Starting with the Cowlick King, Public Execution

I still remember that day, my painting won an award at school, and the principal asked me to go on stage to deliver my acceptance speech. I was speechless and didn't know what to say. Suddenly, a flock of crows flew from the sky and circled in the sky. Because I had sand in my eyes that day, I rubbed them for a long time while off stage, which made my eyes red. Suddenly a crow fell from the sky, my mind twitched, and I stretched out my hand, and the crow landed on my hand. Everyone seemed to be frightened, I muttered, go back! Everyone was scared, but who knew it was amplified by the loudspeaker and the whole school heard it. The crow seemed to understand and flew away with the crows that were circling in the sky. The principal seemed to have seen Naruto before. Although he was frightened at first, he thought it was unbelievable and asked me to continue. I was about to start, stretched out my hand and cleared my throat. Suddenly the group of crows flew back and flew across the sky. One crow laid an egg, which happened to fall on my hand. After the group of crows saw me, they all flew towards me and circled around me. Then more crows flew in the sky, covering the sky, and everything became gloomy. At this time, the students in the audience were frightened and shivered. Suddenly, a crow's feather dregs flew into my eyes. It hurt so much that I covered my eyes and trembled on the stage. It was so painful that I threw the eggs in my hand. The crows saw that I threw their eggs and smashed them, and they all howled miserably. I became even more irritable, and more crows were hovering around me. When my eyesight was about to recover, I raised my head and opened my eyes. A crow hit the lantern used for school events, and it happened to be red. It shot straight into my eyes. I yelled "I'm blind, damn" uncomfortably. Who knew that everyone heard it as: Sharingan, open! With the crow blocking the light, the red light shining on my eyes was particularly dazzling. At this moment, the sky flashed, a thunder flashed, and then it started to rain. The speech had to be stopped. The red light was turned off by mistake, the crows dispersed, and all the students who should have cried were frightened. Since then, I have become famous in school, and I also have a nickname: "Uchiha Sasuke's brother" (Copied)

