I Never Wanted to Join a Talent Show, but I’ve Always Wanted a Side Job

How to say it. . . In fact, the author's first book is the best. Because the author is very good at writing about idols, and he writes very well when he writes about the bad rice circle. However, when I write about acting, I get stuck. I like writing about acting. . Acting skills are really not that important. There are a lot of people in Hollywood who can take off without acting skills. The author should either write about the rice industry, or work as a musician, or write about actors, directors, etc. There is no need. .

The author begs you not to write about acting again, it's embarrassing every time. Your strengths are that you are suitable for writing plots and conflicts, and you are also good at writing songs. Starting from 10,000 yuan, you can see that the author's protagonist's acting is really embarrassing. The reason why Twice-cooked Pork is so well written is because it lacks a lot of acting content.

I found that the author currently has very little description of other players, and the protagonist does not interact with them very much. Mainly, Chen, Luo, and Zhang have a little role. I feel like the author's plot plan is to use originality to make his debut at the C position, and then the limited group will go solo without disbanding. He will go solo until the contract is over, and he will be able to capture both actors and singers. . . But isn't that exactly the same as Ye Qing? If that's the case I'd be slightly disappointed. I was expecting the author to seriously write about boy bands, but Qidian has almost never seen it. Almost all entertainment articles have the protagonists playing solo, being solo singers, movie stars, or directors. Too much, samey. The dirty stuff about the protagonist at the beginning feels like it will be clarified soon. I was still attracted by this setting at the beginning. I wanted to see how a protagonist with negative news can turn around. The answer given by the author is that the protagonist is "original" and creative talent can be infinitely tolerated. It is completely different from ordinary idols and ordinary non-original singers. Yes, the originality is really great, and the protagonist's previous black material was indeed framed by someone. He himself is a passionate musician with a music dream. But it is so easy to eliminate the black material by producing original songs one after another. I feel that the existence of this black material seems to be meaningless. It provides the protagonist with an opportunity to enter the draft, and is the source of the show's initial traffic. The protagonist quickly slaps the black guy in the face through original creation. However, there are too many people who have written this routine_(:з∠)_No matter what problem he encounters, the protagonist directly produces an original song, and then the world is amazed. In a word, it does feel refreshing, but it doesn't have the kind of igniting feeling. There is an upper limit to the pleasure of copying. At least this kind of elementary copy can only give me a little pleasure. Because the protagonist's efforts cannot be seen. If there are no difficulties, or if the difficulties are overcome too easily, then success will naturally not be so sweet. Idol is almost at the bottom of the entertainment industry's contempt chain, because they have almost no originality or uniqueness. They all seem to be carved out of the same mold, and they are products produced by the assembly lines of large factories. When it comes to idols, I feel that their singing skills are not as good as those of solo singers, and they all rely on vocal modification. Their dancing is not as good as that of professional dancers. There are many crowd dances, and rapping is not as good as that of professional rappers, who do not know freestyle. Nowadays, the songs of idol groups are also very difficult to listen to, except for fans and passers-by. There is a huge gap between idols and artists, so they are not worthy of talking about the art of singing, performing, and directing. The protagonist needs to create art, so the idol is just a stepping stone and is thrown away after use. After that, the protagonist needs to be a singer, actor, and director. But is this really the case? How many hours does an idol need to practice in the dance studio every day to master the group's songs? How much thought did you put into it before you could come up with a killing part for your own part? How long does it take to adjust a smile to find the best angle? The author didn't write it down. Maybe the protagonist saw a lot and knew more when he was an actor in his previous life, but what is shown in the article is that the protagonist performed an original version on the first stage, and practiced the theme song casually with the dance teacher. The author may think that the practice process is boring, there is no need to write, and it doesn't look good when written. It is true that there may be such a problem, and I don't know the solution, but the result I see is that the protagonist seems to have succeeded without much effort, and I can almost see his subsequent experiences. When singing, he directly abandons original works, and when acting, he chooses dramas and roles that are in-depth, can show acting skills, and are easy to become popular. It really does not carry over the good works of the past and direct and act by himself. The protagonist achieved one success after another. Although the specific content is different, I have seen this development too much, and the author has even written about it again and again on Lu Ze, Ye Qing, and Lin Hao. What am I looking forward to seeing? In addition to original creation, what other efforts has the protagonist made? Even if it is original, there are some tricks. I can only say that the remix of Fateful Bridge is a little better than just throwing out a song and having everyone worship it. In addition, will the author arrange some new difficulties for the protagonist? The inside story of the audition is not so gentle. It is said that a girl with no background participated in the creation and was directly suppressed by 30 million votes. Her original high-ranking debut became a blocked position. The same goes for Korea. They ranked very high in the first few times, but in the end, three or four of them were pushed to the back as a group, fighting for the last spot to debut. The author's capital is still too gentle towards the protagonist. I'm not saying it's impossible, but it doesn't feel exciting enough. The protagonist currently has three original songs, and capital has already begun to lick it. After forming a team, I look forward to seeing so many people in the team, close and distant, going from strangers to familiarity, having conflicts and supporting each other, working towards a common goal. Instead of the protagonist becoming a music dad, he can drop one or two original songs to prove that he has been in a boy band, or even go solo. I don't want to see the main character and his backup dancers, or the main character and his non-existent teammates. The above are my little complaints as a fan of the show. I have read too many articles about people who debuted in talent shows and then became singers and actors. I hope to see some new ideas. It is coded by mobile phone, the logic is confusing, and it is completely personal complaints. It has no meaning of writing guidance. The author can take a look at it at will. In addition, there are currently two female protagonists, singer Sun and dance instructor. Their scenes are not very awkward. It can be seen that the author has really made a lot of progress. I am also a long-time fan of the author since his first book. Except for Ten Thousand Yuan, I didn't finish reading it_(:з∠)_ and will continue to support Dada. Dada's indifferent writing style really suits my taste, although I always complain that it's not cool enough. 233 Come on, show your love to Dada.

Maimai

Well, the main character was accused of being plagiarized. How about acting with this reputation? Not to mention that he is not from a professional school and has to play a small role first. Who is willing to get into trouble and ask him to act when he is being criticized? Besides, those who don't want the protagonist to be a gunman are really not afraid of the protagonist's death if they are forced into this position.

This book is slightly better than the previous one, but it is much worse than the previous one. It looks messy and the direction is a little far-fetched.

The reason for the poor performance is still very clear. There is almost no pretentious plot with tension, and the conflict creation and rhythm are also very poor, even a little greasy. The protagonist's strong personality is not brought out, or there is very little excitement.

Emotional scenes are difficult to write and can be avoided. The author should continue the style of Ye Qing's period and write the debut history of idols.

What young actors need most is not acting skills, and few young actors have good acting skills. The most important thing is that their image meets the needs of the role! To put it bluntly, movie actors are almost all tool men. They can act whatever the director tells them to do, especially for newcomers hired by big directors. What acting skills there are, they just need to sharpen the lens! Wong Kar-wai's actors don't have a script and even the director himself doesn't know what they're playing!

I don't know why, but when I read the word, it sounds like chaos instead of poison. . .