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I can't watch it anymore from Chapter 17. You said that you, a time traveler, want to go into the entertainment industry. You don't have to learn music knowledge. You have become an agent. You even have to be reminded to register the copyright first. What kind of agent do you have? The system is useless at all. I don't see any use at all.
The pace is a bit slow, and then there is the ambiguity between Liu and Liu. I really don't like stories where the protagonist is ambiguous with other women, so bye bye
The setting is for a second-generation rich man, but the result is the same as that of a poor man, except that the heroine is introduced at the beginning, just like an orphan, and the heroine also stays in that shabby company, making it seem as if that company is the biological parents of the protagonist.
It is incompatible with China Entertainment and looks a bit like a book like Korean Entertainment Economy. If the second generation of rich people don't start a business or make their own movies or TV shows, writing about agents is useless.
Why do we need to use the name of an unknown porter to register a song copyright? I'm really afraid that no one will suspect the time travel and rebirth in the future.