The Touhou Project has always been an enduring topic in anime. What makes me ashamed is that I don't know where it has become in the perception of a lot of people. The monsters in the Touhou series are very weak and cannot live without the fear of humans. Gensokyo is a small village. It is forced by humans to have no choice but to confine itself to survive. Humans can be wiped out at will with hot weapons, etc. (I guess they are annoyed by the Touhou people and have a rebellious mentality.) They swear that these series of settings are from the government. (Crying) The reason why I posted this post is partly to popularize science and partly to preach (laughing). If you just want to see the combat power, you can just watch the end. In fact, in the early days of the Touhou series, there were no people, and no one discussed issues such as character design and combat power. The earliest rise of Touhou should have started with the release of "Touhou Red Demon Country" by God Lord. Touhou was once very popular and became one of the three major doujin wonders. It can be said that when Touhou was at its most popular, even the other two major doujin wonders, the Xing Yue and Higurashi Cry series, were suppressed (after all, the gap between the commercial series and the full openness of God Lord is still obvious - laughs). Readers who have experienced that period may have some impressions. It can be said that at that time, among the 10 books in the Qidian doujin series, 6 were Touhou, 2 were comprehensive comics with Touhou, and the rest were others. At that time, Touhou was everywhere, giving people the feeling that I, Touhou, was invincible. At that time, in the eyes of Touhou, the monsters in Gensokyo were the beginning of the multiverse per capita, defeating everything (laughs). Because of this attitude, many people from other ACG circles came to compete. Why are you hiding in Gensokyo if the East is so powerful? Human beings obviously need to be afraid to survive. What is there to be proud of? And a series of questions. At that time, various second and third designs were proposed and rejected, and there were constant quarrels every day. (In a sense, it also led to the development of the East.) In the end, the most discussed topic was why the monsters wanted to establish Gensokyo, and whether the monsters were strong or weak in combat, etc. After a series of good discussions, we have the public impression that Dongfang is very weak in the previous article (I cried when Dongfang lost the line). No way, at that time Dongfang's series of settings were not perfect at all. It relied on a series of second and third settings to support the public framework, which was simply untenable in the battle. Although we can rely on the powerful settings and outstanding performance of the monsters in the East (Purple M can directly send people to the moon, 800 million can change the trajectory of celestial bodies, etc.) To claim that their combat power is outstanding, but considering that we do not talk about the contribution and only talk about the settings, it is a bit of a rogue. The energy has become only a little stronger than ordinary people (crying) Fortunately, with the development of the times, the God Master is also constantly improving the Touhou. With the release of a series of official magazines, the last thing everyone is most concerned about is why Gensokyo was established, how big Gensokyo is, and the combat power of the Touhou series. There are also official documents. First of all, let's talk about why Gensokyo was established. According to the official magazine "Touhou Bungo Shinpo" There is a saying "In the so-called civilized era, the night was illuminated by lights, and human beings were deprived of the fear of darkness. The power source of monsters was human fear. Later, some people who were afraid that the power of monsters would fade changed their own reasons for existence and created Gensokyo. After the change, the new reason for existence of monsters was to be forgotten by humans outside. That's it. The monsters that humans are afraid of today are just showing off. The more they are forgotten in the outside world, the more the monsters can emphasize their presence and enhance their strength. It is an epoch-making system. " It can be seen from the article that the establishment of Gensokyo is not because monsters are weak and cannot defeat humans, so there is no way to compromise. It is an epoch-making change, and Gensokyo is worthy of being called a paradise. When Gensokyo was established, youkai no longer needed to be feared by humans, and instead relied on humans. They no longer needed to be feared by humans to become stronger, and became an independent race. As for how big Gensokyo is and how powerful it is against Touhou, you can find it from the official magazine "Touhou Gaiwai Wei". It says in the article "In addition to the Hakurei Great Barrier, there is another barrier that covers the entire territory of Gensokyo. That is the "realm of illusion and reality." This barrier that has been opened since 500 years ago is a barrier that "turns Gensokyo into a fantasy world and the outside world into a physical world." On the one hand, the power of the monsters in Gensokyo increases and establishes their dominant position. On the other hand, the increase in the world's population in the outside world leads to the expansion of human power and territory, and the barrier also has the effect of automatically recruiting active monsters into Gensokyo. Of course, the nature of the barrier is to form a so-called internal and external range, so its range can cover the whole world, and overseas monsters can also be attracted in. The epoch-making advantage of this barrier is that the more humans expand their power in the outside world, the more power the monsters in Gensokyo will expand. This influence is spreading its effect all the time now. Maybe some kind of monster has entered Gensokyo today. By the way, the one who opened this barrier was the youkai who controlled the realm, Murasaki Yakumo. She seemed to call the opening of the barrier a "youkai expansion plan." " It can be seen from the article that Gensokyo and the real world are like the outside and the inside of a coin. As the real world grows, Gensokyo will grow proportionately, and as the map expands, the monsters' strength and power will also grow. It can be seen from this that the purple M. She is worthy of being called a sage of monsters. Even if you say you can only take one step or three, you are underestimating her. Now it seems that during the lunar war, Purple M has already made a calculation. If he wins, he will occupy the moon and open a second base. If he loses, he will clear out the group of die-hards who disagree with the establishment of Gensokyo. This is the so-called you may win, but I will never lose (laughs) (this private article) As for the combat power, we can also look at these two paragraphs. First of all, the reason for the establishment of Gensokyo is that the monsters are weak and cannot defeat humans, so it can be seen from the size of Gensokyo that the Oriental people are actually very strong. Why do I say this? Let me give you an example. It has been said that as long as she is willing, she can knock down Youkai Mountain. This is nothing. If the map of Gensokyo was not determined at first, it would be difficult to deduce the combat power from it. But now it seems that if Gensokyo is replaced by the earth and the Youkai Mountain is converted into Mount Everest in equal proportions, can the combat power be deduced? Let's look at the big changes in Gensokyo that can cover the entire Gensokyo with red mist. Miss, it can replace 800 million of the moon and so on. It can be said that as long as these "people" are willing, they can easily exterminate most ordinary people. At least judging from the development of science and technology in the 21st century, as long as the sun is blocked, 99% of the people in the world will die. As for the nuclear bomb, it may be able to kill them (because there is no specific data, it is difficult to analyze), but in the future. Judging from the gap between the purple M, no matter how you throw it, you will probably only be able to blow up the person who threw it. Finally, judging from the current combat power of Gensokyo, most of them have the combat power against the city in the anime. The more powerful ones probably have the combat power against the country. As for the top ones, they should have the ability to clean the surface (less than 10%). Broken Star). Another point to add is that the combat power of Gensokyo is not actually the same as that of the East. The Eastern world view is actually very large, including immortals, gods (especially those like Tsukiyami), kings of hell, gods, demons, etc. The top level of combat power now refers to the kind of people who can open up the world and call themselves ancestors. PS: I hope this article can give everyone a general understanding of Touhou PS: If you have any opinions, whether you agree or disagree, feel free to speak. Gensokyo is a place that welcomes everything and tolerates everything (although I don't necessarily watch it) (laughing) PS: It's really embarrassing to run away after pretending to be cool.

