My Weird Life

If you haven't read this book, then I really envy you for having a brain that hasn't read this book. There is no memory about it, so you can enjoy the freshness, surprise and pleasure of reading the Secret Treasures and Stove King dungeon plot for the first time. This is a weird and infinite novel. Mi Zang and Kitchen King are the two pinnacles of the copies of this book (of course the other copies are also good). Among all the original infinite novels, it is also the first echelon of quality. It is weird, gorgeous and unparalleled. Among them, the secret copy has a great influence. Hand-to-Hand Spring Breeze should be proud to have created this unique world view copy system in online articles, so that later generations can learn from and imitate it. I have left a trace of my own in the history of co-creation of the online worldview. Even though it is very small, it is an achievement that cannot be replaced by countless books and thousands of orders.

Apart from the fact that the settings are too complicated to understand, this kind of imagination and this kind of knowledge reserve of various Buddhist and Taoist practice systems are really amazing. The character design of the protagonist is also relatively good, with a moderate character design and no poisonous points. Come on, the last book that I could honestly call a masterpiece was The Mechanic. However, this book is too long and makes reading a bit difficult and tiring. Each copy is very long, but I don't see where it can be streamlined. After reading a copy, I almost forget what I was going to do. Why is this book not so popular? Maybe because it is not a pioneering work? However, I have not read that pioneering work. If I have time, I will read it and see the difference.

There are too many hypocrites and villains in today's novels. It is difficult for a true saint to die and to live. It is really not easy. The key is that many authors themselves don't believe in that. They either only talk about reason and human feelings, or they only look at interests. Very few people take into account both. This book is very well done. We watch the protagonist grow step by step, go through many difficulties and dangers step by step with him, always stick to his own conscience, and finally open up a clear sky in this world where evil spirits are rampant! In addition, the author interspersed various historical classics along the way, which even made many readers almost forget that the author was actually an imaginary historical novel with a supernatural theme, and they all came to argue with the author 🤭🤭 This It's really not easy. In too many novels, the protagonist cannot stick to the bottom line of conscience. Either he goes crazy like a middle-school kid and doesn't care about anything, or he is just like that, like Jinglian. If it's more extreme, he will become like Fang Yuan. But I actually like to watch them all, as long as the author can bring the characters to life. The author can also think more about the next book. It is not necessary to write a similar protagonist in all aspects. As long as some core things are there and the protagonist is brought to life, it will still attract a large number of people to like the new protagonist 😚

The huge square stone tablet in the Namu Gyatso Dharma Monastery discovered through excavation shows that the little girl rescued in the secret realm, Danga, missed her through time and space. The book writes this ——The Namu Gyatso Dharma Monastery. ——Homage to the Supreme Heaven and Sea Lord, Snow Praise. One by one "Kowtow devoutly to the King of the Great Sun for seven thousand three hundred and four times. ——"Sincerely make a wish of one billion and fifty-one million breaths, and sincerely ask to meet you, the twelfth generation Hutuktu of Wuxiang Zunneng Temple. " Through the mural, Danjia said to Su Wu: "I bid farewell to the Venerable today. We return to Wuxiang Zunneng Temple The Venerable is missing in the Snowy Mountains Venerable, Venerable one by one I will wait for you to come back. " Every breath I took for a hundred years carried a pious wish to see the Venerable again. Danga took what the Venerable once said as a lifelong goal, and just wanted to see him again. I heard the voice in the mural: "Venerable, can we see each other again? Will you return to Wuxiang Zunneng Temple? You said this It's not your home. In your home, no one eats people, no dogs eat people. In your home, everything is equal. Venerable sir, if such a world is really created, will you come back?"

