The Incarnations of the Heavens

In the main world, I am obedient, and in the dungeon world, I attack hard. I have thought about this kind of plot before. If the main world is an urban world, then let the protagonist live in the main world, find an ordinary job, be an ordinary white-collar worker, have an ordinary appearance, earn a mediocre salary, be a single dog with a fragrance, have no close friends and brothers, maintain assets between one million and ten million, not attract attention, and will not be short of money to live. But in the dungeon world, the protagonist can be an emperor, a faint king, with a harem of three thousand, or a holy emperor, leaving his name in history. Be a fairy and play in the world. Be a devil and destroy the world. Anyway, just treat all desires and ideals as rubbish, vent them in the copy world, and then focus on improving your own realm in the main world. Many overworlds are urban Zhutianliu. I think their protagonists are not stable at all when they make trouble in their own overworld. It is just the idea of ​​​​returning to their hometown in glory.

I just finished reading Chapter 32 and I have some doubts I just want to know if the author remembers that the protagonist is a time traveler, or if the author forgets and thinks that the protagonist is an aboriginal who has not been time traveled and has to take care of the nominal father or a father who does not value his predecessor very much. Do you really think the protagonist is a saint? Or is the author planning a plot twist where the father of the predecessor expelled the predecessor in order to protect his son, and then have a father-son relationship with the protagonist? Please, the protagonist and the predecessor are not the same person! Just pay off the cause and effect quickly. After all, the protagonist takes someone else's body, not really the other person's son.

Why don't you use the gift of using super powers? Do you think you have to use it when you encounter a crisis and then explode to show off? It's boring to write like this, right?

The protagonist's selling of sugar candies is too reckless. If you are not short of money, you should not sell a large amount of sugar. If the protagonist has mastered the technology of making sugar, you will not be short of money. You can sell sugar bit by bit and save money bit by bit. Instead of selling a large amount of sugar when you are not short of money, and then being tricked with a lot of gold coins. Snow sugar should be a very popular luxury product in the main world of the protagonist, so the protagonist does not need to rush to sell sugar, because in this case, snow sugar can also be regarded as an asset. At the critical moment, you can exchange supplies with other merchants. What is the money? Money is a general equivalent. Snow candy can also be used as money in the protagonist's situation.

In a magical world, white sugar wouldn't be a shame, right? Does the author think mages are barbarians with extraordinary powers?

If you can't write the four basic forces and other powers well, then don't forget about the electromagnetic power. If you can't write such a high-level thing, you can do anything else, but it just makes me uncomfortable when I read it.

To be honest, don't write about the Three-Body Problem. The Three-Body Problem represents the explosion of Teacher Liu's imagination. The upper limit of singer civilization is too high. If you write it lower, some people will be dissatisfied. If you write it too high, how high is it? Tracking the time traveler in reverse?

I don't want to read anymore after reaching chapter 35. The most annoying part of this novel is the rhythm and plot direction. One is that the world cuts back and forth, there is no rhythm, and there are no ups and downs at all (in the black robes, no one dares to just play black or rely on others to resist damage and sneak attacks. In the main world, I am even more cowardly, and I don't dare to do basic business wars). The other is that I don't see how awesome the main world is, so I just rely on the background to brag. The protagonist is both stubborn and cowardly. He constantly fights wits and courage with the air, crazily reduces his intelligence (only in the main world), and forcibly weakens (killing things that are not obtained through the system, so he has to learn by himself). It seems a bit frustrating. To sum up, there are a lot of shortcomings 😅

It deserves to be thrown into the street. In less than 40 chapters, almost all the poisonous points that can be written are taken up.

Which part of the protagonist's opening introduction about his mother disgusted me 😒