This post was written before Chapter 50 of the book, and only discusses the content before Chapter 50 As of today, this book has been updated with the content of Chapter 50 In my opinion, on the whole, the shortcomings are not hidden, and it is an excellent two-dimensional fanfic Updated 50 chapters, I have to say that some of my inferences are wrong, and to re-summarize, I will distinguish the content of this article: 1. Public execution and interaction between characters 2. Demonstration in front of people 3. Demonic transformation plot (!) After reading it again, I will still say that (1) accounts for the majority of the cool points, but , (3) is gradually accounting for more and more of the cool points of this book. I predict that soon (3) will become as important a part of the book's cool points as (1), and even surpass (1) But obviously, the shortcomings of the magically modified plot are obvious, especially for someone like the author who has also changed his character. However, I do hope that the author will stick to it. After all, for now, it is still "reasonable" The good part of this book is basically According to my research, readers feel refreshed about live broadcasts in public because this type of genre satisfies readers with ① a sense of superiority over the "information gap" and ② "display of knowing things". The former simply means "I know you want to show off, and I know what the result will be, and people are just as amazed as I was at the time"; the latter can be understood as "exposing the things you like to others to make others have other emotions." The latter is more important than the former, because Because ② can make many readers feel ①, that is, the reader discussion will make some readers who are not familiar with the work have a sense of "participation". The so-called "comment area is far more interesting than the book" is the reason why The author chose fate/zero, which is very popular and has a high audience, as the first execution at the beginning of the book. First of all, from the perspective of readers, there will be more readers with more ① types of pleasure, and this will increase the conditions for the birth of ② type of pleasure, which is a positive cycle process. But the current shortcomings of this book also exist. For now, the author's execution has no intention of starting anew, so I subjectively think that the author intends to write it in the form of a unit drama. Although this writing will cause some trouble in pacing, it is not a problem after all. However, the author currently has a problem: The appearance rate of primary and secondary characters I Personally think The main characters and secondary characters should be distinguished. In my opinion, the author should focus more on characters with more appearances in character interaction. For example, in order to pave the way for the future five battles, more words should be given to Emiya, Illya and Tohsaka Rin. After all, Artoria has been accepted, so the five battles must be more reference to Sakura's line. As the protagonist of the future five battles, he should get more appearances to pave the way. (We can't change Five Battles to Demons and have King Dumao as the protagonist.) Because not all readers have read Fate, future "protagonists" like Emiya need to brush their faces in advance. It doesn't say anything about readers' acceptance, but it can give readers a better reading experience This principle can also be used in other aspects, that is, for non-related character interactions, such as Tokisaki, the next execution target who is pre-determined by the protagonist. Kurumi (well, the author can't regard Kuritsugu as the caster in this unit drama) can arrange her interactions in advance to improve the reading experience In terms of writing, I still think it is very good. The special effects description and scene rendering are not amazing but definitely not bad. It is better to have fewer nonsensical descriptions such as "Kiritsugu making the signature Kiritsugu smoking expression" occasionally. In conclusion, it is highly recommended and a rare source of food. After subscribing at the current level, at least the first 40 of the two-dimensional monthly tickets Suggestions to the author: ((1)) ) World function construction theory:Three worlds that the protagonist needs to prepare to build this world into a semi-supernormal world: 1. The world with the "historical resonance" and the containment function of the fictional world work - the Xingyue world. The execution is constructed with the Holy Grail War as the main line, and the important characters of other fictional works are added as heroic spirits, such as the half-step ghost king-Kamado Tanjiro; the descendant of Tianxiang Ryusen-Kenshin... This kind of method can not only replace some heroic spirits that are not familiar to many people, but also reasonably improve the combat effectiveness of this kind of work with low combat power level. Second, the world that provides human beings with the ability to acquire extraordinary abilities - the Forbidden World. The awakening of superpowers in the Forbidden Superpower Camp is to "build one's own reality" and is similar to the book's setting of "Fantasy will have power". This can be used as a way to obtain superpowers, like the day when this book appears. Ordinary or science fiction-oriented characters (such as Kiritani Kazuto and Yukinoshita Yukino, let me tell you that the author should not dismantle the cps of the great teacher and Kirito) can obtain superpowers through this method. If it is written well, it may not be a fun point Third, the world of the construction of the big world framework and the elaboration of human destiny—— The vastness of the tree sea system can be used as a large structure to collapse the world of the sea of trees. The description of the sea of trees can also allow people in the world in the book to understand why there are worlds with completely different basic settings and where they come from. According to the setting of this book, this understanding is necessary, otherwise distrust and suspicion will affect the birth of fantasy. At the same time, The setting of Honkai can give people in this world a sense of solidarity and increase recognition, and recognition represents more fantasy (so it is recommended to start writing about Honkai before civilization) Why use these three works? First of all, regardless of the story itself, the upper-level structures of these three worlds are very well described. , And these three works themselves are also very well-known. Finally, these three works are laid out large enough to accommodate a lot of things (for example, the equally complete Fullmetal Alchemist in the upper world is not big enough, and the Pokémon world cannot be integrated into the others) ((2)) I still suggest that the author not to accept too many female protagonists. Now the problem has been reflected, and the time left for the interaction between the male protagonist and the female protagonist is too short. ((3)) I don't think this book can be considered a joke, so don't let yourself go too far when describing it ((4)) It is still recommended that the villain gain power through execution. For example, when the church sees the black mud pouring out, will it not think that it is the power of their "god"? Moreover, if you know both the pros and cons of this kind of plot of divine manifestation in front of a person, it may bring about a different sense of experience. Digression: Regarding the treatment of characters Is it reasonable for the author of Long Shuwen to change the characters this time? To be honest, it is reasonable, indeed reasonable, but I believe that few people will accept it easily. The reason is very simple - the popularity gap. Why is there so much controversy over the recent change of Luffy's rubber fruit into "Nika fruit"? It's not that the plot is unreasonable, but that Luffy's character of "achieving victory and freedom through hard work and krypton life" is deeply rooted in the hearts of the people, and now Luffy seems to have unlocked this "fifth gear" without any loss. The uniqueness and the feeling of being chosen behind the Nika Fruit make many fans feel that Luffy's original character has been violated. Yes, it is "the character has been violated." Author, you seem to have failed to deal with Long Shuwen's character this time, but in fact it's more about causing Shining's character to be "infringed". What is Shining's character? Arrogant and conceited, but undeniably powerful. If Flash were to retire due to pride after a fierce battle, many people would not say anything. However, being attacked by a sneak attack really "violated" his character. Even if there are indeed examples of him, it is the "character" that is most well-known. In this aspect, the so-called plot rationality has to give way. For example, if Long Shuwen is replaced by Wang Hassan, then this "kill at first sight" will not trigger the rhythm. Why? This is the type 1 pleasure of live streaming works that I mentioned earlier. Wang Hassan may not be much more famous than Long Shuwen, but because the type 1 pleasure will make readers feel reasonable, and some people who do not fully understand it will also be transformed into the type 1 pleasure with the blessing of type 2 pleasure. So to put it bluntly, Long Shuwen is not up to standard in terms of basic set strength and popularity, so this is the reason why Rhythm Of course, due to the particularity of the author's work, I can give another special example. If the person fighting against Shining is not a type moon, but Aizen, in this case, there may still be controversy, but the controversy will change from "it is wrong to write this" to "I don't accept it, let him leave the show" because Aizen's popularity and character have led to this It is "reasonable" and feasible. The author can use this as a reference for future popular characters when they are frustrated. Of course, there is a better way. Write a super long fight scene to show the details of the battle However, I suggest that the author should not easily change the personality of a popular character. The higher the popularity. The easier it is to pick up the rhythm, Long Shuwen is not very popular, so there is no big problem in randomly changing the character I typed so many words without realizing it, alas... The reason for typing so many words is very simple. The book shortage is too serious now, especially in the comprehensive comics area. It has been too long that I can't read the work. Anyway, please do your best (*¯¯*)

