Pick up a Bamboo Horse and Go Farming

What the hell, the father of the protagonist wanted to take possession of the car that the little beggar picked up. He was so vicious. He saved your daughter before. Not only did the father and daughter just let him go without a word of thanks, but when they met again and saw people driving around in the car, they wanted to take other people's things and throw them away. It's really shameless. I tui

This Ye Sixheng is so disgusting. Your daughter was rescued and she is now homeless. You now have a store and you still refuse to keep her and want to drive her away. This is so disrespectful to her. Please persuade her to leave.

The protagonist can have no personality, no charm, and no particularly distinctive characteristics, but he cannot be without conscience.

Does anyone really think it looks good?

{"C":"jwkko"}

Why do so many people invest without saying anything?

There are too many dialogues, especially when there are too many characters appearing in the dialogue. You say one sentence to another, which is very verbose, and it is difficult to distinguish the priorities. The characters who appear are not clear-cut. Dialogues have to be written for insignificant characters, and you don't know who is who afterward. For example, I wrote a lot of dialogue when I was making a bet to transform the unicycle, and also when I was on the road. It was basically dialogue and verbal sparring, and the plot development was basically all in the dialogue.