Qingluo Jinghe

Book title explanation:The heroine was born in the third year of Jinghe. Jinghe is the reign name of the hero's father Li Jing. After the hero Li Chong succeeded to the throne, he did not change his reign before marrying the heroine Qingluo Lightning avoidance: Both the male and female protagonists are imperfect. The heroine is not very good at diction, and the hero is not very talented. (But they all have their own strong aspects) Social situation: The political system is basically the same as that of the Tang Dynasty, the local system is a county system, the economy is based on the Song Dynasty, the culture is based on the Song and Ming Dynasty, and the society is open to the Tang Dynasty Imaginary situation: This article is purely imaginary, starting from the Jinghe era, with the development of the timeline, men and women will gradually become equal, and travelers may appear later. Martial arts system: There is internal strength but no internal force, and there is the flying over the wall to use strength Other situations: ① Culture and history are basically from the same origin as reality ② Involving the "Book of Changes" and other Traditional Chinese philosophical thought ③ Involving astronomy, geography, ancient astrology, and traditional Chinese medicine

So far, based on the existing content, I don't quite understand it, because many of the author's things have not been fully developed yet, and I need to wait for the author to slowly unfold them later. I just need to wait patiently. The reason why it seems a bit obscure and difficult to understand is that firstly, the language style of this book is mostly ancient proverbs, so it needs to be digested by the brain. At the same time, it can be seen that the author has put a lot of thought into the choice of words and sentences; The second is the author's design of suspense and foreshadowing, which requires careful browsing; The third is the seedling of a new book, which has not yet been expanded. These points have pros and cons. Those who are interested in this subject matter will naturally follow it with interest. Those who are not interested in this subject matter will find it a bit difficult to read, and it is not very friendly to newcomers. In this regard, I can only say that the author's writing style is still very good, and the author has carefully considered and polished the plot. Newcomers may wish to be more patient and read it. It would be better if they could leave some reasonable and reasonable comments. The author is actually very open-minded, and he will consider it to a certain extent. Finally, I wish the author a prosperous new book and good results in the future.

"Qingluo Jinghe" Qingqing is proud, Luoluo is frost. Dry rain and slanting wind make the dawn cold Light smoke and sparse willows make the sunny beach Enter Huaihe River and Qingluo gradually become diffuse        ——Su Shi The whole article has little ups and downs, and uses a lot of classical Chinese Highlights the overall beauty of the article, which is both literary and profound Although the article is an ancient romance, it has feelings about family and country It can be seen from the first ten chapters that there is a strong feeling I think this subject matter is very inspirational and motivating Qingluo, was originally just a simple little girl For the sake of the country, she Fight bravely on the battlefield and kill countless enemies A weak woman in the eyes of others can also be like this In her eyes, the love between children is a burden No matter how many thoughts you have, it will change in a moment The battlefield may flatten human nature Become a strong-blooded talent But the soul will not change in the end

The text of the novel "Qingluo Jinghe" is biased towards classical Chinese and not vernacular enough. For people like me who are not usually exposed to classical Chinese, it is really a bit confusing to read it. It is completely different from "Prosperity and Youth". However, the textual expressions of this book and "The Youth Returns After All the Glitz" are quite similar, both leaning towards classical Chinese. Considering that it is a genre of ancient Chinese books, this text is normal, but it is not very friendly to fast food readers like me (dog head). Then let me talk about the typo problem. It's normal to have typos, but after pointing them out, some responded immediately, while others didn't respond for a long time. If others hadn't liked it, I would have thought it was my misunderstanding. Well, that's the feeling. However, I sometimes make mistakes because my reading volume is indeed quite small. Sometimes there are typos (top pot lids) in comments posted. Considering that the author of the book Shengshi Shengshi has said before that it will be revised uniformly, but new books do not need to be revised uniformly, I guess the author forgot, or this comment was swallowed. Put a picture here Chapter 172 of "Building Youth in a Prosperous Age" Picture 1 Original Chapter Text Picture 2 Commentary Picture Also Chapter 05 of "Qingluo Jinghe" Picture 1 Original Chapter Text Picture 2 Comment picture Comparing the author's reply today, it was very timely and fast, and I was in a trance (fireworks).

Hey, everyone, please show me your feelings when you have time.