The combination of folk culture and weirdness surprised me to be honest. The effect of combining the two together is definitely 1+1=N. But whether this book can become a god depends on two aspects, based on my personal opinion. The first is whether the hidden mystery is the main plot. The main plot's strong character instantly dropped to a level. What I personally hope is to see the mystery combined with different folklore from various places and even countries to create a chemical reaction that can give readers a long-lasting sense of freshness. The second is the issue of worldview and imagination. I think we still need to write in a big way. What a prison, it can't be said to be a small role, it can only be a medium role. However, this aspect feels like it has come to an end. The official staff is really stretching their hips, and there is no real sense of style at all. The upper limit of combat power seems a bit low. Then you can only use your imagination and think about things that ordinary people cannot think of. The rest is a few suggestions. It is best to have as few emotional scenes as possible. Finally, there are the protagonist's cheats. You must deal with them well, otherwise the whole book will collapse in a minute.

The first half is really good, but the writing of the second half, both in terms of cultivation and combat, is too messy and confusing, and the author can't control it.

If you are tired of watching all kinds of mindless cheats, then you must not miss "My Weird Life"! No Holy Mother, no bad guy, IQ is online throughout the whole process. Goldfinger is not obtrusive and focuses on describing every effort of the protagonist to change the ending of the story and grow himself. Each copy tells a different mythical story about the B&B, or a secret treasure full of Buddhist charm, or the familiar Maoshan Taoism. The author uses his delicate writing style to make the story fascinating. The lovable Danjia in the Secret Realm, the Li Yueshan who protects you and thinks about you in everything, or the Huang Daochang who carries the statue on his back. (Insert a sentence, I feel that the story of the supporting character looks more comfortable than the protagonist) The whole book is a bit slow and jerky, just like a cup of good tea that is astringent in the mouth and sweet in the aftertaste. This is a high-quality weird book that needs to be calmed down and read slowly. Summary: Old-fashioned weird story, excellent plot and characters, unintelligible protagonist, and various rich B&B myths, there will always be something you like. (How often does the author go to Shura Field? I can't help but look at the cute little tulle Danga that I like)

I used AI to restore the scenes of the two murals and gave them to Danjia

！ Relatively speaking, the Japanese story is really weak. Of course, it's not that the author is weak in writing. Instead, I think it's the author's depiction of the incompatible awkwardness between Japanese and Chinese that makes people unable to relate to it. I think the story is petty 😂 Especially in this story, I saw two women fighting for their husbands. Really... It's far less shocking than the previous Danga! Obviously the Japanese woman and Tanga both have the same routine of building a palace for the protagonist and holding a shrine in the end, but I feel that the Japanese part is an imposed fixed routine, which is a bit boring. The story is really strong and the selection of materials is also very novel. The only thing I think is problematic is the character setting of the protagonist, or it may be that the description of the character is not enough to be a driving force. Just like so many women like the protagonist, I don't know if the protagonist is pretending to be stupid or if he really doesn't care. It's really a scumbag to pretend to be stupid, but when the author described it, he didn't see that the protagonist was a scumbag. To say that he really doesn't care, the things he did are unclear, and it doesn't look like a person who doesn't care. Especially when I read the Japanese article, I felt that the protagonist has changed. From really not caring before to pretending to be stupid... Just... What is the reason for the change? You feel there is no sense of crisis anymore, and then your true nature is exposed? You had a strong sense of crisis before, so you pretended? ? ? There is a slight conflict between the plot logic and the protagonist's behavior. This book is something I have read before. I have been waiting for it to be updated. Today I read 400 chapters. I haven't finished it yet. I won't read it again in the near future. I will wait until the awkwardness passes.

It's been a long time since I've seen such an excellent novel. Many excellent novels can only partially excel in terms of lyricism and expression, but this novel has a very high level in terms of story structure and emotional expression. And most novels, let's not say 80%, can only say 99%, the more they are written, the worse they become. But this one actually managed to become more and more brilliant as it was written. Both the protagonist and the supporting characters are portrayed brilliantly. From the perspective of the protagonist, he has grown up step by step from an ordinary person with normal outlook on life to a man who is good at being alone when he is poor, and is a great man who helps the world when he is prosperous. This process is natural. The process from substitution to peeling off the perspective to appreciate the story is also natural. It's hard to imagine that in today's online writing environment, there could be a protagonist with such a high moral character, who is not offensive but admirable. Most of the supporting characters have distinct personalities and are impressive.