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I really can't stand it anymore, from the moment it was bright at the beginning to now it's like a running account... Sigh Let me talk about my feelings, I think this book should be gradually dying since the Naruto chapter. It can be said that the most obvious part of the whole book is the Naruto chapter, but the Naruto chapter is actually good in general. If I insist on saying it, it is obvious that the author has no passion to write a book and has started to perfunctory. It is obvious that he can write more things. It is a good script. The Naruto chapter is a good stage for writing stories, but it was made It's unremarkable, even in the Naruto chapter, if it weren't for the appearance of Han Ran who explained the background and ambitions, it can be said that the entire Naruto story is a mess. Obviously, the foreshadowing at the beginning makes people look forward to what kind of story you are going to write. But overall, the protagonist of the film is not Narusa. Even Ben is not the protagonist, and even Ritsuka is a dispensable supporting role. The Only Accomplishment Aizen was a really disappointing chapter. If the Naruto chapter can only say that the author is not a fan of Naruto or that the author was in a bad state during that time, then the subsequent fights in The Lion King and Warcraft will basically be copied. If you say you are careful, you are indeed careful. Basically, I will write down every second of the scene. But it doesn't feel sincerity, it just makes people feel that other people's writing of this section can only be done quickly, maybe 20 to 30 chapters, but the two chapters combined are almost 600 chapters. King of Heroes is okay, at least there are other stories interspersed with Ritsuka's anger and the changes and added battles at the end. The writing is also good, but the lion play, forgive me, I thought about it for almost half an hour, and I just didn't expect anything outstanding. If you want to say that the final defeat of Honkai Impact, the writing is okay. Then I really doubt your ability to appreciate novels. Moments like this when you encounter an opponent's sneak attack should be very thrilling, but I didn't feel any passion in his writing. Then the combat aspect was pretty good when facing the weird one, and the many doubts that were laid out later seemed to include the element of battle of wits, giving the impression that you decided to take the writing seriously and stopped writing it. As a result, you changed hands and entered Honkai Impact, abandoning the fairy chapter that you planned to write before. Forget it. But what you wrote in Honkai Impact is not even as good as The Lion King! This is copying, and you clearly want to write about Otto. You clearly stated that the person you want to awaken is Otto! How come your perspective is that of Chiyana and the others? Your way of writing can be said to be your biggest mistake since I saw you writing this book, because you copied without even understanding the character you were copying! The main character in this article is Otto, but if you don't write about Otto, you are making me emotionally incoherent. You have only highlighted his Lao Liu and Qiyana's misery and knife. If you plan to release Otto's knife all at once, then you can release it now? What are they doing when you write about Yana? Isn't this taking the spotlight away from the guest? The thing that upset me the most was when you created the Star God of Joy. I thought you were really going to cheer up and get back to the same level as the first 500 pictures. But as a result, you are now creating Joy, saying that your character is fun, and those of us loyal readers who are still reading your writing have become clowns. The author, why don't you tell me what you are planning to write next? Do you plan to write directly according to the plot until Otto breaks into the tree? Or if you honestly tell me whether the original author has been replaced, it is really hard to imagine that the level is so different. If you are weak at the beginning and strong at the end, you are making progress, but you are strong at the beginning and weak at the end... Are you atavistic?

