A Pampering Manual for Powerful Ministers

I would have missed it when I looked at the name, but I clicked on it after looking at the introduction. The author wrote very seriously, so I thought about it for a long time. Now that I have finished reading it, I might as well write a review to leave some traces. This is a character and story that I like very much. I was a childhood sweetheart. I missed it because of my hesitation, and because I missed it, I never looked back when I came back to it. But, frankly speaking, from an overall perspective, it is indeed not a very good work. At least with the author's writing style and effort, it could have been better. My personal views on the following content may be a bit straightforward, but they are indeed true feelings. First of all, some plots lack reasonable reasons to support them. For example, the male protagonist is initially set to be clumsy, so what is the purpose and significance of hiding clumsy? And it's something that all the family agrees on. Just to be a blockbuster? This reason feels inadequate. Including the Huo family, they could secretly cultivate a particularly outstanding child, but they felt that they had no achievements in the court and were unreasonable. If this family is indifferent to fame and wealth, then why does the male protagonist have to hide his stupidity and re-enter the world? If it is for the sake of rare goods, then if you don't strive for the merit of being a dragon when you seize the direct line, when will you strive for it? It was actually the male protagonist who proposed it, and it was only in this life that he stood up for the prince. For another example, there is a princess who fights the little princess at the beginning, which promotes the relationship between the heroine and her best friend. But what is the reason for this bad princess to be so arrogant? According to the plot, Cancan is very favored, so she dares to bully a favored princess like this, and she is still so arrogant after her title was taken away and then reinstated. What is the reason for her reinstatement? As a result, many of the characters' actions and situations are not very understandable, but feel rather awkward. Secondly, the character's behavior is not the natural result of the character, but rather seems to be a forced transformation informed by the author. The most obvious ones in my impression are three places. One is the ex-fiancé. From the beginning, he seems to be a relatively standard family man. He may be gentle but not particularly sharp. He will not unconditionally side with the heroine in trouble. But in the middle part of the breakup, perhaps in order to make the heroine's breakup reasonable, hypocritical settings were forcibly added. But there was too little foreshadowing, and it seemed more like a crime. Later, it circled back and became the heroine who even dared to harm the pregnant princess. The logic of this character's actions seemed to be too volatile and irregular. Secondly, the relationship between the heroine's brother and Cancan. Both parties fell in love suddenly. They all let the viewers know by suddenly informing the heroine. This is true even for several pairs in the middle. You can fall in love at first sight, but there also needs to be a process of meeting. When we met, it was very ordinary, even tit-for-tat, so how did we fall in love with him? There is also the fact that the prince's love for the Huo family's daughter, who is much younger than him, comes from and when he saw it, but it is not realistic enough. Furthermore, some of the negative supporting characters are also mischievous for no reason, as if rushing to the scene. For example, the sister of her ex-fiance targets the heroine simply because she doesn't want her to be her sister-in-law, so she even tricks her own brother. Is this reasonable? Also, the male protagonist's mother suddenly turned into an evil mother-in-law. The male protagonist's explanation was that she was not good to the children and was willful, but she was just pretending before. Then what was the purpose of her pretending before, and why is she not pretending now. What's the benefit of going through all this trouble besides getting yourself grounded? Finally, a little less detail. The male protagonist is said to be very powerful. I think the reason why it is said is because there is a lack of details. For example, how the male protagonist won the battle, how he subdued the Jin Yiwei, and how he cooperated with the prince were not mentioned. So how do you convince people of his power? Moreover, there is no one in the court anymore. All important matters depend on the male protagonist. It feels like the male protagonist is responsible for the whole show. Just imagine the normal situation, a person who enters Jinyiwei in second place is not the same system. That's all, and then we go to fight again. Are there no other generals? It is also possible to successfully seize the direct descendant in the middle. The sixth prince died suddenly, saying that he had framed the male protagonist. Then the male protagonist was promoted. Isn't the emperor surprised? It was his own son who died, and the hero's performance showed that he was prepared. Doesn't the emperor doubt it? Such a variety of things, it may be a pity that this article cannot be classified as a masterpiece. But because of the author's writing style and setting, I hope there will be changes in the next game. A few other suggestions: The name of this article seems to be a style that a certain green website would like, because from both sides, this name is easier to make the list there, but it may be a different style here. The author can consider changing the style of the name, maybe the data and attention will be better. When divided into chapters, sometimes it is relatively simple and crude. Usually the ending is the end, or the beginning, or the climax of a plot, but now it feels like the chapter is like a line break, which may not be very gripping. Also, there are too many short sentences, sometimes only a dozen words per line. Although it is easy to read, it is not easy to enter the drama, especially the background of ancient Chinese. The author should consider this. The relationship between children and their childhood sweethearts is really very beautiful, and there are not many such settings. It would be great if the author has the opportunity to open another one with a similar style in the future to make these regrets come true. Come on, come on!

Sister, can you tell me your motivation to continue?

It's so cruel 😭–>The CP I thought turned out to be broken, and the CP that didn't seem to be CP turned out again (no malicious intent)

As a man, I am a bit attracted to...

I'm afraid it's hydrology, so I turned to the end to take a look, come on