier for me

I suggest that the protagonist Dou Di can take this girl in in the future! Jiejiejiejiejiejie😏😏😏😏😏

Damn, you're a eunuch, you've spent your money in vain.

The cute little green-scaled maid! 😍

Yun Yun must be killed, cut into pieces with a thousand cuts. The protagonist is not a man, so she cannot be merciful just because she is a woman. Otherwise, the protagonist is a scum with a sperm brain, and she must die in an ugly way. The Yunlan Sect must also be exterminated, killing all the sects, leaving no chickens or dogs behind, in order to avenge the pursuit. Revenge with hatred and repay kindness with kindness are the basic principles of life. 😡

To be honest, I can read it, but it's not very good. It's too bland and frustrating, and there are also problems with the setting. Just because it's hard to compare, you can't ignore the content of the original work (referring to the ability to use martial arts) and treat readers as fools.

Little Medical Fairy

This is my Medusa, my wife

Is there any Shennong? Tell me what this book is like? ? ?

Yunlan Sect is divided into regions as a whole Tai Shang Elder Sect Master Young Sect Leader Great Elder Sect Elder Honorary Elder Inner Sect Deacon Outer Sect Elder Outer Sect Deacon Personal Disciple Inner Sect Disciple Outer Sect Disciple Law Enforcement Team Flying Force Gate of Life and Death: It is the training place for the successive heads of the Yunlan Sect before they came to the throne, and it is also the place where the previous heads of the sect sit and die Martial Arts Hall (disciples compete with each other) for fighting spirit, four exclusive areas for fighter, fighting master, and great fighting master Douji Pavilion Huang level low level~high level is on the first floor (outer disciples) Xuan level low level is on the second floor (required) You need to contribute points to enter) Intermediate level of Xuan level is on the third floor (inner disciples) Advanced level of Xuan level (managed by elders and sect leaders) Low level of earth level (only previous sect leaders and young sect leaders and those who have made great contributions to the sect can learn) Training ground (increase the speed of cultivation, learn sect formations) Alchemy hall (refining elixirs, exchanging elixirs, refining elixirs for disciples) ) Yunlan Sect Back Mountain (Captive Warcraft, Level 1 ~ Level 3) Mission Hall (Earn Contribution Points) After the death of Yun Potian, the founder of the powerful sect, the Yunlan Sect gradually declined over time. By Yun Yun's generation, it had declined from the top power in the mainland to a second-rate force that even the Dou Sect was hard to find, but it was still the number one force in the Jiama Empire. When Yun Yun became the sect leader, there were only two fighting emperors left in the sect. Later, with the help of the Soul Palace, he succeeded in owning a fighting sect. It has a very low status in the northwest region and has always been a second-rate force. It has been the object of ridicule by many forces in the northwest at the sect conference held every five years in the northwest continent. However, with the development of Yunshan, it has barely become a first-class force Earth-level low-level skills "Smoke Wind Jue" Xuan-level low-level skills "Aoki Sword Jue" Earth-level low-level fighting skills "Fengcha Yan Gang" Earth-level low-level combat skill "Splitting Wind Whirling Dance" Mysterious-level advanced combat skill "Wind Extreme·Death" Mysterious-level advanced combat skill "Wind's Extreme·Sunset Glory" Mysterious-level advanced combat skill "Ten Thousand Winds Tangle" Mysterious-level advanced combat skill "Great Tragedy Wind Shredder" Mysterious-level advanced combat skill "Afterimage" Mysterious-level advanced physical combat skill "Flying Catkins Afterimage" Mid-level Mysterious level combat skill Xuan level body fighting skill "Feixu Shenfa" Xuan level intermediate body fighting skill "Explosive Step" Xuan level intermediate fighting skill "Wind Spirit Fractal Sword" Xuan level intermediate fighting skill "Thousand Wind Gang" Xuan level intermediate fighting skill "Four Square Wind Wall" Xuan level intermediate fighting skill "Great Wind Hand Seal" Xuan level intermediate fighting skill "Wind Return to the Earth" Xuan level low level defensive fighting skill "Wind Push" Xuan level Level low-level defensive fighting skills "Wind Wall" Xuan-level low-level fighting skills "Wind Whirling Wall" Yunlan Sect Fighting King Elders Yun Ling, Yun Lei, Yun Sheng, Yun Du, Yun Sha, Yun Fan (Of course the huge Yun Lan Sect has more than these fighting kings, but the names of many characters have not appeared) Honorary Elder: Dan Wang Furukawa (sixth grade alchemist, fighting king)

Update😡

It's closer to the feeling of Xiao Yu in my imagination Both comics and animations feel a little less interesting