I added too much MiHoYo in the later stage, and I don't play it at all, and I can't understand it. Originally, I was chasing fate, but what follows is all nonsense!

Is this hanging on fate? It feels like there is no room for characters other than Fate to appear. Once it comes out, it's just a name. What's the point of fitting it into the fate box?

If the protagonist is set, it can be the Tree of Kabbalah The Sephiroth symbolizing the soul, the 22 paths symbolizing thought, and the tree symbolizing the body When the protagonist possesses the body, soul, and thoughts at the same peak of reality, a reversal can occur The essence of reversal It is Nyarlathotep, the messenger of the alien gods in the Cthulhu mythology Next, I will briefly talk about the abilities I designed and see if they can be used First of all, the tree has the power to carry all abilities The Sephiroth, which is the essence of the protagonist, can be fought according to the appointment br>Twenty-two paths, ignoring time and space, fate, cause and effect, everything can go to where the heart wants without any way to stop it Reverse, but return to the complete posture, the moment of mental collapse, you can use all the abilities of Nyarlathotep, the messenger of the outer gods Here I divided Nyarlathotep's abilities in the form of the Thousand-Faced God Divided it into three lurking chaos, messenger of the outer gods, and leader of the earth camp. With these three as the core, plus other incarnations, this together is Nyarlathotep

It's so difficult. It's written about the duality of good and bad. There are often shocking words of dissuasion and detailed descriptions. In some places, it's tempting to stick stereotype labels to death. Romanticism and realism appear alternately. I really don't know how to evaluate it. What I like is good-looking, and what I don't like is easy to get offended.

If you write fate, it is definitely a good book, but because of the subscription problem, you suddenly turned to writing about collapse. This is really a backstab for readers who like fa. Don't forget it from the beginning to the end.