In the 1980s, the use of ink sticks was gradually replaced by ink, and the local ink-making industry never recovered. "Moyan Zhang" was originally called Dashexia. It is said that more than 200 years ago, when an ink-making craftsman passed by Dashexia, he was ill and lived in a pavilion in the village. Due to lack of medical treatment and food, his condition was not serious. Upon seeing this, people named Zhang nearby took him to their home, treated him and took good care of him. A few months later, the craftsman recovered his health. He was touched by the kindness of the people named Zhang, so he taught his skills of burning tobacco and making ink to the people named Zhang. From then on, the people under the big society began to burn tobacco and make ink, and the local area was also called "Moyan Zhang". On July 10, 2012, the technique of making ink smoke strips was included in the fourth batch of municipal intangible cultural heritage list of Meizhou City by the Meizhou Municipal People's Government. The technology, equipment and site required for burning smoke to make ink are very simple. A sealed smoke burning room, a glue boiling room, a set of molds and some simple appliances can make ink strips. The ink-making raw materials used in "Mo Yan Zhang" are mainly rosin, pine residue, and cowhide. The ink-making procedure is relatively complicated, and the entire process must be completed manually. Due to the addition of spices and herbs such as plum slices, borneol and precious musk during the production process, the ink produced is not only high-quality and fragrant, but also has a long retention time. Today, the ink sticks produced by "Moyanzhang" are hard to find in the market. Three ink sticks were found in the hands of local people and collectors. Among the three ink sticks, the larger one has two or two layers. The ink body is carved with a lifelike flying dragon, with the words "dragon flying and phoenix dancing", "wenyazhai ink", "supervisor of Zhang Zhaoji" and other words written on it. This ink stick is specially used by calligraphers, painters and artists; the two smaller ones are as thick as little thumbs and are used by primary and secondary school students. The production of ink by "Moyanzhang" has become history, but the glory of the past is the eternal pride of the people of "Moyanzhang". Today, with the acceleration of the construction of "Cultural Meizhou" and the development of tourism, the people of "Moyanzhang" have rekindled their strong interest in burning smoke to make ink, and have begun to operate ink-making molds again. Burning smoke to make ink can be said to be a rare local folk craft. As the descendants of "Moyan Zhang", they have the responsibility to keep it and pass it on. Relying on the retained technology, equipment and ink-making artists, they decided to re-develop this ancient craft. I believe that in the near future, everyone will be able to appreciate the shiny black ink sticks with rich fragrance and profound cultural connotation again.

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My hands were shaking because of love, but I still drew it ૧(●´৺`●)૭

The prosperous age writes the breath of youth, like the rising red sun. At first glance, the title of the new book is a bit confusing, but you will understand its meaning after reading it carefully. Compared with the descriptions in the vernacular style of the prosperous times, this book has more of a classical Chinese flavor. The title of each chapter adopts a dual style, and the writing style is delicate and distinctive. The characters are clearly created, and the protagonist's feelings and responsibilities are gradually revealed.

Li brocade is produced in the Li residential area of ​​Hainan Island. Li brocade is mostly used for women's skirts, swing pockets and other daily necessities. The Li brocade art fully demonstrates the creative talents and artistic attainments of Li women. Li brocade is mainly made of cotton thread, supplemented by hemp thread, silk thread and gold and silver thread. The warp threads mostly use the valerian dyeing method (i. E. Tie-dyeing). The warp threads are braided on a tie frame, and then tied with yarn on the warp threads. After dyeing, the yarn is removed, and the pattern of blue ground and white flowers appears, and then the colored weft threads are woven in. According to incomplete statistics, there are more than 100 kinds of brocade patterns, which can be roughly divided into humanoid patterns, animal patterns, plant patterns, geometric patterns, and patterns that reflect daily life production tools, natural phenomena and Chinese symbols. Among them, humanoid, animal and plant patterns are the most commonly used brocade patterns. The varieties of Li brocade include women's skirts, tops, trousers, sheets, headscarves, belts, bags, shawls, shoes and hats, etc. There are more than 100 kinds of patterns in Li brocade, including horses, deer, turtle doves, snakes, frogs, peacocks, chickens, bamboo, rice, flowers, water, clouds, stars, etc. Most of them are composed of simple straight lines, parallel lines and geometric figures such as squares, triangles and rhombuses. In terms of color, he is good at using light and dark colors. Cyan, red, black, white and other colors work together to form an artistic effect with strong color contrast.