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Why doesn't the author stop updating? It's been 4 months since he updated.😌😌😌
It's basically okay if it's refreshing, but I feel like the author made the pig's feet too nouveau riche! There's another bad point: there's a female protagonist at the beginning! I have given up on it several times. I hope I can finish writing about that woman within a month, otherwise I will be poisoned to death! Say that others are licking Gou. But licking it like a pig's feet feels loveless
What's going on? Is there anyone?
Does it look good? ? ? ? ? Let me take a look first
The author's imagination is really too big and incorporates a lot of things into it. There are also a lot of pitfalls that I hope can be filled in later. As long as the writing is not too ridiculous, it will be fine.
This is from the Kunlun Chinese website. On the cover, it says
Has anyone burst into tears listening to this song?
It's cool enough, but I don't understand one thing. You arranged the plot to tear down the charming street of China when you were young, and then you promoted the Ultraman who lived in that small life like a savior or a god who saved the world. This is very contradictory. Where does the author stand? Furthermore, if you say that you think Ultraman's work has high intentions and has nothing to do with military affairs, and that Ultraman's artistic spirit has no borders, then there is no need to demolish other people's style streets. After all, it is just a commercial street and has nothing to do with military affairs. It is probably similar to Chinatown in the United States, and it is not a place like the Jingguo Shrine for Class-A war criminals. So, I feel like the author slapped himself hard for being inconsistent. It stands to reason that since you can't even tolerate the commercial streets of Xiaoli, then what reason do you have to advocate Ultraman? You can just oppose it when you see Xiaoli's things. So I think these two plots are handled too hastily, and I can't figure out which side the author is on. According to me, you can object to it or don't care at all. Anyway, a commercial street and an Ultraman are the same thing. One is the material output of the small life, and the other is the spiritual and cultural output. Don't say that the artistic spirit of the work is noble and has no borders. In that case, there will be too many things that have no borders.