This author is so strange. The real-life part of the early novel was very sparse and buggy, but the copy part was also really good. I even felt like two people were writing it.

This book is at least a masterpiece. If we just talk about the secret domain copy, it is simply a masterpiece! The description of the traditional culture nurtured in the land of Tibet in the copy seems to be unveiled layer by layer. It is mysterious and fatally attractive, and it is a rare description of Tibetan culture in online articles. The description of the indifference, numbness and ignorance of the people, the description of the blood, cruelty and violence of the nobles, and the telling of the bloody and cruel truth through the hands of "Cunning" is simply a stroke of genius! Everyone may have forgotten when reading that this is something that "really" happened in reality, and it is not far away from us. When we watch the Anti-Japanese War drama, we should be able to imagine that Tibet at this time was in a barbaric and ignorant state of "people cannibalizing people". This barbaric and ignorant state has existed since Songtsen Gampo established the Tubo Dynasty thousands of years ago. It was not until the founding of New China that Tibet began to be slowly liberated. And just when I suddenly realized that this was a situation that had existed in reality, I suddenly felt goosebumps all over my body, my scalp was numb, and a cold feeling rushed straight down my back. I shivered and was filled with fear. This is much scarier than "cunning", and much more difficult to deal with than "cunning". After all, "It is easy to deceive, but difficult to liberate people's hearts." Even if the protagonist has extraordinary means, there is nothing he can do. He just wants to escape and "go home." Here I really want to shout "Long live the Communist Party of China"!

Whether it's weird or simulator, compared individually, this book is the best one I've ever read in the same genre, both in terms of plot and writing. The character creation is also very good. In the heart of Sanqing, the scene where the old Taoist sacrifices himself to save the villagers made me cry. One word: good-looking, good-looking, really good-looking

I quite like the author's imagination. However, the real-life battle of wits needs improvement. To be honest, unless you are going directly for a cool novel, no one can accept a villain who is too mentally retarded. Sometimes the enemy's high-level officials really feel that they are not as good as an ordinary college student. I hope that the next book will be improved, and the more it is written, the better!

I finished reading it, but I didn't understand many parts so I skipped it. It's hard to say whether the writing is good or bad, it's full of twists and turns and has a sense of mystery, but sometimes when I look at it, it's like looking at a Taoist talisman with a big "?" On top. It is not an exaggeration to say that it is very imaginative in terms of the story structure. It can turn the Sanqing of Taoism, the Buddha of Buddhism, the Jesus of Christianity, the Japanese Amaterasu, the Buddha of Tantric Buddhism, the Lu of Bon religion, and the Nuwa and Queen Mother of the West from Chinese mythology, all into evil, selfish, cruel and bloody villains. I wonder whether modern reality belongs to the old world or the new world. It is up to the readers to figure out whether all the mysteries of reality have been solved. It is also up to the readers to guess how many children they plan to have and which junior sister they will have after returning to life. I think there are too many copies and the story could be told more directly. Ultimately, where did the emulator go?

It feels like each of the author's past life simulations can be written as a novel on its own, and when they are intertwined, a huge and mysterious world is presented, with various styles depending on the dynasty and region. Different simulations are connected through history, with clear layers and three-dimensionality. It's really fun to watch!

Datian: I eat, eat, eat Yuanhuang: Pillar Cells Sanqing: The best regulator to control people Ghost Buddha: Old guy, you are the worst (compared to Datian Sanqing) Leizu: Refining in an instant Nuwa: It is the love brain Xian'er: The best Suwu controller Xian: Lonely, lonely, cold Yinggui: It is a means of transportation

