The World of Film and Television Begins Again

Writing a fast-travel novel is nothing more than two basic points. One is to use one world as the main singularity, and then go to various worlds to get what you want. The focus is still on the world master who travels through time. The world is just an anchor point, a showcase for displaying the protagonist and combining different things from each world. The second one is used to make up for regrets, or the kind of time-travel that makes the pinch of the head accessible does not necessarily require the main world. As a cat, it is dispensable. It is also like the author's current writing. In this way of writing, the world you need to travel through is a place that resonates with readers, or that makes readers' thoughts incomprehensible, or there are many beauties in it who want to get it. But as far as the book I have read so far, the year in a hurry, neither of these two is related. Do you think it is a development stream? It doesn't matter that he goes to various worlds and gets things that belong to him. If it is to let his thoughts pass through, he didn't write anything in it. He just touched it briefly and then skipped it all at once. How could this be good? Sure enough, I looked through it, and so far none of it is on the shelves. To put it bluntly, there is just no attractive point, author.

I have learned a lot. On the first day of my marriage, I asked my wife to call me eunuch. I don't know it now. How could I not know it before? Then, the eunuchs in the palace are called husbands, the eldest husband and the little husband.

When I saw that the next world is the beginning, I didn't want to continue reading. It was not interesting. There were things in it that imitated the source code.

I'm speechless, I've only read 3 chapters since the beginning. First, the character of the supporting characters deviates from the original work, and they randomly create meaningless settings. I guess it's just to keep my head down when writing. Secondly, the protagonist behaves impetuously. He has explained more than a dozen worlds before. He explained everything clearly when he met Du Bureau, and then used his super powers to show off. The handling of trouble was rough, and the whole car was an enemy. Thirdly, the author's characterization collapsed. While describing how the protagonist behaved calmly (in the police station), calmly and meticulously (facing Li Shiqing), he also described the protagonist as being high-minded and low-handed (on the bus). Fourthly, he has a tendency to abuse his protagonist. For the first time, he pretended to be a pervert and was caught by some men on the bus. He couldn't get off even if the heroine didn't pull him away! The second time he dropped a bomb, he was pushed to the ground by several people who were supposed to be his teammates, and then he was stabbed three times by the driver. Zhutianliu, I'm really convinced that the plot can be written like this by you!

The Siheyuan is okay, but it's too short, and it feels like I've given up halfway. It would be better if I continued and wrote a little more.

The writing of "To Youth" is too low, even the background has been changed in the second creation, so don't write a drama, just create something original, so as not to delay your promotion to junior high school.

After reading this book, my head hurts, especially after reading Journey to the West and Good Guys, I couldn't stand it. You just want to write whatever you want? Completely disregarding the readers' feelings, forget it, I won't say anything and ran away.

The courtyard is short 😁