The Path of Heroes

Regarding the reason why dragging a family with a child is considered poisonous by many people. The main thing is not that the family and the family are brought together, but that few people can write this kind of plot well, where the family and the family are brought together to grow together. If you really had the abilities/miracles of the protagonist, wouldn't you be willing to take the person you want to take with you? Unless you really cut off love and sex, shave off your flesh to repay your mother, and cut your bones to repay your father. In the final analysis, simply put, you can't control it. Very few people can develop the plot simultaneously with the protagonist's family, so although the family is included, in fact, only the protagonist is written, and the others are just like decorations and have no effect. When the readers look at it, they feel that these people are like parasites on the protagonist, so they feel disgusted and abandon the book. If you want to bring your family and friends along with you, you have to put in more or even several times the effort to develop the development and plot of these friends and relatives. But in many works, it is very difficult to develop only the main plot of the protagonist, let alone others. This is why works with protagonists in the "orphan genre" are more popular nowadays. At least you can write and develop the plot of this single protagonist well.

A few comments Next time when writing a book, remember not to "bring in the family", such as a bunch of brothers, a group of roommates, a group of colleagues. Basically, the person who writes these is either a loser or has poor grades. The Qidian Orphanage is not without reason.

Let me make another complaint. It's very poisonous to set the protagonist's sister to be lucky and invincible. If you don't believe me, ask other people.

I hope it won't be a eunuch, this kind of subject matter is very good

After reading Chapter 16, I couldn't help but complain. I said earlier that fire walls cannot burn flying monsters, but how many flying monsters have you burned so far? What Silver Pegasus, What Thunderbird, Now even the flying dragon has to be burned with a wall of fire? You might as well change it to a wall of fire that can burn flying monsters. This setting is no longer a normal BUS. Now you are just slapping yourself in the face repeatedly, and you are even addicted to it.

What do you think of giving the protagonist some unpleasant settings? He is considered a half-torture master.

I have read Chapter 170. Let me first talk about what attracted me. The theme is about the invincibility of heroes and the apocalypse of modern games. This kind of theme attracts me very much and makes me follow it till now. Let's talk about the part about quitting. A lot of the content in the middle is repeated to make up the word count. It feels like the word count is too low. It's slightly better later on, but it's still full of nonsense and does nothing to advance the plot or content, which is off-putting. Moreover, for a game with such settings, it feels normal to play and has many bugs. Chapter 170 doesn't have any advanced units, it's still 135. If you really want to help, post some data on the forum and introduce the arms, magic, and settings. It will definitely be better than running around. This kind of protagonist who has no overall perspective and low emotional intelligence is very boring to watch. I hope the author will write about special features, such as high IQ, setting flow, or farming and hegemony.

If you look at the classification, it's a game alien world, if you look at the introduction, it's evolutionary variation, and if you look at the content, it's an apocalyptic crisis 🙂

I read the book review first, but I continued reading anyway. After all, there are few books on this subject, but I can tolerate everything. My sister is so lucky. Because you want to use a city-breaking routine to trick other heroes, Lucky Specialty will let people attack your city. You're still trying to survive. Even the will of the world doesn't dare to play like this.

Why do you have to write a book where the main character is an African chieftain?