The author has not made it clear in some places, giving me the feeling that as the plot develops, the basic settings are thrown out bit by bit, which seems particularly uncomfortable. Especially about the exchange items, I always thought that the simulator copied the props that the protagonist came into contact with in the script, and later said that they were taken out of history. I think this is the most basic setting and should be set out at the very beginning of the book. Is my knowledge already fixed? But you just said "it's actually like this" and it made me feel very uncomfortable. Also, at the beginning, the protagonist uses a simulator to transfer materials to a safe house in the future. Until now, there is no specific explanation, except for a few casual mentions of parallel time and space. Does the author intend to treat this fragment coldly? This plot sequence really stuck in my throat and made me particularly interested. Coupled with the newly introduced historical object retrieval settings, the two together make me even more uncomfortable. Also, I thought of something that might be a bug. The exchange items are said to be taken from history, right? As the protagonist continues to simulate, history continues to change. So, why can props from previous instances in the same instance still be exchanged? For example, in the Tibetan dungeon, the protagonist's final dungeon replaces other previously Tibetan-related dungeons. Shouldn't it mean that the protagonist can only redeem the props he came into contact with in the latest dungeon? Why can he still redeem props from versions of the same dungeon that have been "updated"? What has been updated only exists in the protagonist's mind and cannot be considered history at all. Doesn't this go against the idea that "exchange items are taken out of history"? If the author still treats it coldly and does not explain much, then my doubts and discomfort about this book will only increase.

I read 100 chapters in one go. The book is very good, but this chapter says, be careful when reading, as there are obvious spoilers, which will greatly affect the viewing experience As for some bad reviews, most of them were caused by the author due to slow updates at the time. When the author unfolds the plot little by little, you will find that the bad reviews are not true.

The Secret Realm Copy is the most exciting and moving story I have ever read. The plot in the Hidden Realm has ups and downs, with thousands of twists and turns. In a dangerous and terrifying world, you always maintain firm faith and are decisive in doing things. It is really heartbreaking to see the scene when I parted with Danga💔I cried to death

The Dongliu Island dungeon is much boring compared to the Hidden Realm and Kitchen God Cult. Although the setting is as exciting as ever, the character creation is more monotonous. Except for a few people such as Haruko, the swordsmith, and the original father, everyone else is almost carved out of the same mold - when encountering weak The villain will bully the villain in every possible way, and he will kneel down and lick the strong one crazily. The plot of slap in the face is also very cliché. The villain feels that he has a great advantage, and he will kill the protagonist or snatch Haruko away, and then he will be killed by the protagonist in an instant. This leads to the reader can guess the ending after seeing the beginning, and there is no passion at all when reading. Although there have been four methods of using or fighting against trickery, such as "Ink Drawing", "Knife Killing Sword", "Half-Handed Ghost", and "Human Armor", none of them have significantly improved the protagonist's strength. The Ink Drawing is mainly used for forging swords. When fighting against monsters, it doesn't feel as good as the Secret Mantra of the Secret Realm. When dealing with Rashomon, even the supreme sharp sword does not play much role. No one will be interested in such a flawed method as Hangui. The improvement of the combat power of the Ikuman Armor is still unclear, but it certainly cannot be used to fight against powerful monsters like ghosts and Buddhas. It can be said that the protagonist who can deal with these four methods can also be dealt with using mantras and secret spells. However, the protagonist cannot deal with the protagonist who was originally unable to deal with these four methods. The feeling of increasing strength will be much less satisfying, unless the protagonist later builds a stronger sword and armor, or combines these methods to form the effect of one plus one greater than two. From this section of Rashomon: The Mystery, we can see that the author still wrote it with great care. The Shuten-dōji, Kibutsu, Jianzhen, and Tangtu that have not yet really appeared have also made people look forward to it. I hope the author can write better and better, and successfully become a god.

I read the book reviews in Book Friends Circle before and booked the event while it was fully booked. Sure enough, the secret story started to be exciting, and I couldn't stop watching the Stove King chapter. However, this part of Japan made me stop the car forcibly. I read quite a variety of books, mainly if the part I want to read is exciting enough. The relaxed and everyday ones are about daily interactions, the cultivation of immortality is about the sect's cultivation, and the harem drama is about jealousy. The descriptions of various Dharma methods and serious tricks in this book are very good, and it meets or even exceeds my expectations. But if I want to see the harem, why should I come here? At the beginning of the Japanese chapter, the lengthy description of jealousy has seriously affected the perception of other plots. In addition to the excessive length, the collapse of the character is also the reason. When a determined girl who aims to be a gentleman and has a family mission faces a love rival who has the power and ability to take advantage of her, which part should she focus on first? Normally, if her ideals are more important, she should focus on abilities first; however, the actual situation is that almost most of her attention is on the identity of her love rival. Su Wu writes very charmingly, that's no problem. But does this mean that the "female supporting character" has become the jealousy of the "harem" dumplings? The charm of the whole story is made up of the protagonist and the supporting characters! If Zhengfeng's jealousy is just an occasional annoyance, it doesn't matter, you can still watch it happily. However, the entanglement with the two girls runs through the entire Japanese line, affecting their logic of behavior, and thus affecting the perception of the entire line. The character design has used the routine of immediately overturning it, which usually appears on the passerby female partners in the slap-in-the-face, brainless and cool articles. But this book is obviously not that kind of book. The original high quality has been dragged down. This Japanese article made me really depressed😐

I've read half of it, and I feel like I'm not reading a novel, but a wild history, very wild hahaha, thumbs up for the author 👍🏻

Um. This book can be regarded as an alternative to cultivating immortality. It should have accelerated from more than a thousand chapters. This resulted in a lot of foreshadowing that has not yet been explained in detail, a lot of dungeon content has been brushed off at once, and the combat power has expanded exponentially. It can be seen that some of the content was not published in time, which is a pity. Some people think the system is complicated. I think the collision of many systems is very interesting. However, when the practice of each system reaches the later stage, it will not look as good as the early stage. I think the tricks in the later stages are not as exciting as those in the early stage. In the early stage, Gui had a killing pattern and no sanity. But in the later stages, Gui is even playing tricks on the protagonist. It would be much better if, like Queen Mother west, she could be seen to be clearly rigid and following some kind of instinctive action. To sum up, the wonderful thing about this book is that there are various copies similar to Infinite Flow interspersed with various different systems of practice. And maintain a certain degree of mutual contact. There is also an interesting deconstruction of various mythological allusions and strange stories. In the later stage, it is a pity that the Supreme Heavenly Dao did not avoid falling into the universe of cultivating immortals. As for the group portrait creation. It's really toxic in the early stages. Anyone who has read "The World Is a Prison" should know what it feels like. But I can feel that the author's writing skills are improving, and it will become more and more comfortable as I read it. But there is still the same point: in the later period, the author was anxious to wrap up a lot of foreshadowing and content, which was a pity that the flesh-and-blood characters created before were not developed. Of course it is qualified as a refreshing article. This is not a mindless white text or a template text. The volume of the book is not too small, and it is enough for a month of reading. 🤭🤭🤭

As for me, I like a song, first of all, because it can make me empathize and affect my emotions, whether it makes me cry or laugh The same is true for novels. I don't know what novels are good, but the scary parts of a novel can make me unable to sleep, and the sad parts can make me cry, then I must like it

I'm almost finished reading, and although most of the supporting characters in the book have a single look, they are only slightly flawed in the novel. The author is very good at writing about people and things. The characters in this book are vividly portrayed, the narrative is affectionate and stylistic, and the writing is smooth and not sloppy. It is a rare masterpiece among this kind of novels.

I suggest you change the cover. Some master will use AI to run it and find that there is a novel on the site that also uses this cover.

A plot was completely spoiled before I even finished watching it.

Strange levels: evil spirits, misfortune, misfortune, bad luck, famine, disaster, calamity. Curse seal levels: D, C, B, A. Talent levels, white, green, blue, purple, gold. Read it every day to avoid forgetting.

First of all, I am very grateful to the author for the great story. Because I also love this copy of Kitchen God Sect very much, so I used Bi She to freely choose the topic to satisfy my selfishness (it is the game concept of the painting) After thinking about it, I might as well post it for book friends to see Because of the species This is a reason, very ooc, sorry Parody of Overlord This picture is actually Ghost Craftsman() Parody of Wu Sheng Parody of Zhong Kui